• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

Radio Jobs

Status
Not open for further replies.
So... UofADiva:

What's your ratings track record? Are there some stations you have programmed that saw improvement in ratings and revenue under your leadership? How would you develop TSL and cume? What sellable points are you going to bring to the station to enhance the revenue?

Just a few of the questions you need to answer to get a PD gig. I'm not saying you can't answer them, but you will need to.
 
uofa_diva said:
First off, I really and truly do not like your tone. Just because I'm working at a college radio station, you take me for an idiot. Just because YOU feel underqualified for the position doesn't mean than I am.

Katie, I agree with RockTheGlobe that you're underqualified for the position. However, I also say send them a package if you're interested. I'm a big fan of biting off as much as you can possibly chew. Go big and see what happens.

No, I don't think you'll hear back from them, but what do you have to lose besides the relatively cheap cost of making a package?
 
Katie-

Here's a quiz. There are a handful of these questions on most OM/GMs minds when they are hiring a potential program director, we'll start easy.

What does DMA stand for?

What does HDBA and HDLA/HDHA stand for?

What is the difference in value between top of card inventory and promotional inventory?

How do you formulate the OES?

Explain your music scheduling philosophy for a contemporary property?

When looking at call-out research, what does the POP score mean? (and POP doesn't mean POP music)

What is burn score?

How many powers should a contemporary station play?

What separation should those powers have?

How do you back-time an hour?

Explain, briefly, your overall programming philosophy?


Don't think i'm trying to be rude, i'm just trying to get you to put your radio experience into perspective. Working at a non-comm college station is decent technical experience, assuming your college uses the equipment that is common in commercial radio, but it by no means is experience PDs will look at when considering you for on air work. And in this day and age of radio work experience goes alot further than a degree, 2 years in commercial radio = a bachelor's degree in Mass Comm. 5 years in commercial radio = master's degree. By now I would have a doctorate.

REMEMBER COLLEGE RADIO CAN BE SUMMED UP IN 5 WORDS:

DEAD AIR...UMMM...DEAD AIR

I think you are passionate, and I like that in a candidate. But you need to know and recognize that even lawyers must spend a couple of years in the trenches, barely making ends meet (when you factor in those without a college scholarship). Radio is no different, I spent the first 5 years of my career as a part-timer, my first full time gig paid barely $20K per year, and that was after 5 years experience, which rememeber equals a masters in work experience vs. school terms. Now, i'm 10 years into a career with experience in 3 major markets, I make a good living, of course I still have no kids and I'm not married (that changes everything), but I still can't COMMAND my salary. Just take a deep breath, sit back and take some advice. That's all.

Besides, if you think having an internship was a waste of time, wait until you enter the world of commercial radio, you will then realize what a waste of time and money a degree in radio really is. Your STAT professor was waaaay wrong about this industry, a degree means squat in radio.

And ask any TV reporter/anchor, where a degree actually counts, how much they made and where they were for their first gig. You'll hear the same thing you've heard on this board.

Hope you take this to heart. It will only do you good.
 
A few more quiz Qs for the Katester... ;D

Do you know how to wind carts?

How many grams of tracking on the QRK tone arms
to play those styrene 45s?

Not to be confused with "burn score"--do you know
what "cue burn" is?

What do you use to clean the heads on the Ampex 350s
and the Spotmasters? (OK, maybe you'll have Criterions,
or if you're really lucky, two or three ITC triple-decks.)

What are the power up/power down times for February
in Tucson...and how is that calculated?

Why do most if not all the Tucson radio request/contest
lines have the prefix "880"?

Do the names Frank Kalil, Jefferson K, and Ed Alexander
mean anything to you?

And finally--what is better, a 3 kHz or a 5 kHz Telco line?
 
uofa_diva said:
First off, I really and truly do not like your tone. Just because I'm working at a college radio station, you take me for an idiot. Just because YOU feel underqualified for the position doesn't mean than I am.

As far as those programs you mentioned, Selector and Linker, no I do not know them yet. However I can run circles around most anyone when it comes to computers and software applications. Those should be no different. Secondly I have taken both extensive leadership courses and have practical real world knowledge of managing events. Who do you think helps put together the U of A Spring Fling every year? That involves months of organization with both staffers and commercial vendors.

Furthermore I have also taken two accounting classes that deal with every aspect of corporate finances. So again, YES! If need be I can easily execute and design a radio station's annual budget... probably in my sleep.

Anything else you need to know?

