A thread below discusses the future of WWKB. I’d like to address the future of radio. I have no crystal ball and don’t pretend to have all the answers, let alone all of the questions. But what I see for radio in the next ten years has me greatly concerned, and mildly hopeful.
Not long ago, a few of my nephews (16-24 demo) visited for about a week and with them came all sorts of electronic gadgetry, from Gameboys to iPods to CDs. It took me less than a day to realize they did not listen to radio. Not AM. Not FM.
AM radio does not exist for a majority of teens and young adults. It’s old, stodgy and filled with white men and women who talk about the same old political crap or an occasional sports station with hosts who don’t really reach impress young adult listeners who are as jaded as the talk show hosts and who believe they know as much as the talk show host, if not more.
FM doesn’t fulfill their need for “instant gratification.” The CHR and Active Rock stations “don’t play any real new music, just old stuff that nobody’s interested in anymore.”
Radio is in a cataclysmic period, similar to what occurred when FM erupted with Progressive Rock, strictly formatted Beautiful Music and Top 40 in the late 60s, the 70s and early 80s. Think of where radio was twenty years ago… ten years ago. Consider what stations were on top of their games and how many people used radio. Now, consider where we are today.
You don’t have to have a PhD in statistics, math or sociology. You have only to observe how people under the age of 25, particularly teens, are using (or perhaps, NOT using) radio. Objectively extrapolate your observations. You don’t have to be a weatherman to know which way the wind’s blowing.
I think AM is dead. Yes, it serves a limited purpose for older demos. I genuinely enjoy DX’ing the Amplitude Modulated band. But it’s become a curiosity. Digital will not save AM. Filled with static, interference and IBOC hash, to say nothing of the dreadful, uncreative, canned and syndicated programming, AM appeals primarily to 45+ Men, if that.
Please don’t deride me for this observation. I happen to be 45+.
FM radio is only marginally better. If FM doesn’t get its act together, it too will succumb to the new technologies such as Wi-Fi, cellular, satellite and direct FM. Just as AM was in denial in the late 70’s, when teens, young adults and even geezers embraced FM, FM operators are in denial today. If they don’t rise to the needs and challenges of a changing landscape, FM’s popularity will fade in the next ten years. It’s undeniable.
Here is where I become mildly hopeful. I believe the new technologies will force FM, which maintains clarity and technical excellence, to adapt and compete. It will take a body blow to the radio conglomerates, but FM will adapt. It won’t be the digital sub channels that save the medium, it will be the programming and the people who save it with live local talk, direct feedback music on demand and specialty programming that adapts to and challenges young listeners to “check it out” and embrace it.
In the end, talented programmers, producers, personalities, writers and musicians may become more valuable to the programming needs of FM which will be forced to produce programming that appeals to a new generation of listeners. Live and local may become increasingly important and critical to the survival and success of FM, whether the format is music or news-talk.
Not long ago, a few of my nephews (16-24 demo) visited for about a week and with them came all sorts of electronic gadgetry, from Gameboys to iPods to CDs. It took me less than a day to realize they did not listen to radio. Not AM. Not FM.
AM radio does not exist for a majority of teens and young adults. It’s old, stodgy and filled with white men and women who talk about the same old political crap or an occasional sports station with hosts who don’t really reach impress young adult listeners who are as jaded as the talk show hosts and who believe they know as much as the talk show host, if not more.
FM doesn’t fulfill their need for “instant gratification.” The CHR and Active Rock stations “don’t play any real new music, just old stuff that nobody’s interested in anymore.”
Radio is in a cataclysmic period, similar to what occurred when FM erupted with Progressive Rock, strictly formatted Beautiful Music and Top 40 in the late 60s, the 70s and early 80s. Think of where radio was twenty years ago… ten years ago. Consider what stations were on top of their games and how many people used radio. Now, consider where we are today.
You don’t have to have a PhD in statistics, math or sociology. You have only to observe how people under the age of 25, particularly teens, are using (or perhaps, NOT using) radio. Objectively extrapolate your observations. You don’t have to be a weatherman to know which way the wind’s blowing.
I think AM is dead. Yes, it serves a limited purpose for older demos. I genuinely enjoy DX’ing the Amplitude Modulated band. But it’s become a curiosity. Digital will not save AM. Filled with static, interference and IBOC hash, to say nothing of the dreadful, uncreative, canned and syndicated programming, AM appeals primarily to 45+ Men, if that.
Please don’t deride me for this observation. I happen to be 45+.
FM radio is only marginally better. If FM doesn’t get its act together, it too will succumb to the new technologies such as Wi-Fi, cellular, satellite and direct FM. Just as AM was in denial in the late 70’s, when teens, young adults and even geezers embraced FM, FM operators are in denial today. If they don’t rise to the needs and challenges of a changing landscape, FM’s popularity will fade in the next ten years. It’s undeniable.
Here is where I become mildly hopeful. I believe the new technologies will force FM, which maintains clarity and technical excellence, to adapt and compete. It will take a body blow to the radio conglomerates, but FM will adapt. It won’t be the digital sub channels that save the medium, it will be the programming and the people who save it with live local talk, direct feedback music on demand and specialty programming that adapts to and challenges young listeners to “check it out” and embrace it.
In the end, talented programmers, producers, personalities, writers and musicians may become more valuable to the programming needs of FM which will be forced to produce programming that appeals to a new generation of listeners. Live and local may become increasingly important and critical to the survival and success of FM, whether the format is music or news-talk.