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Radio by the Bay

Y'know, I think Russ Solomon had it under control with Tower for most of the run---he actually outlasted 'em all.

The Eucalyptus story is pretty grim, Peaches was in Chapter 11 by 1981, and the Wherehouse absolutely overextended themselves by getting into video rentals and software sales. Musicland swallowed Licorice Pizza in '85 and the stores they didn't close were re-branded as Sam Goody.

But then, just as those guys died off, Virgin Megastores came along and I think Russ and Richard Branson got into a bit of a manhood-measuring contest.

If Russ had stayed in California, Nevada and Arizona, or even just in the U.S., I think he'd have been okay. But Tower started globe-trotting---Argentina, Canada, Hong Kong, Ireland, Israel, Japan, Mexico, the Philippines, Singapore, South Korea, Taiwan, Thailand and the UK.

All this at a time when margins were getting slimmer and the music business was changing.

Branson was built for that kind of stuff. Russ, who was a lovely guy, was a kid from Sacramento who really wasn't.




Here’s one where Tower Records somehow managed to remain a household name in Japan. Yes Tower Records is not the top brand name in the United States anymore but in Japan the company is known to be holding the contracts of some of the pop stars in that country as a music label and that there’s a Tower Records store in that country that managed to be one of the attractions in Tokyo.


This is like when Blockbuster is a tourist attraction in Bend, Oregon when it used to be a major video store chain in the 1990’s.
 
That's Dublin, Ireland, I presume?

c
The DVDs on the second shelf down, all the way on the right, are titled "Favourite" with a "U", which is a British spelling, not an American one. Also the yellow circles are price stickers and seem to have Euro symbols to the left of the prices. (The image isn't crisp enough to be certain.) So yes, I'd agree with you about it being Dublin Ireland, not Dublin California.
 
If any Tower Records stores still existed in the Bay Area, I'd make sure to visit it.

I did visit the location in Concord (off Willow Pass Rd x Diamond Way) in 2000 or 2001 (it was a Guitar Center for years until maybe 5 years ago when it became, I think, a Hobby Lobby (EDIT: just checked, and Guitar Center is still there)). I was very interested in LPs at the time, and after raiding many of the local thrift stores, I wanted to check out what they offered. I remember being disappointed when I found one cabinet off in one corner, carrying at most maybe a half dozen titles.

I think I discovered Rasputin not long after, which was much more satisfying.

c
 
The website advertised in one of the pictures is “www.towerrecords.ie” — “ie” is the TLD for Ireland.

Interesting for me is that it’s in a second-floor location. Tower Records in San Francisco had a small branch on Market in the Castro that was also a second-floor location.
 
I hope it's OK to drag this thread up from the depths, but I'm not sure where else to post, so I'll keep it brief and succinct:

I finally made it to the museum in Alameda, and it was a wonderful experience!

c
I'm planning a trip to the Bay Area to see friends and have a getaway next month and am trying really hard to arrange things to allow for a visit to the museum. One challenge right now is that flights are least expensive when a Saturday trip is involved. Mid-week trips get really expensive. I guess that means business travel is coming back.
 
Recall in the mid-'70s KFRC ran a summer promotion ('Summer Jam') where they gave an LP away all day long for every song they played. Believe they did this on a few select summer days in 1975. Recalled winning several of those...which were a Tower Records (only SF location) gift card to select any single LP in the store. Great days and memories!
 
I'm planning a trip to the Bay Area to see friends and have a getaway next month and am trying really hard to arrange things to allow for a visit to the museum. One challenge right now is that flights are least expensive when a Saturday trip is involved. Mid-week trips get really expensive. I guess that means business travel is coming back.
The museum is open Saturdays and Wednesdays.
 





Heres one this time on the tours of several stations by the bay in their heyday.
 
It's great to see the photos. If I can overcome some spousal resistance, I hope to be able to visit the museum this fall when I'm in the Bay Area.
Actually, there wasn't much resistance at all. There's potential impedance in the form of reduced airline schedules, but our flight will be hub-to-hub, so I expect to be there next week. Looking forward to it!
 
Enjoy! If it had been Saturday, I'd have looked into shuffling the calendar a bit to say hi (I'm not planning to be there next weekend). The folks who volunteer there are top-notch and will be happy to answer questions.

I'm looking forward to it... Wednesday was the most likely day since flights with Saturday dates saved us a substantial amount. And we get a weekend in Sonoma (the town)... when we get there. Flight was just delayed by 2 hours by SFO ATC. Not surprised.
 
