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Radio stations that are "chestnuts"/anomalies

I’ve done AC and country. I'm aware some new songs appeal to a middle aged audience. Such consensus songs, however, are relatively few, and even fewer cross over to the pop charts. Most AC and country outlets where I've been also had about a four hour rotation on their powers. The AC's had between two and four other new songs that were played less frequently either on their way up to becoming powers or on their way off the playlist. A handful would continue on as recurrents. The average Top-40 rotates its powers at least twice as often; some of the most aggressive even have roughly 90 minute rotations.


As I mentioned above, my music tastes haven’t stopped growing, but you don’t see me listening to a Pop/Top-40 station unless at least one of my nieces is with me (the oldest of whom is 20) or the weather is bad. Surprisingly, one of the local Top-40's actually does a good job covering stormy weather. You may not agree with (or not like) the way I said it, but listening habits change dramatically around age 34. That includes a movement away from new music and the pop sound in general.
I'm not disagreeing that our attitudes towards new music change as we get older. Just speaking for myself, I don't listen to Top 40 anymore either because over the course of several songs it just starts sounding monotonous even if I actually do like most of the individual songs that are played.

Regarding the aggressive Top 40 rotations (90 minutes or even shorter), I really never liked rotations that short even when I was younger. But I'll also note that when I was in high school and college the rotations for FM Top 40 stations where I was tended to be somewhat more relaxed than they are today. So that is what I was used to when I was the age at which new music matters a lot.
 
Ah, early electronica!

It's amazing that this was from the 60s. To echo some of the comments on this particular video, it is ahead of its time!

I actually like it!

c
For an interesting remix of "Popcorn" that was done some 25 years after the original came out, look for "Popcorn (Straight To The Top Mix)" by Dr. No on Youtube.
 
I rolled tape via the Minneapolis SDR on WEVR 1550 River Falls again this afternoon. First song I heard was a #7 Adult Contemporary hit from 1987, 'Talkin' Back to the Night' by Steve Winwood. Several easy-listening/new age songs from the '70s and '80s including a B/EZ cover of 'We're All Alone', 'Save Me' by Fleetwood Mac, Buckinghams' 'Don't You Care', and 'Shame on the Moon' Bob Seger also heard. This station continues to be a time-warp to a simpler time. It baffles me how WEVR still exists in this day and age of music saturation and streaming.
 
This station continues to be a time-warp to a simpler time. It baffles me how WEVR still exists in this day and age of music saturation and streaming.

Here's a good rule of thumb: The lighter the commercial load, the more likely they are just treading water. From your description, it's a home-rolled jukebox format, which means they can't even afford a couple hundred bucks a month for a produced format that would pay for itself in increased ad revenue. The lack of a stream is also telling; while some stations don't bother with a full website (like the ones I consult in Albuquerque) the stream is pretty much a necessity.

I looked WEVR up on Michi's site and it's nothing to write home about. Relatively close by to St. Paul but not enough signal at 920 watts to even be considered a rimshot. Has a translator which almost precisely matches the AM daytime signal contour and a sister FM with the same call letters, separately programmed with an adult contemporary format.

They do have a single page "website" but it's nothing more than contact information and links to the Public File.
 
There's several ads per hour, but all of them are for local River Falls places (tire shops, restaurants, insurance agencies). Freeman Drug ads air at the top of the hour. The FM puts grade B coverage into the eastern MSP suburbs (St Paul area, Cottage Grove). The FM simulcasts the AM, they just are in stereo.
 
There's several ads per hour, but all of them are for local River Falls places (tire shops, restaurants, insurance agencies). Freeman Drug ads air at the top of the hour. The FM puts grade B coverage into the eastern MSP suburbs (St Paul area, Cottage Grove). The FM simulcasts the AM, they just are in stereo.

The simulcast explains a lot. Thanks for filling in that information.

