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Should 96.3 WQXR go country?

1. New York is its own republic and is different with its very eclectic demos.

2. "Old Fogeys" are not the only people who listen to classical music, David Eduardo (or David Gleason -- I guess depending on your client.). Younger demos are tuning to classical and other formats as popular music is disenfranchising a lot of people with it s current state with the predominance of hip-hop influence which suddenly has a MAJOR downturn in sales as a genre. It's like saying only people who chew Skoal listen to country western. If you're skewing old, then you need living up the format by playing more crossover during certain dayparts (i.e. classical artists who make forays into showtunes, movie soundtracks during morning and afternoon drive). The problem is that there are so many oldsters in the programming field these days who assume what "young people" want to hear and like.

3. I find it funny when multiple station megacorporations get into a tough and tumble with each other and neither really make any money in a format.

4. Just as country music had to reinvent itself in the late 90's because it had gone too much sounding like pop music, terrestrial radio is going to have to do the same. I predicted that the big mega corporations would not survive as we watch Clear Channel slowly melt away like the wicked witch of the west in The Wizard Of Oz.
 
chuckydoll said:
Country is a lily-white, right-wing, pro-war format. New York is antiwar, pro-liberty, increasingly black and brown, Giuliani and Hillary notwithstanding. That alone is a good enough reason not to put a country station in NYC.

Wrong. This stereotype is not at all a "good enough reason" not to put a country station in NYC. Look beyond your own perceptions and bigotry and see the business and practical reasons people discussed about NYC not having a country station. Race, politics, and values has nothing to do with it.
 
NJMike said:
chuckydoll said:
Country is a lily-white, right-wing, pro-war format. New York is antiwar, pro-liberty, increasingly black and brown, Giuliani and Hillary notwithstanding. That alone is a good enough reason not to put a country station in NYC.

Wrong. This stereotype is not at all a "good enough reason" not to put a country station in NYC. Look beyond your own perceptions and bigotry and see the business and practical reasons people discussed about NYC not having a country station. Race, politics, and values has nothing to do with it.

It's not a stereotype, Country IS the most lilly white format. If you ever see the ethnic composition of each format you will believe it yourself.

There is a good article posted here on R-I about the challenges of country radio reaching out to the fast growing Hispanic population. If country ignores Hispanics and other ethnic groups, the format will decline. If country makes any moves to win over Hispanics it will anger the core "lilly white" (the exact term a country PD used in the article) audience.

Politics and values are an issue as well. Country listeners (as a group) tend to be more culturally and politically conservative than the general populaton. Studies have proven this to be true. Still, country can thrive in a liberal area. For example, country is booming in Providence RI, which politically is one of the most liberal metro areas of the U.S.
 
NJMike said:
chuckydoll said:
Country is a lily-white, right-wing, pro-war format. New York is antiwar, pro-liberty, increasingly black and brown, Giuliani and Hillary notwithstanding. That alone is a good enough reason not to put a country station in NYC.

Wrong. This stereotype is not at all a "good enough reason" not to put a country station in NYC. Look beyond your own perceptions and bigotry and see the business and practical reasons people discussed about NYC not having a country station. Race, politics, and values has nothing to do with it.

Actually politics does play a role in country music where often songs have lyrics promoting war and what they believe to be the "american dream".
Country is a very patriotic format and rightly so....the only thing is it tends to be a more right wing patriotic genre as apposed to left wing or a happy medium.
That being said, country is clearly an all "white" format
Disputing that means you don't have your facts straight.

Country in New York could pull in a 1.7 undoubtedly but modern rock and current dance have a much better chance of resurection in this market before country.
 
Jay F said:
Country listeners (as a group) tend to be more culturally and politically conservative than the general populaton. Studies have proven this to be true.
What studies are you referring to? I'd like to hear about them if they exist.

Jay F said:
Still, country can thrive in a liberal area. For example, country is booming in Providence RI, which politically is one of the most liberal metro areas of the U.S.
So...doesn't that disprove your whole point about country being "lily white, pro-conservative, right-winged, etc."? If country really is this, as you say, then how is it that it's thriving in such a liberal area like Providence?

chuckydoll said:
Country is a very patriotic format and rightly so....the only thing is it tends to be a more right wing patriotic genre as apposed to left wing or a happy medium.
That being said, country is clearly an all "white" format
Disputing that means you don't have your facts straight.
Facts...so where are the facts supporting the claim that country=all white format. If this is the case, I can simply say that hip-hop/R&B=all black format without having any facts to support it.


Country music is changing. It's becoming more mainstream and turning over more cross-over "pop" hits than ever. While, yes, there are still songs about war, guns, and trucks, most of today's country songs tell a story about life and love...something we ALL can relate to...white or black. All I'm saying is that this type of change and growth of the format could certainly warrant a NYC station making a flip to country.
 
[/quote]
Facts...so where are the facts supporting the claim that country=all white format. If this is the case, I can simply say that hip-hop/R&B=all black format without having any facts to support it.


