Re: Rewriting History
As I said, 80-90 grew out of the aftermath of the very unfair Bonita Springs case; it allowed upgrades of class without a major change application and also changes in city of license, etc. With that came a total redo of the table of allocations, allowing as many stations as the band would hold. Most 80-90 drop ins did not get licensed till the late 80's, and many did not make it on the air until the 90's.
The result, as I mentioned, was to overpopulate the FM band and make community service unviable in many smaller markets.
Separately, computer music scheduling (not "selection"... the computer makes no decisions) began to be used around the very late '70's as technology made computer hardware accessable. Between 1980 and 1982, I had two stations on computer music schedulers in Puerto Rico, so it was not that uncommon. And I had computer traffic and billing in the same US market in 1975, and when I went to Colorado for training, the places was packed with radio computer traffic converts like myself. We ran it off minis, not PCs, but one could lease one form IBM for very reasonable rates considering the improved inventory control, greater accuracy, etc., that such systems gave the station and the client.
And computer music scheduling simply enhanced a programmer's ability to control ugly repetition patterns, have smoother rotations, better artist variety, etc. In the era of Arbitron and TSL, this was rapidly discovered to enhance ratings and gave great benefit to the listener.
What happened is that small markets got many more stations, and revenues did not increase so stations went to the satellite and cut back on news and such.
Most of them were in small markets. The majors did not benefit much except in a few cases of move ins. Yet markets like LA or NY or Cleveland or Miami or San Francisco and such did not change at al, to pick a few examples.
Different issue, a decade later. You speak of the mid-80's and then mix it with mid-90's stuff.
It wasn't 80-90. That was done by the time 1996 rolled around. However, the economic harm done by 80-90 in some markets due to move ins and new signals sure increased and enhanced the argument that most stations were losing money.
Very few new 80-90 allocations became the subject of interes by Chancellor, EZ, AM/FM, Jacor, Clear, Cox, etc. Most were in places like Thermal, CA or Lake City, FL. Places that did not need more stations.
That was nothing compared to the 1996 change in ownership rules. 40 stations in 1985 was a much lower percentage of stations that 14 in 1950. That adjustment could be said to have not even kept parity with past limits.
Consulting started in the 60's... Bill Drake was a consultant before joining KHJ in '65. Ron Jacobs was a consultant before joining Drake in '65, and that's just a couple of examples. By the late 60's to early 70's, you had Abrams with SuperStars, the format syndicators, and everybody was consulting, from Rick Sklar to the CHR gurus from Shannon to the now-venerable Drake.
Computer music scheduling began to be used around the very late '70's as technology made computer hardware accessable. Between 1980 and 1982, I had two stations on computer music schedulers in Puerto Rico, so it was not that uncommon. And I had computer traffic and billing in the same US market in 1975, and when I went to Colorado for training, the places was packed with radio computer traffic converts like myself.
SirRoxalot said:Puh-lease. Docket 80/90 happened in the middle '80s - coincidently around the time that computer systems were becoming more common in the real world, computerized music selection was born, and computerized traffic systems became viable. It was born out of an increased demand for FM signals, especially by small markets that had no local FM service. It was also thought to be a way that AM daytimers might be able to offer full-time service to smaller markets. One other effect of Docket 80/90 was a relaxation of studio location rules.
As I said, 80-90 grew out of the aftermath of the very unfair Bonita Springs case; it allowed upgrades of class without a major change application and also changes in city of license, etc. With that came a total redo of the table of allocations, allowing as many stations as the band would hold. Most 80-90 drop ins did not get licensed till the late 80's, and many did not make it on the air until the 90's.
The result, as I mentioned, was to overpopulate the FM band and make community service unviable in many smaller markets.
Separately, computer music scheduling (not "selection"... the computer makes no decisions) began to be used around the very late '70's as technology made computer hardware accessable. Between 1980 and 1982, I had two stations on computer music schedulers in Puerto Rico, so it was not that uncommon. And I had computer traffic and billing in the same US market in 1975, and when I went to Colorado for training, the places was packed with radio computer traffic converts like myself. We ran it off minis, not PCs, but one could lease one form IBM for very reasonable rates considering the improved inventory control, greater accuracy, etc., that such systems gave the station and the client.
And computer music scheduling simply enhanced a programmer's ability to control ugly repetition patterns, have smoother rotations, better artist variety, etc. In the era of Arbitron and TSL, this was rapidly discovered to enhance ratings and gave great benefit to the listener.
What actually happened? How much programming at Docket 80/90s actually came from the COL? What ended up happening was an expansion of FM service to areas that had none, but not an expansion of local programming to areas that had none.
What happened is that small markets got many more stations, and revenues did not increase so stations went to the satellite and cut back on news and such.
Who BOUGHT most of the Docket 80/90 stations?
Most of them were in small markets. The majors did not benefit much except in a few cases of move ins. Yet markets like LA or NY or Cleveland or Miami or San Francisco and such did not change at al, to pick a few examples.
Who created the concept of LMAs to get around ownership caps, and pushed the FCC to ultimately expand ownership caps?
Different issue, a decade later. You speak of the mid-80's and then mix it with mid-90's stuff.
Who fueled the buying frenzy of the '90s through 2006?
It wasn't 80-90. That was done by the time 1996 rolled around. However, the economic harm done by 80-90 in some markets due to move ins and new signals sure increased and enhanced the argument that most stations were losing money.
Who threw millions at local guys who applied for Docket 80/90 CPs - didn't even build the stations - and turned around to sell the licenses to the consolidators when the FCC opened the flood gates? Not to mention the ones who cobbled together a station, sat-casted for a couple of years, then sold at a huge profit when the consolidators finally got the go-ahead. It sure wasn't the small market operators.
Very few new 80-90 allocations became the subject of interes by Chancellor, EZ, AM/FM, Jacor, Clear, Cox, etc. Most were in places like Thermal, CA or Lake City, FL. Places that did not need more stations.
Docket 80/90 wasn't "long before consolidation". The limit change from 7-7-7 was virtually concurrent with Docket 80/90, allowing radio companies to own up to 40 stations.
That was nothing compared to the 1996 change in ownership rules. 40 stations in 1985 was a much lower percentage of stations that 14 in 1950. That adjustment could be said to have not even kept parity with past limits.
That - along with the relaxation of the COL origination rules - was the beginning of the concept of "regional synergies". Add the rise of big consulting companies pitching tighter formats the de-emphasized (and thus devalued) live and local input in favor of the "magical music mix", and you have the seeds of the homogenized, souless radio that we hear too often today.
Consulting started in the 60's... Bill Drake was a consultant before joining KHJ in '65. Ron Jacobs was a consultant before joining Drake in '65, and that's just a couple of examples. By the late 60's to early 70's, you had Abrams with SuperStars, the format syndicators, and everybody was consulting, from Rick Sklar to the CHR gurus from Shannon to the now-venerable Drake.
Computer music scheduling began to be used around the very late '70's as technology made computer hardware accessable. Between 1980 and 1982, I had two stations on computer music schedulers in Puerto Rico, so it was not that uncommon. And I had computer traffic and billing in the same US market in 1975, and when I went to Colorado for training, the places was packed with radio computer traffic converts like myself.