rbrucecarter5 said:
iyiyi said:
The farther that signals get from the center frequency, the more susceptable they are to phase and amplitude interferences (multipath, skywave, QRM etc.). Increasing sideband amplitude is one way to help offset these problems.
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So is moving them in towards the center. There is no secondary service above the multiplex portion of the signal that cannot be done better by HD radio. Lets at least give HD radio a chance by improving its reception. Why prop up dinosaurs like RDS, SCA, etc and put HD radio at risk? Moving the sidebands in corrects a multitude of problems and gives HD a fighting chance.
I understand where you are coming from now. An FM channel is 200 kHz wide. 100% modulation is +/- 75 kHz deviation from the center frequency. There are 25 kHz "guard bands" on each side of center that fill out the remaining 50 kHz of the channel.
Here's what happens. A mono FM signal at 100% mod will deviate +/- 75 kHz maximum from center frequency. A stereo FM signal at 100% mod will deviate +/- 75 kHz from center frequency. The difference? Mono is broadcast as an entire signal. Stereo must devote 10% mod for the 19 kHz pilot, 45% mod for the L+R and 45% mod for the 23-53 kHz (38 kHz center) L-R at 100% modulation. Now we'll add RBDS, 67 and 92 kHz to the mix. 100% modulation is still +/- 75 kHz from the center frequency. It now consists of 10% mod for 19 kHz pilot, 5% mod for RBDS info, 10% mod for 67 kHz SCA, 10% mod for the 92 kHz SCA, 32.5% mod for the L+R and 32.5% mod for the L-R info to account for the 100% modulation.
Audio amplitude in FM is determined by the amount of
deviation from center frequency. Audio frequency in FM is determined by the
rate the signal swings through the center frequency. NRSC-5-C figure 20 clearly shows the 200kHz analog FM region totally protected from HD IBOC interference. NRSC-5-C figure 21 shows a proper IBOC signal when unencumbered by analog constraints. Therefore you cannot move the FM digital IBOC sidebands in without adversely affecting the significant sidebands of the analog signal!
NRSC-5-C figures 9 - 12 demonstrate HOW and WHY MW IBOC sidebands are easily moved in by simply limiting the highest analog audio frequencies to create more free space.
An FM IBOC in hybrid mode is fully capable of delivering 100% analog modulation in any configuration of mono, stereo, RBDS or SCA that a non HD analog FM can do.
A MW HD IBOC station is fully capable of delivering an analog high quality, albeit mono, 8 kHz audio signal at 100% modulation.
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