I don't take you for an idiot because you work at a college radio station. I take you for an idiot because experienced pros here have been graciously giving you tons of free advice here, and you've been throwing it back in their faces by calling them bitter old men and telling them how you think the real world works.

Here's some more real world advice for you, though I don't know why I'm taking the time to do this since, given your track record here thus far, you'll ignore it and tell me how my tone is bitter and angry and disrespectful...

- Regarding Selector and Linker, these are two basic programs that you have to master before you can be a music director, let alone a PD. I'm not dumb when it comes to computers -- in fact, in a past life, I did IT work and have done software troubleshooting and set up an entire office network, but Selector is still confusing as hell. My best friend, who's been in radio programming for the past 7 years, admits that even she is still not fully versed with all that Selector can do.

- That's great that you've done that Spring Fling work, and that'll look good on a resume. Seriously, I'm not being condescending. But it's a lot different when you're trying to manage a staff of people, a fair amount of whom can potentially be egocentric divas who need to be handled carefully and especially won't take marching orders from someone who hasn't proven themselves in an industry that they've spent years working in. But the other problem is that radio stations, especially one with a format like Hot 98.3's, is that they are CONSTANTLY promotionally active. Imagine having to do a Spring Fling-type activity once every two weeks, plus other events in between. You probably put in a ton of work for the Spring Fling, would you be able to handle the load of doing it that frequently -- in addition to managing the jocks, playlist, engineering, sales, imaging and everything else that needs to be updated on a weekly if not daily basis?

- I took two Economics courses in college as well. And I can tell you again that things are very different in the real world than in a college course, because two courses did absolutely nothing to prepare me for business and I couldn't even possibly begin to do any kind of corporate accounting based on what I learned in those classes.

- Look at all the questions the other people have posted here. These are posed by seasoned pros who know their stuff and know what a PD -- or even an APD or MD -- has to deal with on a daily basis. Can you answer any of them? We're not trying to make you look dumb by asking you these questions, we're trying to teach you that radio isn't just talking between songs and throwing whatever you want into the CD player.

I know you're probably reading this and thinking how condescending it sounds, but it's the truth, and I can only hope that in a few years, you'll think back to me saying this and realize how much you've learned/changed/grown over those post-college years. I will fully admit that I had some of those "I know everything" thoughts when I was your age, but I can tell you that actually getting into the field commercially taught me how much I really DIDN'T know -- it was a real dose of reality to see that a PD, even for a station in a market the size of Tucson, has to be like the conductor of an orchestra of ADD-affected monkeys, and it takes a TON of patience, multitasking ability and experience in a lot of different areas to be able to finally learn how to do a PD's job. Which is why I said that I was underqualified for it -- despite what I've done already, I don't feel that I've learned enough to be able to tackle the job. And you'll just have to trust me when I say that you don't either.

That said, feel free to disregard my advice as you've done with everyone else's thus far. Enthusiasm is something PDs love to see, and I'd love to see you prove me wrong and be the next Tom Poleman (or Tracy Austin, as the case may be)... but I can pretty much guarantee that the attitude you've displayed thus far won't get you anywhere, and all the enthusiasm in the world won't cover for your lack of commercial radio experience. A lot of us started in radio by doing overnights for zero pay (or, even worse, as interns), and thanks to things like voicetracking, those opportunities don't exist anymore. To think that you can jump in to being the PD of a top-100 market station is just plain arrogant.

P.S.: Oldiesfan -- does anyone besides WPLJ actually USE carts anymore?? :)
 
RockTheGlobe said:
- Regarding Selector and Linker, these are two basic programs that you have to master before you can be a music director, let alone a PD. I'm not dumb when it comes to computers -- in fact, in a past life, I did IT work and have done software troubleshooting and set up an entire office network, but Selector is still confusing as hell. My best friend, who's been in radio programming for the past 7 years, admits that even she is still not fully versed with all that Selector can do.

I don't know about you, but I've never known anyone who got a chance to learn Selector and Linker on the fly. I've known plenty who would have the ability if given the chance (and Katie may even be one of them), but, even in the smallest markets, you have to work your way into the jobs that use them. Like most in radio, I taught myself how to use AudioVault, Scott Studios, Voice Tracker, Adobe Audition, AV Sat, DCS and many other radio programs, but Selector and Linker are not two that you immediately get a chance to try to discover.

