SQ was CBS, QS was Sansui.DuckBlue said:On at least one Saturday afternoon in about 1972, WZGC and WREK broadcast discrete quadraphonic sound, the front channels on WGZC and the rear channels on WREK. I was not that impressed. There was never any method proposed for discrete 4-channel on a single station.
I seem to remember that WQXI-FM claimed to be broadcasting in the SQ matrix format (developed by Sansui) at one time in the mid/latter '70s. The matrix encoders "tried" to encode 4 channels into 2, but the separation was almost nil. 90 degree phase shift circuits were used to attempt to create a directional sound field. The more advanced matrix decoders had agc expander circuits that used "logic" to automatically vary the gain of the channels in an attempt to artificially enhance the separation.
The Quadradisk, developed by JVC (and maybe RCA), was the only true discrete 4-channel LP, but few records were issued in the format. Playback required a complex decoder and a special phono cartridge. The matrix-encoded disks required no special cartridge, but a decoder was required for playback. At one time, CBS announced that all of its LPs would be SQ matrix-encoded quad disks.
Any FM station could claim that it was broadcasting in quad simply by playing the quad-matrix discs, no encoder required - a trick probably used by many broadcasters.
JVC (Victor Co. of Japan) was the Japanese affiliate of RCA, so there was a lot of technology sharing (RCA and WEA used Quadradisc). In fact, JVC has the rights to the Nipper "His Master's Voice" logo in Japan to this day.
Quadradisc encoded and recorded the two left and right difference (front minus rear) signals at much higher frequencies than the two left and right sum (front plus rear) signals (similar to how the difference signal is encoded for FM stereo, with a mono sum signal and an encoded left minus right difference signal). The upside was four quasi-discrete channels (well, more "discrete" than a matrixed setup--not as truly discrete as 4 separate signals) with excellent separation compared to matrix formats. Downside was poor high-frequency response on the sum signals (due to the sharp rolloff required to separate the sums from the differences), and the tendency of non-quad styli to abusively "wear off" the high-frequency difference signals from the grooves with repeated play.
Of course, there would be no way to transmit or recover a quad signal from a Quadradisc recording over FM, with FM's sharp rolloff obliterating Quadradisc's difference signals to make room for FM stereo's difference signal.