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Prurient Petticoat Junction

F

fred flintstone

Guest
On Boston Legal this week, during three bedroom, love-making scenes, the sound track played a rock version of the theme from Petticoat Junction (as the actors moved actively under the covers of the hotel room bed).

I've watched a few of the DVDs of black and white episodes from Petticoat Junctions' first two seasons (thank you, Netflix). These episodes were not included in the syndication package (which hasn't been broadcast lately either). It was a different show early on. When the show moved from Tuesdays to Saturdays, it became a show your grandmother would watch. In the black and white episodes, it was a sexy show - a riff on the old traveling salesmen jokes: Three hotties in a country B&B and in most episodes, one or more traveling salesmen checked into the Shady Rest. And the orignal actresses who played Bobbie Joe (originally the slutty blonde sister) and Billie Joe (originally the artsy, semi-beatnik brunette sister) were outright sexy (as opposed to their more wholesome replacements).

And the show was loaded with double-entendres: The show was set in "Hooterville" (or as Ava Gabor called it, "Hootersville"). The show opened each week with the three hotties skinny-dipping in the water tank.

And, speaking of double entendres, look at the theme song lyrics (played in a sex scene, they take on a whole new meaning):

Come ride the little train(1) that is goin' down the track to the junction(2).
Forget about about your cares, it is time to relax at the junction.
Lots of curves, you bet.
And even more(3) when you get
to the junction (Petticoat Junction).

_________________________________________________
(1) The motion of steam engine driving rods and wheels was often used as a sexual metaphor in "racy" mid 20th Century novels.
(2) Junction: (n) 1. The act of joining. 2. A place of point of meeting.
(3) Emphasis added.
 
Which reminds me of a Ron White bit. He was on stage and there was a woman in the front row with a highly-slit skirt.
Ron interrupted his routine and told her "Miss, your slip is showing."
She frowned at him and said "it's a petticoat."
"Well," he said, "I can see all the way to the junction ... and Uncle Joe needs a shave."
 
I always thought Paul Henning was slick for the way he put sex in his shows subtly. I mean look at Ellie Mae. That woman was really just painted into her blue jeans. And even Eva Gabor was eye candy for the over 40 set.

I agree Petticoat Junction change direction for the worse with Meredith MacRae, while she was certainly fine as an actress, the other two Billie Jo's were far more boy crazy and wordly with men. MacRae just basically used the show to sing on it.

And once Betty Jo and Steve married the series shifted to a marriage sitcom. And of course more boring songs.
 
Mark said:
I always thought Paul Henning was slick for the way he put sex in his shows subtly. I mean look at Ellie Mae. That woman was really just painted into her blue jeans. And even Eva Gabor was eye candy for the over 40 set.

I agree Petticoat Junction change direction for the worse with Meredith MacRae, while she was certainly fine as an actress, the other two Billie Jo's were far more boy crazy and wordly with men. MacRae just basically used the show to sing on it.

And once Betty Jo and Steve married the series shifted to a marriage sitcom. And of course more boring songs.

You may have put your finger on part of the problem. According to Linda Kaye Henning's DVD commentaries, after the pilot Paul Henning was not directly involved in Petticoat Junction (even less so in Green Acres, which he did not create, it was based on a radio sitcom starring - coincidentally - Bea Benaderet). Henning worked mostly on Hillbillies, which stayed true to the original concept throughout (although the show did stay on too long and was getting worn out and repetitious at the end). Others took over writing and producing Petticoat.

The original Bobbi Joe, Pat Woodell, was very hot and they had to tone her down (big hair, loose clothing) because Billie Joe was supposed to be the bombshell (and she wore the sweaters). Woodell was also a singer, but never got much chance to sing on the show (because they were not doing a lot of musical numbers originally). Blonde bombshell number two Gunilla Hutton reportedly was Nat King Cole's mistress and had been roomates with Meridith MacRae. I almost feel sorry for the MacRae women: Meredith was not a good as the other two Bobbi Joes - and her mom was no Audrey Meadows.
 
Most of the subtle sexual overtones(if there were any) went over my head in the 1960s...it came accross to me in my youth as a sometimes much too wholesome show...but it coincided with the country chick innocence and charm. "'ol E.J." may as well been cast on the show having worked part time as a hired hand for Arnold Ziffell. Green Acres by comparison was by far more off the wall and funnier...As for the Bobbie Jo character..Lori Saunders was the BEST!

http://www.lorisaunders.com

Before there were Dixie Chicks,there were Pettticiat Junction chicks!
 
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