That said, feel free to disregard my advice as you've done with everyone else's thus far. Enthusiasm is something PDs love to see, and I'd love to see you prove me wrong and be the next Tom Poleman (or Tracy Austin, as the case may be)... but I can pretty much guarantee that the attitude you've displayed thus far won't get you anywhere, and all the enthusiasm in the world won't cover for your lack of commercial radio experience. A lot of us started in radio by doing overnights for zero pay (or, even worse, as interns), and thanks to things like voicetracking, those opportunities don't exist anymore. To think that you can jump in to being the PD of a top-100 market station is just plain arrogant.

It's also important to note that I don't think I've seen one person here, even the most sarcastic (which is not you by a long shot, by the way), wish that she fail. That's part of why I suggested going big, though it's also why I've suggested that she make sure not to forget going small. Going after both and being willing to double back if necessary is the best way to succeed!
 
This has to be fake, but I'll play along.

Katie, you're probably tired of radio professionals who have been in the business for many years talking down to you, so now its time for one of your peers to do the same.

I'm currently completing a broadcasting degree at a school with a pretty well-respected radio program (at least in this region), with alumni now working all over the country. I don't think anyone in our program, no matter how good they are, no matter how much college experience they have, expects to be able to jump right into the business working full-time in a major market. Its new people with attitudes like yours that make the rest of us breaking into the industry look bad. All I hear from seasoned vets is "there's a reason for voicetracking, and there's a reason for fewer jobs, and its not just budget cuts. It si because the new talent doesn't get it." Based on all the newbies I know personally, that statement made no sense, but reading this I suddenly understand.

I'm glad people tell you you're great. There are plenty of people at my station who suck, who get told they are incredible. That doesn't always mean its true. I won "broadcaster of the year" at my station last year. That doesn't mean I can walk into a radio station in New York or LA and expect to be the morning guy. It looks good on a resume (assuming the PD even gets that far), but it doesn't amount to much in the long run.

Internships really are the best way in the door. I'm taking my own advice next quarter. Everyone I know that has interned, and really excelled at it, has been hired on in some capacity. Again, you won't be doing afternoons immediately, but it is a good way to get in the door.

If this is a real post, good luck to you in finding a job. You need to get your ego in check, and be patient. It won't happen overnight.
 
Kent said:
RockTheGlobe said:
- Regarding Selector and Linker, these are two basic programs that you have to master before you can be a music director, let alone a PD. I'm not dumb when it comes to computers -- in fact, in a past life, I did IT work and have done software troubleshooting and set up an entire office network, but Selector is still confusing as hell. My best friend, who's been in radio programming for the past 7 years, admits that even she is still not fully versed with all that Selector can do.

I don't know about you, but I've never known anyone who got a chance to learn Selector and Linker on the fly. I've known plenty who would have the ability if given the chance (and Katie may even be one of them), but, even in the smallest markets, you have to work your way into the jobs that use them. Like most in radio, I taught myself how to use AudioVault, Scott Studios, Voice Tracker, Adobe Audition, AV Sat, DCS and many other radio programs, but Selector and Linker are not two that you immediately get a chance to try to discover.

Yeah, sorry, I don't think I was being clear on that one. When I said that Selector and Linker were "basic," I didn't mean that they were "easy"... I meant "basic" in the way that they are two ESSENTIAL programs that radio people need to learn. And you're definitely right, they're not programs you can learn on the fly. My first exposure to Selector was when a friend who's programmed stations in San Francisco and Los Angeles took several hours out to show me around the program. I'm not a dumb guy and I'm pretty tech-savvy, but even after 4 hours of instruction, I probably was more confused by Selector than proficient at it. It takes a lot of time to master that behemoth.
 
TheVisionary said:
This has to be fake, but I'll play along.

Katie, you're probably tired of radio professionals who have been in the business for many years talking down to you, so now its time for one of your peers to do the same.

I'm currently completing a broadcasting degree at a school with a pretty well-respected radio program (at least in this region), with alumni now working all over the country. I don't think anyone in our program, no matter how good they are, no matter how much college experience they have, expects to be able to jump right into the business working full-time in a major market. Its new people with attitudes like yours that make the rest of us breaking into the industry look bad. All I hear from seasoned vets is "there's a reason for voicetracking, and there's a reason for fewer jobs, and its not just budget cuts. It si because the new talent doesn't get it." Based on all the newbies I know personally, that statement made no sense, but reading this I suddenly understand.

