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No, Mike, Henry Kloss would NOT be proud!

An open letter to Mike Walker:

I’ve been busy all week, so I apologize for taking so long to respond to what you said when you started the thread, “Two new HD component tuners” on Wednesday (2/7). But even after a four-day delay, I just have to take issue with the following statement, referring to the new Cambridge SoundWorks "HD" tuner:

“Henry Kloss would be proud!”

Absolutely not!!! It would never have happened on his watch!

Please don’t jump on me (as you did on 700WLW) for posting a link, but I think you may be interested in this one, which compares the Bose Wave with two of Henry Kloss’s designs, the Cambridge SoundWorks Model 88 and the Tivoli Model One: http://www.geek.com/hwswrev/conel/tabrads/index.htm.

Also, see the Wikipedia article: http://en.wikipedia.org/wiki/Henry_Kloss (which also explains that “Kloss” rhymes with “gross,” not with “boss”).

The CSW Model 88 is a compact stereo unit designed to compete with the slightly smaller (and much more expensive) Bose Wave, while the Tivoli Model One is mono.

Both use individual semi-conductors instead of “off-the-shelf IC’s” in order to attain better RF and IF performance. (The disparaging use of the phrase “off-the-shelf IC’s” is a direct quote from a CSW brochure for the Model 88 ca. 1996; I would have given you a complete quote if I could have found the brochure.)

That may seem like “retro” engineering, but in the Tivoli, Kloss went even further by using ANALOG tuning, without even so much as a digital readout. This makes a lot of sense if you really know anything about engineering, because digital circuits -- even frequency counter circuits -- have a way of radiating stray energy that can compromise the performance of analog circuitry that is either nearby or sharing a common power supply (without extraordinary filtering). Tivoli pointed this out in its sales literature for the Model One -- and I think that Tom Wells is the only guy who has ever mentioned that phenomenon in this forum!

(BTW, back in the Seventies I knew one of the techs at Dynaco, and he told me how one of his colleagues had needlessy replaced some circuit boards in an FM-5 tuner a couple of times before he figured out that the terribe S/N ratios he was measuring were caused by energy from his first-generation digital multi-meter -- remember when he called 'em VOM's? -- getting into those tuner circuits through his test probes!)

All the reviews I was able to find online through Google today make a much bigger deal of the CSW 88’s superior audio, especially the bass, (compared to the Bose Wave) than of its better RF performance, CSW’s brochures stressed the two factors almost equally.

Henry Kloss died in 2002. But I think we can assume that he wouldn’t have staked the reputation of any of his fledgling companies at any point in his career on the performance of the iNiquity-approved chip necessary for the implementation of “HD Radio.”

In fact, I don’t think he would have approved of such a seriously flawed system at all.

And neither, apparently, does Amar Bose, since Bose Corp. isn’t offering any “HD” products. Of course, that’s not surprising, since Dr. Bose, has, after all, demonstrated both his engineering competence and his integrity. And he certainly doesn’t want to sacrifice Bose Corp’s reputation for reliability by jumping on a faltering bandwagon.

(If the Wave is somewhat over-priced -- especially by comparison with the Model 88 -- well, somebody has to pay for all that slick marketing!)
 
With rare exception - mostly on the extreme low end - most radios these days contain some digital circuitry.

Personally I'm thankful for the convenience and stability.
 
I have a model 88, AND a Tivoli PAL. Both are great radios. Kloss wasn't "anti technology", which is why I believe he would have been PRO HD. He introduced the first practical projection tv system in the 70s, WAY ahead of the "home theater" curve. He loaded down crossover networks with plenty of components to "voice' (equalize) them for best octave-to-octave balance. He was PRO-tchnology...as long as it was the technology that worked best.

Anyone who knows and loves FM radio knows that tuners suffered FOR YEARS from the adoption of digital tuning. It was a LONG TIME before there were any digitally tuned units with the same reception quality of, say, typical analog tuners from the 70s (when tuner design really peaked. EXCELLENT reception was routine, not exceptional then). It's cheaper and simpler to make a really good inexpensive tuner with analog circuitry, which is why Kloss did it that way. He didn't yield to anyone's pressure to follow the trends.

Why do I believe Kloss would be "Pro HD"? Because it demonstrably solves REAL PROBLEMS...like multipath interference, and under most real-world circumstances provides measurably and audibly better performance. Kloss was all about "what works best". HD "works best' for many situations. That is my OPINION. And that's what we're talking about here, opinions. We'll never absolutely know, of course...unless you wanna' grab a shovel, dig him up, and ask!

See...I didn't yell. I'm actually a nice guy. ;)
 
Mike Walker said:
Why do I believe Kloss would be "Pro HD"? Because it demonstrably solves REAL PROBLEMS...like multipath interference, and under most real-world circumstances provides measurably and audibly better performance. Kloss was all about "what works best". HD "works best' for many situations. That is my OPINION. And that's what we're talking about here, opinions. We'll never absolutely know, of course...unless you wanna' grab a shovel, dig him up, and ask!

That's just the opinion of HD Radio/IBOC shills. Unlike, what the Cartel claims, I have never experienced dropouts, hisses, fading, multipath-interference, crackles, or pops on FM, even during trips to the Blue Riide Mountains; audio quality on FM is always excellent, and I cannot tell, any difference in FM versus CDs, especially with road noise.
 
