Maybe we could put "Stroke Me" back in the play list;-)
Goran Tomas said:What I call a proper comparison is when you get all the processors at your station at the same time. You feed them all with the same audio (your program that you are familiar with), you spend some time getting to know each processor, getting under its skin, learning what it does well, what are the weak points, where can you push it and where you can't... Taking your time as this takes time. It's easy to impress on a 5-minute quick listen, only to find out in the long-term you really can't stand the things you don't even notice a first couple of days.
And after you've done this with all processor, you adjust exactly the same modulation on all of them, put them on the switch and A/B/C compare on-air (or on a separate transmitter). You do both quick switching just to notice the apparent differences in sound texture, but you also leave that switch for half an hour or an hour with one processor and then the other. In the meanwhile, you listen at various locations, with different (large/small, high/low quality) speaker systems you are intimately familiar with as well as those you are not.
In the end, you make a subjective decision based on your preferences. Because of this, your conclusion is very much useless to anybody else... They most likely have different taste, different preferences in what they want, they operate in different markets that requires different kind of performance and their station's programming is completely different as they play different kind of music, have much more or much less talk, have pre-processed their music library or have not and the list just goes on and on...
Which is why someone's general opinion on the processor, I'm sorry to say, really means nothing to you at all. Unless you already know the person well enough to know how it aligns with your own preferences, or you can relate to the experience described. But to have experience, you need to do the above.
Regards,
Goran Tomas
FFoti1 said:Bob,
Most whom post here have not revealed their identities or affiliations. When they do, then it's a whole different scenario.
-Frank Foti
rorban said:FFoti1 said:Bob,
Most whom post here have not revealed their identities or affiliations. When they do, then it's a whole different scenario.
-Frank Foti
I should have made myself clearer. I was referring to manufacturers, their dealer, and reps. For example, you, I, and Scott from Broadcast Warehouse have all identified ourselves. I would hope that any Orban dealers who might post here will do the same, although that is obviously outside of my control.
If a given poster has a commercial agenda in promoting or making claims about a particular product, then the board's other readers (i.e., the ones who are not manufacturers, reps, or dealers) should know this. I have no particular problem with other posters using pseudonyms, although I think that posting under one's own name is a mark of professionalism and I am glad that this requirement is enforced in several of the broadcast industry-oriented mailing lists to which I subscribe.
Bob Orban
stace said:How embarrassing for Omnia
BabyDJ said:I know someone who has an 8600 in California. We've been trading emails. It creams a 6EXI.
I'm sure that set up by the right set of ears it can play just fine with an 11.
littlejohn said:Again we note - who turns the knobs and how much makes more difference than the maker of the knobs. (Assuming we got state-of-the-art knobs)
cgould said:At least he identified himself. He didn't have to do that. He could have hid behind the handle like some other mysterious posters have continued to do in this discussion thread. Funny thing...those mysterious folks (one in particular) have been given a pass!
Funny how that works....
This is why I don't waste time responding to fake people on the boards...
-C
wgliradio said:PaulyBoy. Soon as we know who he is, perhaps others will open up.
FFoti1 said:BTW: We (Corny and I) have done this same test in our lab, and we'd rate them about even...Omnia.6EXi and the 8600.
-Frank Foti
Goran Tomas said:In the interest of full disclosure, I'm employed by AVC Croatia (and have been so for the last year) which is part of the AVC Group. AVC is an official dealer and representative of Telos, Omnia and Axia products, among others.
Regards,
Goran Tomas
rorban said:Frank -- It appears that your development team and ours (Greg Ogonowski and I) have different criteria for judging processing. In our opinion, the 8600 and O6 could only be called "even" if one ignores the 8600's source-to-source consistency, low speech distortion, distortion control on difficult music material (particularly in the midrange), low-overshoot peak control from the L/R outputs, and band-limited composite limiting that does not audibly degrade stereo separation when it operates.
Even if one disregards all of that, the two processors produce fundamentally different sonic textures because their topologies are different. One of the main goals in the 8600's design was to preserve the benefits that our customers perceive in the "Optimod sound" while significantly improving transient punch and HF power handling. We worked hard to reduce irritants, and one of the criteria that I used to determine whether the product was ready to release was whether the sound made me want to keep listening -- in other words, whether the processor "gets out of the way of the music." This is something that cannot be expressed by measurements or even evaluated by short-term A/B tests. It is the way that the processor's audio texture interacts with the brain's perception of music (including the brain's expectations of "how music is supposed to sound" based on a lifetime of hearing it) and is affected by subtleties like short-term dynamic range, spectral balance, and distortion spectrum. To us, it requires a quality I like to call "liveliness," which does not appear to completely coincide with minimizing audible nonlinear distortion. Such minimization can "deaden" the audio quality and reduce the listener's emotional engagement with it. We believe that in the 8600, we have created a significantly better balance between loudness, distortion, brightness, punch, and liveliness than in any previous Optimod-FM.
As for processor comparisons, you have one advantage over me right now -- because O11s are not readily available yet, I have not had to chance to compare this product to the 8600. I look forward to it.
Bob Orban
[/quote]wgliradio said:cgould said:At least he identified himself. He didn't have to do that. He could have hid behind the handle like some other mysterious posters have continued to do in this discussion thread. Funny thing...those mysterious folks (one in particular) have been given a pass!
Funny how that works....
This is why I don't waste time responding to fake people on the boards...
-C
PaulyBoy. Soon as we know who he is, perhaps others will open up.