And we begin another processing thread, bound to start a few bar brawls amongst the golden ears ;D
Okay, so it's on the bench as of today.... my impressions so far:
- Holy crap.
- Really, holy crap.
- Game changer.
In all seriousness, this thing has the cleanest high end I've ever heard. No audible aliasing (there isn't in Frank's O-11 clipper either), just clean, defined sounding high end. It doesn't get smushed in with everything and buried. Bass is deep and strong. No time smear on the crossovers. And the de-clipper does a pretty good job of restoring the missing dynamics so the following processing stages have something to work with, especially on recent material. It's also smart enough to leave the non-crunched older stuff alone.
In a preliminary A/B with the Vorsis Air Aura, the one spot where the Vorsis falls apart is on the crossovers. 31 of them is a lot to manage in DSP (or analog), and I can hear it on the high end on 95% of the material I've put through it, which has been a good cross-section of my roughly 7,000 song library. It's a "smeary" sound on the highs. Tried all sorts of presets, backing the clippers off etc. to no avail. In their defense, I'm sending an email out to Mike in a few minutes to see if there's a solution to this.
Back to the Omnia.9, remember how clean Breakaway Broadcast is? Now take that and multiply it by about 4, and then add every control at your fingertips. Naturally, if you're not familiar with the inner workings of basic audio processing, you can get yourself in heap-big trouble pretty fast. There are simple controls too, like the ones in Breakaway if you don't want to dig deep.
What impresses me with this unit too, is the bonus features of being able to store audio on it in case of STL failure, the dynamic RDS encoder (can send the Inovonics back and save my client $2,100 in the process if the Omnia is purchased) and the ability to send a stream right from the processor.
I've only had it set up for 6 hours, so more to report tomorrow soon. Leif, if you're reading this, please PM me... got a slew of questions for you!
Okay, so it's on the bench as of today.... my impressions so far:
- Holy crap.
- Really, holy crap.
- Game changer.
In all seriousness, this thing has the cleanest high end I've ever heard. No audible aliasing (there isn't in Frank's O-11 clipper either), just clean, defined sounding high end. It doesn't get smushed in with everything and buried. Bass is deep and strong. No time smear on the crossovers. And the de-clipper does a pretty good job of restoring the missing dynamics so the following processing stages have something to work with, especially on recent material. It's also smart enough to leave the non-crunched older stuff alone.
In a preliminary A/B with the Vorsis Air Aura, the one spot where the Vorsis falls apart is on the crossovers. 31 of them is a lot to manage in DSP (or analog), and I can hear it on the high end on 95% of the material I've put through it, which has been a good cross-section of my roughly 7,000 song library. It's a "smeary" sound on the highs. Tried all sorts of presets, backing the clippers off etc. to no avail. In their defense, I'm sending an email out to Mike in a few minutes to see if there's a solution to this.
Back to the Omnia.9, remember how clean Breakaway Broadcast is? Now take that and multiply it by about 4, and then add every control at your fingertips. Naturally, if you're not familiar with the inner workings of basic audio processing, you can get yourself in heap-big trouble pretty fast. There are simple controls too, like the ones in Breakaway if you don't want to dig deep.
What impresses me with this unit too, is the bonus features of being able to store audio on it in case of STL failure, the dynamic RDS encoder (can send the Inovonics back and save my client $2,100 in the process if the Omnia is purchased) and the ability to send a stream right from the processor.
I've only had it set up for 6 hours, so more to report tomorrow soon. Leif, if you're reading this, please PM me... got a slew of questions for you!