Country music is changing. It's becoming more mainstream and turning over more cross-over "pop" hits than ever. While, yes, there are still songs about war, guns, and trucks, most of today's country songs tell a story about life and love...something we ALL can relate to...white or black. All I'm saying is that this type of change and growth of the format could certainly warrant a NYC station making a flip to country.
[/quote]

It is clear that you are an advocate for country music. I am an advocate for many missing formats in the New York market as well and I believe that NYC radio should be more diverse but how can you negate that country is a mostly "white" format?
When was the last time you saw a black, hispanic or anything but white country artist?
No one disputes that there are perhaps "some" ethnic listeners but how can you seriously dispute that the overwhelming majority of country listeners are white...?
As for your comments on the subjects of country songs, ie. guns, trucks, getting drunk, etc., you also mention country songs telling a story about life and love and while everyone can relate to that, alot of people don't want to listen to songs that sound like a musical version of a Hallmark card.
 
Country music artists have found success at AC radio because both formats appeal to 25-54 women, and especially the 40+ women who have been country's primary core audience since 1996, according to a Lon Helton column in R&R last year.

The median age of a country music listeners is 44 years of age, and it continues to be the format with the highest average format share, as has been the case since 1992.

WLTW PD Jim Ryan knows that as well as anybody, and judging by Lite FM's ratings over the past several years, as well as the millions of adults and baby-boomers who grew up listening to CHR/Pop stations from the fifties and sixties until the early nineties, AC stations have no problem adding country music to their playlists, and Ryan is as sharp as any AC PD in America at attracting them.
 
Marv-L.A. said:
Country music artists have found success at AC radio because both formats appeal to 25-54 women, and especially the 40+ women who have been country's primary core audience since 1996, according to a Lon Helton column in R&R last year.

The median age of a country music listeners is 44 years of age, and it continues to be the format with the highest average format share, as has been the case since 1992.

WLTW PD Jim Ryan knows that as well as anybody, and judging by Lite FM's ratings over the past several years, as well as the millions of adults and baby-boomers who grew up listening to CHR/Pop stations from the fifties and sixties until the early nineties, AC stations have no problem adding country music to their playlists, and Ryan is as sharp as any AC PD in America at attracting them.

Good point. Lite FM and even WPLJ tend to add some country music to their playlists.

Although I'm not a country fan myself, I would like to see a country format show up on the radio in New York, just to see how it would do since country is a hot format right now. But to possibly be a success in New York, it has to be properly executed and it should be like "country with a New York style", if you understand what I mean.
 
Re: Pinhead patriots can't shake their fantasy

chuckydoll said:
Country is a lily-white, right-wing, pro-war format.

no more calls...we have a winner:
that is without a doubt the most ignorant statement on this board since it re-vamped.

don't confuse "country" with "republican"...
 
YEAH!!!!!!!!!!!!!! Cowboy Troy and Charlie Pride TWO black guys! over the course of some fifty years of the grand ole opry!.......I think that debunks your country is "lilly white" theory!

Ok Gotta go, just downloaded the latest Rush O'reilly podcast!

::)

PS want country? MOVE TO IT!! GET OUT OF THE CITY AND LEAVE US ALONE ALREADY!!!

:D
 
Well, a problem (and one that also plagues the dentist's board) is ultimately with the kinds of cheerleaders country-in-NYC has, or at least leaves the impression of having; that is, lots of generally old and culturally low-functioning people with an irrational fear for what NYC's become. Imagine a 2007 model of this lyric...

====================

"Those Were The Days"
by Lee Adams and Charles Strouse

Boy, the way Glenn Miller played. Songs that made the hit parade.
Guys like us, we had it made. Those were the days.
Didn't need no welfare state. Everybody pulled his weight.
Gee, our old LaSalle ran great. Those were the days.
And you know who you were then, girls were girls and men were men.
Mister, we could use a man like Herbert Hoover again.
People seemed to be content. Fifty dollars paid the rent.
Freaks were in a circus tent. Those were the days.
Take a little Sunday spin, go to watch the Dodgers win.
Have yourself a dandy day that cost you under a fin.
Hair was short and skirts were long. Kate Smith really sold a song.
I don't know just what went wrong. Those Were The Days.
 
UncleBozzle said:
A "Lily White" format huh? Frankly I am happy to be branded "lily white" for listening to country music. Is there something wrong with appreciating music that represents your values and beliefs? Perish the thought that it's artists might portray a vision of family, country, and dare I say it, even God. Amazing that if I came on here and stated that Hot 97 were a blatantly black station that portrays everything that is wrong with urban america and certainly conducts itself in a manner reflective of how I perceive african american society I would be branded as a racist. Secondly who cares if country listeners are Republicans? There are alot of them out in the suburbs afterall. Isn't that the only place in metro NYC that Country listeners reside according to all you experts? It has worked here and it will work here again, soon I'd imagine as well. Citadel will enter NYC soon.....I bet the "Cat will be on the prowl very soon". "Cat Country 95.5" anybody? They can then sell it as a package with it's other "Lily White" top biller...WABC. Maybe "95.5 WABC", "Americas Big Cat" or "Americas Best Country". I see a homerun from a billing perspective.