AM has a limited range, so they plug it in to the FM to save on having to program it separately. Still better than taking it silent, but it also means the translator is superfluous (but, because it was part of the 2018 filing window, it's tied to the AM license so they can't spin it off).

In that situation, it makes perfect sense that they would be be 100% local/regional advertising. With the simulcast and apparently the lowest overhead they can manage, they probably make a few bucks over expenses. The music mix may just be something they found that the locals like.
 
Another recording rolled on WEVR (via the Minneapolis SDR on the 1550AM frequency). Some of the songs I heard today included "Nights Like This" by After 7, "You Come to My Senses" by Chicago, Vanessa Williams' 'Just for Tonight,' "Since I Feel for You" by Lenny Welch (from 1963! this is the song that was covered by Al Jarreau and David Sanborn in the mid-1980s), 'Angel of the Morning' by Juice Newton, and 2-3 B/EZ songs that Shazam can't ID.

I have some airchecks I'd love to eventually share of this station...it is such a chestnut in the mid-2020s-era and I wonder when EMF will make the old man an offer to flip the FM to K-LOVE...that he won't refuse?
 
EMF doesn't buy everything for sale. EMF also buys only when they can get a great deal. WEXC FM in Greenville, PA, putting a signal into Youngstown, went to EMF about 2010 and they paid $175,000. The owner that bought the station around 2000 paid $450,000. EMF is Air 1 and K-Love
 
Another recording rolled on WEVR (via the Minneapolis SDR on the 1550AM frequency). Some of the songs I heard today included "Nights Like This" by After 7, "You Come to My Senses" by Chicago, Vanessa Williams' 'Just for Tonight,' "Since I Feel for You" by Lenny Welch (from 1963! this is the song that was covered by Al Jarreau and David Sanborn in the mid-1980s), 'Angel of the Morning' by Juice Newton, and 2-3 B/EZ songs that Shazam can't ID.

I have some airchecks I'd love to eventually share of this station...it is such a chestnut in the mid-2020s-era and I wonder when EMF will make the old man an offer to flip the FM to K-LOVE...that he won't refuse?
How obscure must a song be for Shazam to not even be able to ID a song.

My test for Shazam was a recording that I had made in early 1977 of a song played on KNBQ(FM) in Tacoma, WA when it was carrying an automated AC format (maybe one of the Drake-Chenault "Contempo" formats). I had never been able to identify the song, nor had anyone else been able to when I played the tape. Shazam identified it within seconds as "I Love You" by the Hawaiian duo Cecilio and Kapono. It never broke the Hot 100 and so far as I'm aware the duo never got significant airplay outside of Hawaii, and certainly not since it was released as a single (and stiffed) in early 1977.

So I have to credit that Shazam is quite good. But perhaps the difference is that those B/EZ songs were custom radio recordings that were never released on vinyl or CD in any form.
 
Shazam for me is quite hit or miss.

Just this evening, I tried it – several times – on a song that I clearly knew, and it couldn't find any results.

I find that it's very picky about Easy Listening stuff, and often won't find anything, but this was pretty low hanging fruit, so to speak (since I knew the song, I searched on Amazon Music and got at least a half dozen results on the first try (Amazon Music also tends to have a fairly mediocre selection of easy listening stuff, particularly the more obscure stuff, and much of what they do have tends to have surprisingly low sound quality, like vinyl transfers, low bitrate MP3-like sound, and some songs sound like someone got way too carried away with their noise reduction plugins).

All that said, Shazam has found songs that I never thought I could, so it's far from useless.

c
 
That would be KUEZ, Easy 104-1.
The other chestnut I'd like to mention is one that I have personally heard FM DXing but has NO STREAM...KVSV/105.5 Beloit KS. I've heard them via E-skip a couple of times and each time there was a local personality and a very wide standards playlist...Gordon Lightfoot, Neil Diamond, even Diane Schuur! Can we start a GoFundMe to get them the equipment to stream 24/7 in stereo to the world? It's not America's Best Music...completely local!