I'm glad people tell you you're great. There are plenty of people at my station who suck, who get told they are incredible. That doesn't always mean its true. I won "broadcaster of the year" at my station last year. That doesn't mean I can walk into a radio station in New York or LA and expect to be the morning guy. It looks good on a resume (assuming the PD even gets that far), but it doesn't amount to much in the long run.

Internships really are the best way in the door. I'm taking my own advice next quarter. Everyone I know that has interned, and really excelled at it, has been hired on in some capacity. Again, you won't be doing afternoons immediately, but it is a good way to get in the door.

If this is a real post, good luck to you in finding a job. You need to get your ego in check, and be patient. It won't happen overnight.

Listen to this guy Katie, seriously. If you want to continue to ignore all of the other "old guys", fine. It is a tragic waste of good advice from people who have truly been there but if it makes you happy..... The problem is that there are too many people here who have really been there and done that, and you just don't want to hear it. Learn one more thing while you are in school, humility. Trust me sweetheart, you are going to need it when the soft bed of college life is gone and you are in the real world where everyone isn't 20 years old.
 
uofa_diva said:
Thank you Spongebag!

That position sounds perfect! I do have the required programming and on-air experience for the past three years... PLUS marketing.

Any idea how much the pay would be?

No, it's not a perfect job. And I will explain this calmly. Hot 983 is a CHR station. I have good experience studying the CHR chart and know a bit about CHR, and when they mean must have programming expereince and know a 18-34 demo, they expect you know basically what music is inside 18-mid 30s females that listen to CHR, which goes as far as learning city demographics and looking at polls submitted by your listeners and after awhile it bundles up and you need to know what songs to put on air (even IF you have a music director), what ways to interact with your listeners, and keep them listening as long as possible. Really you're building your own station with the format they give you, and it sounds fun and a piece of cake but really a PD is a tough job if you have no idea what you're doing. Since this is a program director application you basically have to know what to put on air that will entertain 18-34 females. And there's no such thing as "trying", trying is what small markets do. If you put something that is not entertaining on the air the station numbers go down and you will get fired ASAP especially with CC because all they care about is making money. For example if you play Diddy's "Tell Me" on Hot 983 and its not suitable for the Tucson market listeners will tune to something else automatically. Especially CHR is a "first impression" format, both Top 40 and Rhythmic. You really must understand how to combine songs in playlists that flow (here's a hint, putting a bunch of songs in any order you want is not it). You must know when the older end of the audience cumes and when the lower end does (of course the young ones listen evenings/nights and the older end listens mid-days), but even then every market is different too. You have to make programs (like sync. shows) or station-only programs (like KRQ's Top 8 @ 8 or 9 O' Clock Knockout) that will gain your cume but at the same time relate to your audience. And I almost forgot to mention morning shows, you have not a big part but a slim part in managing that as well. Yes music directors handle a few of these jobs but program director is actually ABOVE the MD position because you handle everything other than music too. You have to work your way up and if that means working two or three years at a Colorado Springs radio station before working in a medium market and then becoming an MD then that's that. Yes your experience in college radio looks good especially if it is well respected but it will not give you a PD job that is far beyond entry-level.
 
I almost feel kinda sorry for some of you folks talking about having to work for zero pay on the overnight shifts or for only $20K a year for your first full time gig. That is really sad. It's like you were allowing yourselves to be treated like slaves in a way and having absolutely no dignity or backbone for that matter.

Everyone also seems to think that I don't know anything about the "real world" either. Give me a break. I happen to work as a manager at a high end restaurant in the Foothills. After 4 months of serving drinks, I knew that I could actually run the place and make much more money. I called up the owner and after a two hour intense meeting I was promoted to manager and $25K per year...and I'm only 20 years old! So I think I know something about the real world and how to get things done.

So for those of you who actually think I would just sit on my back side and accept "zero pay" or some crappy entry level position have no idea what I am capable of. It still boggles my mind that some people would actually willingly put up with their employer abusing them with the kind of pay that a high school student would make working at McDonald's. That's almost like giving up before you even start!

BTW... nobody ever mentioned HOW MUCH that position at Hot 983 $pays$. Any guesses?
 
Katie,

I believe that you are misunderstanding everyone here... What you are reading are "real life" experiences of working professionals in the radio industry. No one on this board has asked you, or anyone else for that matter, to "feel sorry" for them. Bottom line is we work in radio because we love radio. We eat, drink, sleep and think about it constantly. When we leave town or go on vacation somewhere, anywhere...I am willing to bet the first thing we all do is scan the radio dial to hear what stations are on the air, what they're doing and how they present themselves.