You've NEVER experienced hisses, pops, or multipath distortion on FM 700? (Well I don't know about "pops" either...but hisses and multipath)? Well that explains a lot. You're hard of hearing! EVERYBODY who listens to FM stereo...even if it's just scanning the dial from one end to the other from a stationary location, experiences one or more of these issues EVERY TIME THEY LISTEN. It's a part of FM. So say you've "never experienced them" raises serious questions about a)-your honesty, b)-your sanity, or c)-your hearing.

I suppose you've never heard hiss on analog tape, or ticks and pops on phonograph recordings. Never seen grain in film photography. Never heard wind noise on a cloudy day! Never heard birds chirp in spring. 700=Helen Keller.
 
Before I purchased an HD radio, I didn't pay attention to the multipath and hiss on FM. I just accepted that as a part listening to FM. After I got my HD radio, I am spoiled by the clean audio and can readily tell the difference without seeing whether the HD light is illuminated.
NOTE TO THE SCEPTICS: I have no financial interest in Ibiquity, I do not work in radio and am not part of the "cartel." I merely enjoy clean audio. Some of the posters here say FMeXtra is a better system. Perhaps it is. But as for now, Ibiquity is the only system available that delivers clean audio. If HD radio fails and another system becomes prominant, I will give that system a try.
 
I couldn't have said it better, Len. I'm not "Pro HD". I'm "pro clean, noise and distortion-free audio". Anyone who believes that is what they get now from FM stereo outside of a major metro area is, well, delusional (at least). The people who designed our FM stereo system didn't believe it was noise and interference-free. There's a great article on the subject of analog FM stereo, and how we got where we are in last week's Radio World called "Revisiting FM Stereo". It takes a look at the stereo systems proposed 40 years ago, their pluses and minuses, and how we ended up with the "Zenith System" we now enjoy/endure. The proponents of the various systems, and those doing the testing, had a very good handle on fm noise and interference issues. Where they went wrong (I think) is in believing that separation at extreme high frequencies (8khz to 15khz) was more important than low noise and distortion. Other systems used a narrowband FM subcarrier (rather then the AM one used for the Zenith system) which had much lower noise in stereo, but no separation above 8khz. Ironically, the most popular method of reducing fm stereo noise is to blend either the high frequencies, or the entire audio spectrum. The net result is that with a well designed radio, even though we chose the system with the best separation, that separation is routinely tossed out for the sake of lower noise!
 
Henry Kloss "might" have approved of the FM IBOC if HE could not discern any detriment to the original analog service. ( I don't)
I doubt he would approve of the detriment from digital displays, which "ought" to be physically and electrically removed from the functional RF circuitry.

The high pitched whine we now hear is Mr. Kloss spinning in his grave, due to the destruction inflicted on the AM by IBOC.

I have had rental cars (a Cadillac) in which the AM was only usable when the engine was off, and many in which the AM was hobbled by display-clock frequency heterodynes every 900 kc.

The emphasis on discrete-part RF and IF engineering is not smoke and mirrors.
Real physical components have no substitute when tuning is involved, and though a varactor-tuning diode "works", it is NOT a capacitor, and offers no ability to "peak" a circuit as mechanical devices do.
The very real "shot noise" effect from such tuning (and detection ) is detrimental, despite the great convenience to "engineers", who are not likely to compare the results of their design to a proper analog tuner.

Mr Kloss I'm sure had the "keep it simple, stupid" philosophy.
ANY additional processing degrades the reproduction. A MINUMUM of parts is the best.
If you have not had the pleasure of listening to AM with a crystal set, or a single-tube regenerative receiver, you can not imagine the purity and transparency available, usually lost in IF and detector design.

Please inform yourself by accquiring a crystal set or one-tube AM with coupling to modern hifi low-impedance phones, and THEN compare
the fidelity ( to whatever).
 
Mike Walker said:
It's cheaper and simpler to make a really good inexpensive tuner with analog circuitry, which is why Kloss did it that way. He didn't yield to anyone's pressure to follow the trends.

Why do I believe Kloss would be "Pro HD"? Because it demonstrably solves REAL PROBLEMS...like multipath interference, and under most real-world circumstances provides measurably and audibly better performance. Kloss was all about "what works best". HD "works best' for many situations. That is my OPINION. And that's what we're talking about here, opinions. We'll never absolutely know, of course...unless you wanna' grab a shovel, dig him up, and ask!

See...I didn't yell. I'm actually a nice guy. ;)

Well Mike, I actually met Henry on several occasions and one of my companies sold some of his products. I spent a fair bit of time at the Kloss factory in Cambridge during more than one multi-day training seminars. They were very much "hands on" with Henry. He was a very interesting guy.

As you very well put it, "He didn't yield to anyone's pressure to follow the trends." I agree. He would call a red herring a red herring. I don't think he'd be proud of HD at all.
 
Tom put it well...I believe Henry was a "first do no harm" guy. It is my belief that FM HD does no harm, and provides a DEMONSTRABLE improvement in fidelity and multipath resistance. These are REAL advantages that anyone (with an open mind) can hear. That, I believe, is all it would take to convince him. The folks who knew and worked with Henry at Cambridge Soundworks and Tivoli are designing HD products. These guys were his partners and friends. That should say something.

However, I agree...he would have been shocked by the implications of AM HD. I AM!
 
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