shreveville said:
On the other hand, we want something that is professional that will not last.
Well, if you want something pro that will not last, pick just about any deck you like! ;D
No cassette deck will last, as mentioned by others above. Even hi-fi buffs with their several-thousand-dollar Nakamichis are
always looking for pinch rollers and drive belts. Rubber perishes, end of story.
So, I work on the basis that I'm going to have to replace these parts at some point in the life of the unit. It may be 5 years down the track, it may be 15 - but it's going to have to be done, so may as well factor it into the job schedule.
In the meantime, I want a deck that has a nice feel, operates solidly and is ready to go with balanced I/O, rack ears etc.
I don't want to have to spend even more time modifying a consumer deck to do a pro-deck job.
In theory, your cassette deck should never see a lot of use. Compatibility is really the only need for one these days, so you can recover old audio or listen to a demo tape (but even those are rare).
Everything else can be done digitally - aircheck logging, client demos, file transfer and archiving.
I have a Tascam 122 MkII and so far I haven't needed to change any rubber parts. Granted, there are probably pro-type cassette decks out there that are easier to work on than this machine, but the price was right and it's nice to use.
The day will come when I have to pull it down and overhaul it, but until we lose mechanical formats of audio recording for good, this little task will be with us for sometime.
If your time is worth a lot, then you shouldn't be considering mechanical playback devices in any critical role anyway.