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Radio stations that edit songs either more conservative or more lenient?

Typo on my part but consider: https://upload.wikimedia.org/wikipe...f_Silence_by_Simon_and_Garfunkel_US_vinyl.png



Reread my post. You appear to have skipped the part where I said "depending how they're misheard". The electric guitar accompaniment and Paul's accent make "might teach you" sound in the recording like "I'm anti-Jew" with a drawl on the not-really anti:

Real lyrics:
Hear my words that I might teach you
Take my arms that I might reach you

Botched:
Hear my words that I'm anti-Jew
Take my arms and I'm a angry Jew

Which could also be further mis/interpreted as a Jewish person's reaction to anti-Semitism.
Wow. I've known that song as long as it's been around and never heard those lines that way. Why would New Yorkers Simon and Garfunkel be drawling in the first place? Are those really common mondegreens for "The Sound of Silence" or just someone's one-time submission to amirite.com or a similar site?
 
The 1973 smash "Brother Louie" by Stories was played in its entirety by all NYC top 40 stations like WABC, WXLO, WPIX and WWDJ. However, Black formatted WWRL completely edited out the verse, "Ain't no difference if you're Black or White. Brothers you know what I mean." I have no idea why that verse was edited.

Even with living in the South I never heard that song edited on the top 40 stations I listened to (WHBQ and WMPS in Memphis and WLS).
 
"The Sound of Silence" (not "Sounds") had lyrics that could be considered anti-Semitic? Really? Paul Simon and Art Garfunkel are Jewish. What lyrics could Simon have written or he and Garfunkel have recorded that anyone would consider anti-Semitic. "The words of the prophets are written on the subway walls and tenement halls"? Really? Not surprised at all that no "censored" version exists.
I don't know specifically what the lyrics were on that station, but WAVO in Charlotte played this. You don't get more conservative than WAVO. That station's music has been on WHVN for the past year and if you want to see what conservative is there's a thread under Charlotte, North Carolina.
 
I've heard that edit too. It's just to make the song shorter and avoid a long, slow introduction. Stations often did the same thing with Whitney Houston's "I Will Always Love You". Some DJs joked about the edit, saying "we now join Whitney Houston, already in progress."
I've heard a similar edit in "All of Me" from John Legend. Some AC stations completely omit one of the main verses of the song, despite the fact that there is no objectionable content in that verse.
 
On the topic of Simon and Garfunkle, I've heard similar opinions expressed about their song, "The Boxer." It seems like some people don't particularly care for their line about seventh avenue in New York City. It seems like the common consensus is that this line is not objectionable, however.
 
On the topic of Simon and Garfunkle, I've heard similar opinions expressed about their song, "The Boxer." It seems like some people don't particularly care for their line about seventh avenue in New York City. It seems like the common consensus is that this line is not objectionable, however.
In the case of "The Boxer," there's no mishearing involved. The word "whores" is in the lyrics. TBH, I'm surprised there isn't a bleeped version of this song out there somewhere.
 
I've known that song as long as it's been around and never heard those lines that way. Why would New Yorkers Simon and Garfunkel be drawling in the first place?

I think it's a combination of the slur (where he holds the "I" sound and changes notes) in "might" ("mi-ight") and the percussion/electric guitar accompaniment that makes it sound that way on the recording, plus any processing the station/audio player may be using. I don't think he's actually drawling.

Are those really common mondegreens for "The Sound of Silence" or just someone's one-time submission to amirite.com or a similar site?

I don't know since I haven't actually run a search, though the first time I really heard it up close and paid attention to the lyrics (meaning: on headphones rather than on car radio speakers or a crappy portable radio) on AM Only as a teenager in the late 90s, I did a doubletake. "WHAT did he just say?"

In the case of "The Boxer," there's no mishearing involved. The word "whores" is in the lyrics.

"Just to come home from the war zone, Seventh Avenue".

I also have a DMX Music "Classic Hits Blend" aircheck recording from around 2001 that includes the line, unedited. On a business music service, yet.* NSAT&T Digital Cable at the time was also severely bitstarved, including the DMX simulcasts (they had been trying to cram too much into too small a QAM constellation and the results were pretty abonimable) and it's a wonder one could make out any lyrics at all above the MP2 timebase artefacts.

[ * Will be posted to Archive someday, once I find my old worn-out cassette.... I did reconstruct the block at one point so that may get uploaded as well. Stay tuned. ]
 
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"Just to come home from the war zone, Seventh Avenue".