We don't work in radio to get rich, people work for the salaries they earn... if you start to slack -- you're fired and someone else is hired at a lower salary. You have to understand that people are lined up for jobs in radio, there is no shortage of applicants. The greatest talent means nothing if you have an intolerant personality.

If you only care about the money -- work in television. From what I have read in your posts maybe radio is not the industry for you. Radio is the ENTERTAINMENT industry... when it comes down to radio shows education means squat...if you're not borderline insane you'll never make it big time. Just look at the biggest people in the industry - Howard Stern, Rush Limbaugh, even JohnJay & Rich for that matter...all psychos.

Anyway, please keep in mind that many Tucson GM's, PD's etc... read and post on this board on a daily basis. Don't start burning bridges before you even get a foot in the door. At this rate you'll have to start applying for jobs in Alaska.

You still have much to learn --- First lesson: Don't tick off possible employers.

Best of luck, you'll need it.
 
Katie, Howdy Dooty is right that none of us are asking you to feel sorry for us for working for low pay. We do radio because we love it. There are enough, maybe foolish, people like us that the salaries are low. You say you've had some business courses. So, you should know plenty about supply and demand. That equation works perfectly to describe radio. There's a low demand for the jobs and a high supply of workers. That causes low salaries.

Also, keep in mind that money isn't everything. One of the things I learned in Management 101 in college was that money is not a motivator; it's a maintenance item. I mentioned the Kroger example earlier in this thread, and I'll give you another example. I also have experience in the telecommunications industry. With bonuses, I could push my salary north of $50,000 when I worked in telecom. Guess what? That was the most miserable I have EVER been! I was doing nothing but work. My fiancee pretty much forgot what I looked like and moved out. My mother was diagnosed with cancer around the same time, and I had even less time to spend with her than I should have because of the all consuming nature of my job. Once again, I'm not asking for pity or sympathy. I'm just giving you a real life example of how money isn't everything. I quickly decided it wasn't worth it. I was actually fired from that job for doing what I should have done rather than spend all my time at work, and I've never regretted burning that bridge. I took a radio job for $17,500 a year immediately after that and never felt better about my decision!

As for us not knowing anything about your capabilities, you're absolutely right. No one in commercial radio knows what you can accomplish. What you don't seem to realize is that's a liability. You have to prove what you're capable of doing with a long resume and a long history of success. Just knowing the right things to say in an interview is not likely to prove your capabilities. You have to build your career one block at a time. If you're as capable as you say you are, you won't have much trouble doing this, but it's still likely to take time. None of the greats in radio got their careers handed to them.

Finally, when it comes to how much the Hot 98.3 PD job pays, don't worry about it. Send them a package. Let them come back to you. If they make you an offer, you can take it, leave it, or try to negotiate.
 
So long and farewell, I believe that I am done with this forum.

From here on out I will (as I always have) continue to listen to the advice of my very wise uncle back home in Connecticut. When he started his real estate business right out of college, he told everyone that he would make his fortune within five years. Much like the folks on this website, everyone either laughed or criticized him and said that it would never happen for one reason or another.

After just three years he proved everyone wrong and now runs a thriving company, when everyone said that he couldn't or would never make it. Thanks to him and his passion, I learned at a very young age to always dream big and to never think for one moment that I was not capable of achieving whatever I set out to do.

As I mentioned before, I know exactly what I want and nobody can stop me from getting it. Get ready Tucson Radio, here I come!!!!

Katie
 
Good luck Diva, I hope all of your money hugs you back...

TB
 
uofa_diva said:
So long and farewell, I believe that I am done with this forum.

From here on out I will (as I always have) continue to listen to the advice of my very wise uncle back home in Connecticut. When he started his real estate business right out of college, he told everyone that he would make his fortune within five years. Much like the folks on this website, everyone either laughed or criticized him and said that it would never happen for one reason or another.

After just three years he proved everyone wrong and now runs a thriving company, when everyone said that he couldn't or would never make it. Thanks to him and his passion, I learned at a very young age to always dream big and to never think for one moment that I was not capable of achieving whatever I set out to do.

As I mentioned before, I know exactly what I want and nobody can stop me from getting it. Get ready Tucson Radio, here I come!!!!

Katie

Katie-

I occasionally stop by the Tucson board to see what's happening in the market where I started my full-time radio career and went on to Virginia and Washington DC. I am now doing voiceovers and getting ready to move with my family to Japan and plan to continue in a similar capacity there. I have been in the field a while now so I feel that I can now offer a "professional" opinion.