Unfortunately, the KMGK-107.1 Glenwood (Magic 107) stream stopped working around June or early July. I hope it's not a bad sign for them!
 
That would be KUEZ, Easy 104-1.
The other chestnut I'd like to mention is one that I have personally heard FM DXing but has NO STREAM...KVSV/105.5 Beloit KS. I've heard them via E-skip a couple of times and each time there was a local personality and a very wide standards playlist...Gordon Lightfoot, Neil Diamond, even Diane Schuur! Can we start a GoFundMe to get them the equipment to stream 24/7 in stereo to the world? It's not America's Best Music...completely local!

Unfortunately, the KMGK-107.1 Glenwood (Magic 107) stream stopped working around June or early July. I hope it's not a bad sign for them!
There seems to be a working stream for KVSV 105.5 here: KVSVFM
 
The other chestnut I'd like to mention is one that I have personally heard FM DXing but has NO STREAM...KVSV/105.5 Beloit KS. I've heard them via E-skip a couple of times and each time there was a local personality and a very wide standards playlist...Gordon Lightfoot, Neil Diamond, even Diane Schuur! Can we start a GoFundMe to get them the equipment to stream 24/7 in stereo to the world? It's not America's Best Music...completely local!

KVSV was also unique in that it aired beautiful music/easy listening on 105.5 and had a regular AC format on its AM at 1190.

I heard the FM switched to standards several years ago. Not sure if this was the reason, but the legacy B/EZ programming suppliers no longer exist and were made for equipment that's now ancient.
 
I heard the FM switched to standards several years ago. Not sure if this was the reason, but the legacy B/EZ programming suppliers no longer exist and were made for equipment that's now ancient.
With modern technology, I would think that that problem could be mostly solved by simply transferring the old B/EZ tapes to modern formats and automating it via a computer. The problem is no new music, but most new music isn't, in my opinion, particularly conducive to being turned into saccharine and florid instrumentals anyway.

Honestly, at the rate things are going, I wonder if more than just we outliers are going to get tired of the 24/7/365 onslaught of the digital "noise" of modern, tech-driven mainstream Pop culture and rediscover the silly but strangely pleasant quaintness of this old, largely forgotten genre that once upon a time was wildly popular. I understand that it'll likely never be that popular again, nor will there likely ever be a successful, widespread revival of the B/EZ radio format as it existed in the 70s and 80s, but the current state of affairs all the way around is getting pretty sad and tiresome, at least to outlier me, and almost anything would be an improvement.

For now, I'll continue to enjoy the few "chestnuts" that still exist.

c
 
There is a B/EZ station in Pittsburgh, PA KQV 1410 and an FM simulcast on WKGO-FM Murraysville, PA. Haven't found a stream for them, and I have yet to enter the world of SDR.

If anyone is able to find one, could you post a link? I would love to be able to listen to them.
 
With modern technology, I would think that that problem could be mostly solved by simply transferring the old B/EZ tapes to modern formats and automating it via a computer. The problem is no new music, but most new music isn't, in my opinion, particularly conducive to being turned into saccharine and florid instrumentals anyway.

Honestly, at the rate things are going, I wonder if more than just we outliers are going to get tired of the 24/7/365 onslaught of the digital "noise" of modern, tech-driven mainstream Pop culture and rediscover the silly but strangely pleasant quaintness of this old, largely forgotten genre that once upon a time was wildly popular. I understand that it'll likely never be that popular again, nor will there likely ever be a successful, widespread revival of the B/EZ radio format as it existed in the 70s and 80s, but the current state of affairs all the way around is getting pretty sad and tiresome, at least to outlier me, and almost anything would be an improvement.