I've never had the chance to visit what was once the most powerful receiving/transmitting station (longwave/shortwave) on the west coast. Has anyone ever toured this site, and is it worth visiting?

A couple of Julys ago I happened to be revisiting the ol' digs in the Bay Area, at the same time as the annual transmissions were tested from KPH at Pt. Reyes. Got a chance to go in and smell the same type of old style RCA equipment that surrounded me in my earliest days at radio stations. Except this facility was built for Morse code transmissions to ships at sea across the Pacific. I didn't see that it had any official open hours for the public in 2023, even in the afternoon/evening that I happened to stop by. But one of the organizers of the annual event that I spoke with recognized my interest, and previous knowledge of them, and let me in, along with a reporter from San Francisco. We watched them fire up some old transmitters. Harmonics didn't spill over onto my AM radio, however.
Wasn't as dramatic to be there as it might suggest. Unless the romance of the art deco building at a remote location in a national seashore resonates with you. And the ghosts of ships at sea haunt your radio dreams. . .
Learned more of its history from articles posted on its bulletin boards, so it was a treat for me to be there.

Here's an archived mention from the National Park Service of the "Night of Nights" on July 12 from a couple years ago:
Event Details (U.S. National Park Service)

The Maritime Radio HIstorical Society is your best point of contact. They're the group of enthusiasts who volunteer to keep it working. Looks like they do try to have some open hours for the public now, when the government is not "closed." Maritime Radio Historical Society

There's also an historical Marconi site nearby on the other side of Tamales Bay that's now a state-run conference center. At a formerly notorious Synanon compound, right next to Hwy 1. They even had a low power oldies FM for awhile, licensed to Marshall Calif. But almost no potential audience out there, and the hobbyist guy running it recently gave it up (that's probably mentioned elsewhere on this site.) But you can get some great barbecued oysters at a couple of nearby places along the water. It's one of my favorite places in California.

Now you might get me started on the poetry of the nightly Shipping Forecast on BBC Radio 4.

Fair winds and following seas to you.
 
I'm looking forward to it... Wednesday was the most likely day since flights with Saturday dates saved us a substantial amount. And we get a weekend in Sonoma (the town)... when we get there. Flight was just delayed by 2 hours by SFO ATC. Not surprised.
Yep, I made it there Wednesday of last week. One of the part-time employees who had been an archival intern, Violet, showed us around. On the first floor toward the front, there are many, many radios of various vintages. There are some unique finds there. For example, a coin-operated radio made in Oakland, intended for use in hotels and motels...25 cents for an hour of listening time:

coin-op-radio.jpg

Farther back are the station memorabilia, with posters from many stations past and present. Along one wall there seemed to be a bit of a theme, with posters for KFOG, KSAN (the original version), and KSFX grouped together:

station-posters-1.jpgstation-posters-2.jpg
There were many, many more station promotional items, too numerous to show here, though I will point out the radio for KNAI, the NBC-owned News and Information Service station during the short life of that network (I believe this was a portable radio in the box but I couldn't tell for sure):
knai-etc.jpg
In the back, there's a functioning studio. I was pleasantly surprised to see a working Gates board from, I think, the 1960s. This was the same kind of board with which I started out my radio career in Warrenton, Missouri at KWRE in 1976....though the museum has better cart machines than KWRE had!

gates-board.jpg
The repair shop nearby was busy. In fact, much of the museum was quite busy with quite a few volunteers working.

We also went downstairs. There was an exhibit of analog TVs, a very nice display of an SDR tuned to KQED-FM, showing how the FM baseband looks with an HD signal, and an extensive research library. There's a lot in that old telephone building.

Speaking of which, the restoration of the building is beautiful. The exterior had been eisenhowered for decades; the museum stripped all that away and its appearance is now very close to what it was originally. Across the street in Alameda, there are three beautifully maintained Victorians; the museum building is from a slightly later time, but fits right in.

I think the closest we came to meeting a radio celebrity was when Sam Van Zandt came over at one point and introduced himself. I have to admit that I didn't know who he was (much of his later career was in San Jose)...but he was friendly and enthusiastic, as was just about everyone else at the museum.

It was a great way to spend some time in the middle of the day. In some ways, even with the rich assortment of materials already on display, the museum is a work in progress; I'll have to come back in future years to see how they've built on the progress they've already made.
 


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