Tony Santiago said:I remember back in the days driving through the region I would turn on Q-102 and everything sounded much faster! And it wasn't just increasing the pitch...the octave went up with it! That was the only station I knew of where every aspect was speeded up, not just time compressing a track where it would sound like the original but sped a notch to save those 24 seconds.
Nick said:The whole point of speeding up the music is to increase the pitch to make the song sound "hotter"
Up_N_Down_The_Dial said:Q did speed the pitch on the turntable or CD Player by +3%. They did have plenty of equipment that could have corrected the pitch/tempo, but did not use it for that. They did it for the reason stated above, to make the other stations sound boring (Eagle 106, Power 99).. at the time they were not all owned by Clear Channel... it is common practice in CHR to speed music, I don't know if it's common to speed by +3 or not, but that's what they did...
On the contrary, I first heard some songs on 92.3 Now FM which speeds up 3%, and it drives me nuts to hear it not pitched up on the other stations.DanStrassberg said:Up_N_Down_The_Dial said:Q did speed the pitch on the turntable or CD Player by +3%. They did have plenty of equipment that could have corrected the pitch/tempo, but did not use it for that. They did it for the reason stated above, to make the other stations sound boring (Eagle 106, Power 99).. at the time they were not all owned by Clear Channel... it is common practice in CHR to speed music, I don't know if it's common to speed by +3 or not, but that's what they did...
What percentage of the population has absolute pitch? I have a cousin who has it. I think music whose pitch is wrong drives people who have absolute pitch nuts (figuratively). In that case, playing music sped up in pitch as well as tempo would drive away some portion of the potential audience. Speeding up only the tempo would not have that effect.
Nick said:I never paid attention in middle school music class and (thanks to two obnoxious classical stations that interfere with dance stations), don't like classical music.
I like hearing CHR music pitched up enough to make it sound "hotter", but 6% would make it sound like chipmunks. I can tell when a song is pitched up 2%, 3%, or more. Only CHR, especially rhythmic, sounds good pitched up, oldies, most rock, AC sound bad sped up.
I listen most to the CHR station that pitches up 3% than the others that don't speed up at all.
I never paid attention in middle school music class and (thanks to two obnoxious classical stations that interfere with dance stations), don't like classical music.
I like hearing CHR music pitched up enough to make it sound "hotter", but 6% would make it sound like chipmunks. I can tell when a song is pitched up 2%, 3%, or more. Only CHR, especially rhythmic, sounds good pitched up, oldies, most rock, AC sound bad sped up.
I listen most to the CHR station that pitches up 3% than the others that don't speed up at all.
I'm sorry about saying that all classical stations are obnoxious. It's not the music, it's their frequency. WWFM 89.1's IBUZ interferes with Z88.9, and a 105.3 translator in Connecticut interferes with Party 105 (the main signal is clear in the area of the translator). It's like the same thing with religious stations cluttering up the dial, or most pirate stations with a Caribbean format.radioskeptic said:Nick wrote:
I never paid attention in middle school music class and (thanks to two obnoxious classical stations that interfere with dance stations), don't like classical music.
I like hearing CHR music pitched up enough to make it sound "hotter", but 6% would make it sound like chipmunks. I can tell when a song is pitched up 2%, 3%, or more. Only CHR, especially rhythmic, sounds good pitched up, oldies, most rock, AC sound bad sped up.
I listen most to the CHR station that pitches up 3% than the others that don't speed up at all.
First, Nick, classical stations are not obnoxious, except in the "minds" (and I use the word loosely) of cultural barbarians.
But more important, a 6% speed-up does not yield a "Chipmunks" sound. The voices of the Chipmunks, like those of the Witch Doctor (another David Seville record) and the Purple People Eater (Sheb Wooley) before them (and for that matter, the mice in Disney's 1950 animated feature Cinderella) were created by speeding up a master tape from 7.5 to 15 i.p.s., or from 15 to 30. This raises pitch by an entire octave, and the music is in the original key. (And I hope those pop culture references prove that I'm not a complete cultural snob -- I just get annoyed with people who seem to revel in their ignorance!)
Speeding up 33⅓-rpm records to 45 or 78.26 rpm yield different intervals, changing the key. An LP played at 45 rpm is raised by about a perfect 4th,; played at 78, it's raised by an octave plus about a minor 3rd.