whoops said:Anybody know what is going on? They identified as WMDH AM1550, but their real call letters are WLTI.
just browsing said:transmitter went down.
I'm always suspicious of claims of long term off air time for transmitter repairs. I've replaced AM transmitters in a few days (from the time I called Quincy and said send me a transmitter until the time it was on the air). Repairs are quicker. Unless the facility burned to the ground, there's more to this story.whoops said:I was alive when that AM came into being. For those interested in Indiana radio history, the station was originally put on the air as an FM-only by New Castle high school graduate and FM evangelist Martin Williams, as his very first station-building project after returning from military service in 1946. Owned by the local newspaper, The Courier-Times, the station’s calls were WCTW--“CT” meaning the paper. And having worked in--and seen--quite a number of stations, contrary to the reputation Martin had in building stations for himself, the original was the best engineered combo set-up I have ever sat in, and included a wire recorder and disc-cutter in early days. My cousin, the late Jack Guyer, designed their current building, which included a skylight directly over the board in the main combo area (during simulcast days)--which I see from Google satellite view is now gone.
Meanwhile, in the late ‘50’s, Muncie broadcasting folk-hero Don Burton, who was busy protecting his stations from possible in-town competition, walked in the door at WCTW one day with a CP for 1550, which he presented to the shocked folks at WCTW, in order to keep the allocation from landing in Muncie.
The technical end turned out to be a nightmare right from the get-go. It took months of field measurements to determine that the desired pattern could not be obtained. My recollection is that RCA did the design work and built the original transmitter and phaser. After months and months of proof of performance work, the FCC approved activation of the station, but the pattern still lacked complete conformity, which seemed impossible to obtain. Periodic work on the pattern continued for months, but finally was abandoned.
My first-hand knowledge ends there, as I was on-air as a teenager, but my family moved to Indy before I had a driver’s license, so I lost my chance at further air work there. After that, something or somebody apparently came calling and insisted more work had to be done to the phaser over the years. The nighttime pattern is absolutely uncanny: cross over the county line in just about any direction, and the signal suddenly becomes unreceivable.
However, something has to be going on there that is about more than transmitter repair. There are guys as close as Spiceland--the next-door neighboring town--who could rebuild any transmitter--AM or FM--from scratch in 2 weeks.
Somebody surely has more information than what has been posted here.
whoops said:And, as a long-time engineering friend said recently, cost is not a factor: "A 250 watt transmitter is nickels, comparatively."
just browsing said:whoops said:And, as a long-time engineering friend said recently, cost is not a factor: "A 250 watt transmitter is nickels, comparatively."
Obviously your friend has only worked with the best who walk around with open check books and no need to filter things through multiple chains of command.
I once worked at an AM/FM combo where the Market Manager refused to replace the studio mic because they didn't want to spend a couple of hundred dollars until next quarter (about 2 months away at the time) and simply suggested the morning show share a mic or just switch the mic in and out of the prod studio.
Lot of truth on both sides of this...I've seen it all from "get a new transmitter overnighted in here" to "anything more than $25 requires owner approval", with the latter being more typical. And size of the company that owns the station is not always a good indicator of which side of the paradigm a given station will fall on.RDO said:just browsing said:whoops said:And, as a long-time engineering friend said recently, cost is not a factor: "A 250 watt transmitter is nickels, comparatively."
Obviously your friend has only worked with the best who walk around with open check books and no need to filter things through multiple chains of command.
I once worked at an AM/FM combo where the Market Manager refused to replace the studio mic because they didn't want to spend a couple of hundred dollars until next quarter (about 2 months away at the time) and simply suggested the morning show share a mic or just switch the mic in and out of the prod studio.
Great story. Been there. Done that.
whoops said:Never has sounded good since it signed on, either,--no audio has ever passed those towers above about 4khz,--but it is back on, and has been for months. New Armstrong transmitter, I'm told.
No expense was spared I seewhoops said:New Armstrong transmitter, I'm told.