Now THAT'S a mondegreen. The line is, and always has been, "just a come-on from the whores on Seventh Avenue." It meshes perfectly with the lines preceding (about looking for a job and getting no offers) and following (about being so lonesome he takes comfort there).
 
In the case of "The Boxer," there's no mishearing involved. The word "whores" is in the lyrics. TBH, I'm surprised there isn't a bleeped version of this song out there somewhere.
I don't think that "whores" was ever considered a license-endangering term. The base for that, based on one case, was the "Seven Dirty Words" in the comedy bit by George Carlin. Other than that specific case, there is no "official" list of profanities that the FCC might or could find offensive. Further, every year we have new words that are just as "dirty".


In fact, if you look at a street dictionary for synonyms for the F-word, you'll find about a hundred. And people wonder why the movie "Free Willie" was the subject of many jokes in England...

 
I don't think that "whores" was ever considered a license-endangering term. The base for that, based on one case, was the "Seven Dirty Words" in the comedy bit by George Carlin. Other than that specific case, there is no "official" list of profanities that the FCC might or could find offensive. Further, every year we have new words that are just as "dirty".

True, but "chicken rock" stations in several cities were so squeamish about "crap" -- which also was not on Carlin's list -- in Paul Simon's "Kodachrome" that they spliced "the girls I knew" from the second verse ("the girls I knew when I was single") into the spot in the song where "the crap I learned" was originally sung. WBZ Boston was one of those stations.
 
I've heard a similar edit in "All of Me" from John Legend. Some AC stations completely omit one of the main verses of the song, despite the fact that there is no objectionable content in that verse.
That's an official Radio Edit published by the record company. It's a minute and a half shorter than the album version:

 
Going back some years, record companies putting out edited/slightly redone versions for airplay--
--Devil Went Down to Georgia, Charlie Daniels--sonofagun vs sonofabitch

--Romeovoid,Never Say Never--that man could give a (F word)about the grin... Edited version substitutes
a drumbeat

--What It's Like, Everlast--substitutes sound effects for swears

Spoken word: talk host Jerry Williams used to play the Howard Beale rant from Network:
"you've got to say,I'm a human being, goddamn it! My life has value!" "Goddamn it" was edited out.
 
Didn't Paul record a version that substituted the line "all the stuff I learned in high school"?
Yes, I remember hearing that version on WHBQ in Memphis. I always thought that was a local edit because I don't remember hearing it anywhere else.

This made me remember another edited song on WHBQ. They played a version of Steely Dan's FM with FM deleted and replaced with the instrumental portion. They were the top AM top 40 station in Memphis at the time and they weren't about to promote FM.

I also remember them playing the edited version of The Devil Went Down to Georgia.
 
Going back some years, record companies putting out edited/slightly redone versions for airplay--
--Devil Went Down to Georgia, Charlie Daniels--sonofagun vs sonofabitch

Johnny Cash also used the B word in Boy Named Sue, and they put a "bleep" over it for Top 40 airplay.
 
I remember KMET playing the Jimi Hendrix version of “Gloria”. They didn’t edit out the “P” word. Also songs that dropped the “F” bomb (“Who Are You”, “Working Class Hero”, “Opera Star” by Neil Young and “Not Now John” played unedited.
 
This made me remember another edited song on WHBQ. They played a version of Steely Dan's FM with FM deleted and replaced with the instrumental portion. They were the top AM top 40 station in Memphis at the time and they weren't about to promote FM.
That's funny. I was in eastern Arkansas at the time and remember WHBQ's rivalry with WMC-FM, which had become its only Top 40 competitor after WMPS(AM) flipped to country. I don't recall the censored "FM," though. I wonder if any AMs in other markets that were facing FM competition did the same thing.
 
Going back some years, record companies putting out edited/slightly redone versions for airplay--
--Devil Went Down to Georgia, Charlie Daniels--sonofagun vs sonofabitch
If you listen closely, "son of a gun" was actually the original version of the song. The album version had the "SOB" line edited in from a different take.
 
I don't think that "whores" was ever considered a license-endangering term. The base for that, based on one case, was the "Seven Dirty Words" in the comedy bit by George Carlin. Other than that specific case, there is no "official" list of profanities that the FCC might or could find offensive. Further, every year we have new words that are just as "dirty".

One of the seven isn't even dirty any more.
 
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