> >If that truly is the case, that's the most ridiculous thing
> I've ever heard.
> >Only in college radio did I ever hear inconsistencies from
> one shift to the
> >next regarding the approach of a format. And in commercial
> radio, only when >there was
>
> >begin with. That's why I prefer to give them the benefit of
> the doubt and
> >assume that there was some kind of a policy in place.
>
> I'm going to try to be gentle here because I've read your
> posts, think you're a good guy, even have gotten nice words
> from you before... but I'm sticking with my story because I
> actually worked there during the time in question.
>
> Its hard to flip a delivery switch overnight and go from the
> smooth talking standards format to an upbeat oldies format
> in a couple hours. When the station flipped formats, we had
> a new music library, a new computer system on-air, new music
> scheduling software, a re-configured board, new hourly
> clock, new system of news delivery in PM drive, new airstaff
> and programs, and more I've forgotten I'm sure. Talking
> over intros of songs probably wasn't the biggest concern at
> the beginning.
>
> Even when I moved over to 99.1, it took me a couple months
> to completely adjust to the new format -- and I had already
> been a fan of the music for some time. I don't think I was
> bad in those first copule months, but I did a lot of work to
> fit the format and style of the station -- and I didn't have
> to learn a new computer system (they use the same one MTR
> did). Now I'm very comfortable there, but at the beginning,
> it was an adjustment.
>
> I hope I'm worthy to work there, despite needing an
> adjustment period.
>
> Frank
>
Frank,
I appreciate your kind words. And I have enjoyed listening to you in the past, when you filled in for M.K. on occaision. And you are worthy, believe me. And I agree with you on needing an adjustment period. But, I think at WMTR it went beyond the "couple of months", and how can *all* of the jocks be in the same boat? That's why I thought that it was "station policy", especially since *nobody* talked up any records there except for you, and you usually did it during the "off hours", when most likely management wasn't listening.
I would think that if someone is familiar with the music, the ability to do a talk up would come *naturally*, regardless of the unfamiliararity (sp?) with the equipment. I know of many jocks who talked up records on their first break of a brand new gig, so it can be done. On WMTR, even several months after the new format debuted, it almost sounded as if there was a switch that turned the mics off as soon as a song started. Nobody even made an attempt to talk over even the *first few seconds* of an intro. That is why it sounded to me like it was "station policy". I hope you can see where I'm coming from.
Thanks!
McMannors