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Press Passes

I need some info on these, the one's that you can obtain from the Nat'l Press Assoc. in D.C.

Does anyone have this pass kit, and do you believe that they are a legit operation, if so, does anyone think I should go thru with it....b/c I am wanting to obtain one for stuff like Country concerts and such...to interview the artists, and what not.....

Someone lemme know on this....


Thanks,
Wayne
 
I don't think there is a magic, all encompassing pass for concerts or races or whatever the event. You need to get your passes on an event by event basis. It's hard sometimes for commercial stations to get interviews and such, so don't get discouraged if you get shot down a lot. Record companies, promoters, or venue personnel are the best bets. YOu may get absolutely nothing, you may get a couple mins on the phone, you may get to bring a portable recorder to the meet & greet and ask 1 or 2 questions...or you may end up for 30 minutes on the bus drinkin beer with the artist. It all depends on the schedule and how accomodating the artist is. Some folks are gracious to a fault and some are.....well pricks. You'll never know til you ask. Races and sporting events are easier. But you'll definately need a portable recorder to carry around the infield as you stalk drivers. Basketball and football games are a lil easier to get soundbites with their set press conferences. The Universities and pro teams all have media departments you can contact and request credentials.
 
Yeah, sounds like a "Who's Who in American Radio" yearbook offering or a fraternity you can join with a slightly misspelled name like Phi Moo Epsilon for only $100 a year dues.

All the press passes I ever had were by the event from the SID or athletic director or someone else in charge, not permanent, unless you get in real good with someone who just puts your name on a list for good. But you still got to pick them up each event.
 
The NPA is a little better than the "Who's Who" books. Generally an NPA ID will get you past a police line at a wreck or a fire, but little else.
 
My point, exactly. Don't waste money on NPA unless you just want a cool look ID card (Which, I am sure Wayne can make on his computer.)
 
Yeah,

I have made one for my station, but the prinouts look like *&%^ and well, if I saved them and took them to a Kinko's or something, I could get a pro print and covering....but who knows...I wouldn't mind going thru the NPa but for $85, I justed wanted other peoples opinions before I went thru with anything....so if anyone has anymore input, please tell me....

Wayne
 
If you were to show a generic press pass at a concert, security would laugh at you.

Thats not how it works. NPA has no authority over anything really, and the artists/management are under no obligation to give you anything, let alone 5 minutes of said artist's precious time for an interview with someone who can't really give them anything in return (no offense, but that's how they see it).

If you want to get back stage at a show...thats hard enough. And that's on a show by show basis. If you want to get some one on one time with an artist, thats even harder, and unless you're a proven media outlet, damned near impossible. And BIG stations don't even get interviews all the time, artists' schedules are just too tight.

Call the label and ask for an interview. If they want they'll grant you one. Thats your best bet if you're trying to get an interview on your own.

Seriously, don't waste 85 bucks.
 
Although, I haven't been inside a studio for about a year, I have forgotten the term "remote" but thanks for you input guys....

I have station ID's and such ready, but I need them printed, that way at least I know if I attend any concerts of such, then at least people can know who I am....to a point, but I thank you for giving out the notion that I would need to call the record label, to schedule an interview.....

Again, Thanks Guys....

Wayne
 
I'll echo a few of the above, and add a few tips.

The national ID's are a waste of money. You have to get cleared anyway for most stuff by the agency that handles the event. You'd be suprised at what it takes to cover the President.

If you're the reporter for your station, you can do it. I'd suggest getting the perfed business card blanks at Office Depot, use your logo, title, add a photo, sign and date, get it laminated and wear it. Or get 'em professionally done.

Most spot news, just show up, identify yourself, and go where they'll let you.

Planned press events, talk to beforehand.

Most sporting events above high school, hand out one-shot passes. Some issue season or permanent ones. Call the Sports Information Director, PR person, marketing dept, or whoever handles it.

Artists: sometimes one on one by phone, through the label. Sometimes back stage at concerts, again through the label or promoter. Sometimes they'll hold press conferences. Sometimes you can record some at concerts, usually there's a limit on time. Again, call ahead and arrange.

NASCAR: call the track. Sometimes pressers, sometimes grab 'em when you can infield.

You need mic & recorder, cords that have xlr & 1/4 inch to whatever your deck's input is. Most folks have gone to minidisk. Cutting edge is flash recorders.

Attitude is important. If you act like you belong there, you'd be suprised where you can go. Be prepared if you get tossed. Also, bail money's handy.

Happy hunting.
 
Not to sound cheesy, but what was the whole thing on bail money for....LMAO....and thanks for the tips....

Wayne
 
Because Wayne, sometimes if you peeve off the wrong person, you will go to jail!!!

-radioguy801
 
wnih-wayne said:
Not to sound cheesy, but what was the whole thing on bail money for....LMAO....and thanks for the tips....

Wayne

They hit it on the head. You push the limits - sometimes you get busted. You're not a real reporter until you've been arrested (or threatened with it) for trespassing, or been threatened or sued!
 
Thanks Guys, you don't honestly know how much this has honestly helped me out....
 
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