For now, I'll continue to enjoy the few "chestnuts" that still exist.

c
I'm 38 and tired of it - especially the very fast-paced radio, the stations that play thumping rave music all day long, which are pretty common here. It fits well with the local British culture, which is increasingly non-stop, alcoholic, drug-fuelled, individualistic, shallow, especially in urban areas such as where I live. Even the "chill" stations are "chill" in the sense of "hungover on a Sunday morning after a BIG NIGHT OUT", it's all whooshy Ibiza chillout mixes.

Personally, I find Beautiful Music a bit too saccharine, it reminds me of going to the supermarket as a kid when they used to have "supermarket music", before they started playing pop in supermarkets. But increasingly, I gravitate very heavily towards formats playing music that has more of a melody or a story to it even though I'm "too young". I like Soft AC, classic country, yacht rock. I can't be the only one who's not yet aged out of the "money demographic" who wants something other than tinny pop, rap and EDM.
 
I'm 38 and tired of it - especially the very fast-paced radio, the stations that play thumping rave music all day long, which are pretty common here. It fits well with the local British culture, which is increasingly non-stop, alcoholic, drug-fuelled, individualistic, shallow, especially in urban areas such as where I live. Even the "chill" stations are "chill" in the sense of "hungover on a Sunday morning after a BIG NIGHT OUT", it's all whooshy Ibiza chillout mixes.
Ugh, is that all you have over there? That's pretty miserable if you're not into that scene. I guess that's not unlike the situation here, where most CHRs seem to play minor variations of the same tired playlists, with many nowadays featuring some variety of rap or Hip Hop (as I've said elsewhere, I have no objection to and actually like the classic "clean" rap of the 70s and 80s (I have a friend who recorded some Hip Hop "songs" in this classic style, and it's good), but this new "gangsta" rap stuff that's been getting increasingly prevalent in recent years has got to go somewhere other than in my face).

Unlike UK radio, however, we do at least have some variety over here in the US, which I do appreciate (this thread probably wouldn't exist if we didn't).

Personally, I find Beautiful Music a bit too saccharine, it reminds me of going to the supermarket as a kid when they used to have "supermarket music", before they started playing pop in supermarkets. But increasingly, I gravitate very heavily towards formats playing music that has more of a melody or a story to it even though I'm "too young". I like Soft AC, classic country, yacht rock.
I used to find Beautiful Music (henceforth BM) too stodgy myself, and often avoided it (notable exception: Bert Kaempfert, which I was introduced to by a friend back in 2000 or 2001).

However, in light of recent cultural developments, I've come to find that BM is really not so bad, and I've actually begun to like it quite a bit (BM in supermarkets and such seems to be something that died out sometime in the early 90s, as my earliest supermarket memories don't feature it (the music I did hear was, as recently as 15 years ago, much more Gold leaning, with many oldies and Soft AC being played, than it is now, which is largely modern with the occasional "classic hit" from the 70s, 80s or 90s).

The so-called "yacht rock" also known by its contemporary moniker, "soft rock" is good too, and I enjoy listening to it all the time when I want to hear vocals (traditional BM is largely devoid of vocals it seems, although newer hybrid Soft AC/BM formats seem to have more of them mixed in with the standard BM fare).

I can't be the only one who's not yet aged out of the "money demographic" who wants something other than tinny pop, rap and EDM.
You're not!

The thing is, while there are streams that can deliver any kind of format one could ever want, discovery isn't so straightforward, because it seems like it's the streaming versions of the same tired things we hear on terrestrial radio that get pushed more prominently than anything else. And also, I've found that many streams tend to use low quality recordings for some of these songs, with seemingly fairly little effort to make the overall quality consistent song to song (there was one BM stream I listened to recently (Abacus radio, I think). The music selection was decent, but the segues were hideously out of whack, with a new song beginning well before the last one was finished, creating a dischordant clash. A true BM station from back in the format's heyday would never have allowed such sloppiness, and they took great pride in delivering the cleanest, highest quality and most consistent sound that was possible with the equipment of the time, almost to the point of obsession in many cases).

c
 
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