adma said:
Honestly, "oldies without the 80s" has made sense all along--the bigger fallacy being the notion that oldies absolutely had to "evolve" into the 80s.
adma said:
The problem with oldies isn't "old music"; it's that, in mass-appeal form, it's perceived primarily as a safe zone for reactive musical teabaggers who are frightened of the present. Otherwise, given the musical fare at hand, 1955-1980 is a perfectly fine, timeless time-frame bracket.
If I were programming to make fans of my audience (and I am, exclusive of commercial concerns, which is a luxury I can afford for now) I'd program music of - and informed by - an era. For instance, I run a station that's nominally alternative, but is focused on the period from 1982-1992. I play songs that preced hat era, though, and I play (many) newer songs than those from that period, but the older songs are the ones that informed that period, and the newer ones are informed by that period. I skip a lot of what's currently called "alternative", because it doesn't fit (and I'd also argue that it's not actually alternative, but that's another argument for another time.)
Thus, if I were playing the 1955-1963 era in pop, I'd play perhaps a few songs that predated the era but "fit", and I'd play some of the many songs that the era served as a touchstone for.
But there isn't any way I could justify Tone-Loc that way. Tone-Loc's style's timeline starts in that era and has few antecedents among the hits that precede it. I'd sure play Tone-Loc if I wanted to *focus* on the 80's, though.