Assuming you are a legitimate UofA senior getting ready to graduate (and not somebody trying to rattle cages), I will offer you this advice. I, too, worked as a DJ at KAMP, BTW and it is way different than corporate radio. So here's my two cents:

1) You WILL NOT (I repeat, WILL NOT) get paid what you're worth (or think you are worth) initially in this business. You will get low-balled and if you are smart, you will take the job to "cut your teeth" and you WILL be HUMBLE about it. You cannot compare real estate to radio as far as salary is concerned...we're talking apples and oranges here! You won't "get rich quick" in radio...you will be living on rice and beans and top ramen (unless Mummy and Daddy can help you out) for a long time, and will work a second and maybe even a third job to make sure your cell phone does not get turned off!

2) You WILL need to take constructive criticism from individuals who have been in this business longer than you. My first PD took my aircheck one day out of the cassette player, threw it at me and told me that it was total "sh#t" and to come back to him with an aircheck that didn't suck! I was in tears and in fear of losing my job--but it was one of the best things a PD ever did for me.

3) Unlike verbal abuse which (I believe) makes you a better talent, You WILL take your share of unnecessary abuse and nasty remarks from bitter individuals who have been in this business a long time. They will intimidate, "forget" your name at station events and call you a "talentless nothing". You will also see people kiss ass on the way up the ladder, too. Don't pay any mind to it, treat them all with professional respect (they have a right to their opinion, after all) and do your own thing and YES be HUMBLE about it. In other words, you must develop a thicker skin and not be on the defense all the time (see below).

4) DO NOT oversell yourself. Promote yourself, yes. Saying that you know Selector and Linker when you have not even fooled with these programs is overselling yourself. No one likes a bullsh#t artist and eventually, a baboon climbs up a tree and shows every one his/her a$$. You only get by on bullsh#t for so long. If you don't know something, express willingness to learn.

5) Ratings and a great personality do not necessarily mean job security. If a station needs to cut a salary and voicetrack a daypart, they WILL eliminate you. It's nothing personal...and I know this now. :)

6) Don't be so defensive--in your posts, I have noticed you coming back at people who offered solid advice to a "newbie". You are "green" and that's all there is to it. If you are constantly on the defense, you cannot learn and develop into a top talent. Never stop learning or trying to improve your talent even though you seem to think you have it all down at the ripe old age of...(how old are you?) 21? 22?

7) Money doesn't mean sh#t if you don't have people around you to share it with. I have seen many people chase that "pie in the sky", the "big money" and they come home to all of their nice "things" and that's all they have...things.

In closing, reach for the stars but do it with the utmost of humility. And remember, it is true in this business--the same people you step on and are an a-hole to on the way up the ladder are the same people you are going to see on the way down--so--DON'T BE A RADIO A$$HOLE!

'Nuff Said.
 
Katie--

Seeing the way you've responded to everyone's well thought out, very candid advice, I will leave you with one sentence.


Enjoy your $25K hospitality job, that's all you are capable of deserving.


Jet Black
APD/MD
KTBT - 92-1 The Beat - Tulsa, Oklahoma
PD/MD
HD Radio Alliance - Club Phusion HD2 Channel
 
Have you watched any of the American Idol try out shows? This little DIVA is exactly like many of those who think they are hot s_it but can't carry a tune in a box. The saddest part is that they have been told "by their uncles" that they can do anything. A nice attitude to have IF you are mature and realistic enough to handle reality. Those judges would tear Katie a new one. She would be the type who throws crap back at them as she exits the room, gets the wrong door and then tells Ryan Seacrest what a bunch of know-nothing losers THEY are.
 
This kid is in for a very rude awakening. While I admire her confidence and ambition, all of that means nothing if you can't land a gig simply for not keeping your ego in check.

Katie, if you're still on this board, please heed the advice that everyone has given you. No one is trying to tell you that you don't deserve what you want. I wanted the brass ring at a young age, and then I was fortunate enough to get it, and then...I lost it just as quickly. Why? Because someone sounded 'better' than me on the air. That's how quickly it can happen. And they won't think twice about doing it.

So for the big time, I say "been there, done that". I spent five years in major markets and eventually got tired of moving. So today I work in a small-market duopoly combo in suburban Pittsburgh, I make OK money, and that's fine with me. It's more secure and far more rewarding. Maybe you'll learn that someday.

All the best.
 
Status
Not open for further replies.


Back
Top Bottom