"The Singing Clock"! A tape of 3-5 second jingles singing the WICE calls and the time. If you didn't hit it, it would automatically advance to the next minute's jingle and wait for you there. Very expensive but very effective identity for 1290! Of course, it NEVER screwed up...
Actually TWO tape decks, one with odd minutes, other with even. That way there was never a period where no time check was available. I can't remember whether the separation between time checks on the tape was optical (oxide removed from tape) or electrical (aluminum tape stuck onto the oxide side of the tape to short contacts).
I did not remember the second machine. I guess its been a while... I'm thinking optical for durability and engineers not liking metallic tape swiping heads. Then again, The Singing Clock was an oddball proprietary device so you got me on that one too... Jim Pierce (sp?) was an engineer at 1290 forever and knows all technical history for them. He is around 80 now if he's still with us.
Myron would be in his 90s if he's still around. He was handicapped and the sole of one shoe was about 4" thick. He left the Crown Hotel studios when JW converted it to dorms. From what I know, the studio wasn't slated to survive the renovations. Last saw Myron beginning to build a new setup in a former dance studio above the old Picadilly Bar at the corner of Empire and Washington Sts. He owned Muffetts Music near the corner of Empire and Weybosset for years.
I've never had the opportunity to meet Ken Grady, but if correct, he's the guy who established 91.5 WCVY in Coventry. Excellent job my friend!
The Crown studio was never part of a radio station, confirmed by Jim Mendes and others who worked 1290 then. The board came from WHAT 1340 in Philly and was hacked for stereo (no simple task) by a WJAR engineer. Most material was mixed mono into a Scully (model ??) and the final take would be cut on a lacquer by a (Scully? Presto?) lathe with a hot diamond stylus in a Grampian head, driven by a 50 watt McIntosh amp. Another option was to have Myron bring the master tape (Myron ALWAYS kept the master) to RCA in New York. They would press the discs for his Planet record label and you would have as many "real" records to distribute as you could order.
It looked like any typical radio studio but another buzz kill (besides not being WICE's) was: The board was not the on air one Hy Lit played the Clovers on, but from WHAT's production studio. Myron payed well and all his engineers had to have a 1st class FCC license.
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