Must it be that way?No. The Big format is hostless.
Must it be that way?No. The Big format is hostless.
Must it be that way?
I was out and about Tuesday afternoon and 106.1 (1.330's xltr) was still Bloomberg, and didn't switch to the "Rock 92-9" feed until sometime before 3am Wednesday.106.1 in Boston is "Rock 92-9." You're hearing the WNBP translator in Haverhill, which is still Bloomberg.
Another recent Beasley-Boston change is that WMGK Philadelphia PD/Afternoon host Eric Johnson is now tracking middays on 105.7 WROR. I don't know if he replaced automation, a different tracked DJ, a live DJ etc. though.More changes at Beasley. @bostonradio reports Mike Lockhart [@Lockhart81] is departing from 98.5 and "also hearing that longtime executive producer Dan O’Brien was whacked after yesterday’s T&H show. More details to come. This is a developing story."
Update from @bostonradio: "Some additional details around production support staff changes at the Hub : longtime morning show exec producer Dan O’Brien was let go yesterday. That job was offered to producer Mike Lockhart who passed on it and quit. The opening will now be filled by former Rock 92-9 jock/PD Adam “12” Chapman. How is that for musical chairs?"
I'd been mentioning how someone at my workplace has a bluetooth speaker and feeds it from his phone--things like classic rock from his own musical library, or XM 80s on 8. Past couple days he was using the 929Rocks app...the old format, minus DJs...and perhaps minus ads.
Another Beasley-Boston change ..Another recent Beasley-Boston change is that WMGK Philadelphia PD/Afternoon host Eric Johnson is now tracking middays on 105.7 WROR. I don't know if he replaced automation, a different tracked DJ, a live DJ etc. though.
That debt exchange offer BigA mentioned indeed will be their temporary lifeline, if it can be implemented successfully. It's a kick the can down the road strategy. The company will still be burning through cash on a levered basis.Beasley isn't bankrupt.
That debt exchange offer BigA mentioned indeed will be their temporary lifeline, if it can be implemented successfully. It's a kick the can down the road strategy. The company will still be burning through cash on a levered basis.
On a related note, will the FCC ever get off its butt and make a final decision on Audacy's post-BK ownership structure?
Could Beasley consider selling some of their properties to pay off some of their debt obligations? Who would be a potential buyer?
Clearly, the BIG format is the Jack-FM format without paying for the licensing rights. The playlist is the same, the wise cracks and ironic quips are the same. Audacy owns the leading Jack station in the U.S., KCBS-FM. It employs writers to pen those sarcastic remarks, which WBGB uses.Must it be that way?
I never heard the Jack format, though you say the BIG format is essentially it. Personally, I don't care for it; it reminds me of Entercom's Mike-FM. FWIW, the audio sounds muddy, as it did with Mike.Clearly, the BIG format is the Jack-FM format without paying for the licensing rights. The playlist is the same, the wise cracks and ironic quips are the same. Audacy owns the leading Jack station in the U.S., KCBS-FM. It employs writers to pen those sarcastic remarks, which WBGB uses.
Since KCBS-FM has never used DJs in its nearly 20 years on the air, WBGB does the same.
Granted, it's not like Jack FM-style stations have never had DJs.Clearly, the BIG format is the Jack-FM format without paying for the licensing rights. The playlist is the same, the wise cracks and ironic quips are the same. Audacy owns the leading Jack station in the U.S., KCBS-FM. It employs writers to pen those sarcastic remarks, which WBGB uses.
Since KCBS-FM has never used DJs in its nearly 20 years on the air, WBGB does the same.
David E. has a different explanation for the demise of Jack on WCBS-FM. Listener complaints had nothing to do with it.I never heard the Jack format, though you say the BIG format is essentially it. Personally, I don't care for it; it reminds me of Entercom's Mike-FM. FWIW, the audio sounds muddy, as it did with Mike.
And then there was that whole huge flap when WCBS-FM 101.1 flipped to Jack and listeners hated it. CBS got the message loud and clear, and, though they didn't bring back "oldies", they at least brought back jocks playing classic hits.
True. I think the problem in New York was that Jack-FM had too many Alternative Rock songs from the 1980s and 90s. NYC never had a successful Alternative Rock station, although several stations tried the format and failed. So WCBS-FM as Jack was playing songs that might have been very familiar in LA, Seattle and Minneapolis that were not familiar to New Yorkers.David E. has a different explanation for the demise of Jack on WCBS-FM. Listener complaints had nothing to do with it.