I couldn't even begin to comment on your many statements made in your post since I'm still shaking my head in disbelief but I will comment on the final one where you state "I see a home run from a billing perspective".......be glad it is not your money on the line if what you say EVER comes to be!
 
TowerBuzz said:
PS want country? MOVE TO IT!! GET OUT OF THE CITY AND LEAVE US ALONE ALREADY!!!

:D

There's plenty of country music to go around in West Virginia, Kentucky, Tennessee, and other places! Or just go south to Philadelphia where country is on the radio.
 
There is that stereo-type again....Kentucky and West Virginia. Why is it so envogue to bash country music here. You might wish to let the equally sophisticated folks in the Jersey Shore suburbs that their country stations make them akin to folks in the Appalachians. Last I checked Monmouth and Ocean Counties have some of the highest educated, highest earning individuals in the nation. I'd imagine the same holds true for all those "hillbillies" in the Philly suburbs of Bucks, Montgomery, Chester, and Philadelphia itself. It's time to break down the stereo types and understand that from a business perspective it does make 100% sense to be "the 1 and only game in NYC". Coupled with a WABC that caters to "us lily white republicans" it truly does make sense.
 
UncleBozzle said:
There is that stereo-type again....Kentucky and West Virginia. Why is it so envogue to bash country music here. You might wish to let the equally sophisticated folks in the Jersey Shore suburbs that their country stations make them akin to folks in the Appalachians. Last I checked Monmouth and Ocean Counties have some of the highest educated, highest earning individuals in the nation. I'd imagine the same holds true for all those "hillbillies" in the Philly suburbs of Bucks, Montgomery, Chester, and Philadelphia itself. It's time to break down the stereo types and understand that from a business perspective it does make 100% sense to be "the 1 and only game in NYC". Coupled with a WABC that caters to "us lily white republicans" it truly does make sense.

You're confusing two things. The stereotype and the business reality. The two might blend in a little, and I'll explain how in a moment, but I feel that many of those who are arguing that country will fail in New York are doing so from a more practical point of view, and certainly, I do feel that there are practical, non-stereotypical arguments as to why country has failed recently and will most likely fail again in New York.

I may not be a fan of country music, but I personally don't buy the "lily white" argument. Classic Rock (Q104.3) and even Hot AC (PLJ) are largely "white" formats as well, and both are formats which get a lot of their numbers from suburbia, where country also has the best chance of success in this market. So let's throw that out the window.

Country won't work for more practical reasons. First, regardless of what people say, the audience is not there in the metro area as a whole. And the best evidence for that is to look at the numbers. WYNY on 103.5 was "the only game in town" until it flipped to KTU in early 1996. It was floundering in the high 1's and low 2's and I believe at the time it was the lowest-rated full-power commercial FM in the city (a position Free FM now proudly holds, with worse numbers). If anything, the demographics of New York City and the metro area as a whole were more conducive to a country format then, than they are now. Look at another "white" format that relies on the suburbs that I've mentioned: PLJ. They were getting anywhere from a 3-4 share, 12+, in the mid 90s. Now, even before the direct competition from Fresh and almost-direct competition from PLJ, they fell to the low 2's. The audience is shrinking, and PLJ, like it or not, is a much more "mainstream" format, by this region's standards, than country.

The numbers also did not lie when Y-107 came and went. If the suburbs are where it's at for country, why did this station with four well-situated sticks in the suburbs fail, and so quickly? The Westchester stick covered most of Westchester County, Fairfield County, parts of Rockland County, much of Bergen County, and the entire North Shore of LI, even the Bronx (with the North Bronx also having many "white" communities). The stick on Eastern LI covered the entire East End and parts of Southern CT. The Long Branch stick covered much of Central NJ, Staten Island (the "whitest" of the five boroughs), even the South Shore of Nassau County where the East End and Westchester sticks weren't penetrating. The Northwest NJ stick covered that whole region, which should be very "country friendly" as well. And guess what? With all that penetration, and even a decent signal in the five boroughs in spots...it failed.

Guess what else failed? Country on 94.3 in Long Island. It also failed on 102.5 out on the East End, which is supposed to be the most receptive part of Long Island as far as the genre is concerned. Those stations were replaced by Hot AC and AC, and are doing better (especially in the key department of *billing* if not raw numbers) despite the oversaturation of both formats, especially AC, in the area.

Notice I mentioned a key word: billing. Billing is what ultimately matters to a commercial radio station, and the billing just wasn't there for any of these stations, aside from the audience. There could be a lot of reasons for this. Not reaching a desired demo for advertisers (which is what did oldies in, despite great 12+ numbers). Not getting enough numbers to justify high ad rates. A signal on the Empire State Building is worth upwards of $100 million, so there is a large investment that needs to be recouped. Even a suburban signal in a market like Long Island has recently spawned as much as $62 million, in the case of the old WLIR.

We've argued about the stupid decisions that have been made from the likes of CBS Radio, and I won't defend them on that. I personally think Free FM was a stupid idea and so far the numbers are showing it. However, the failure of some formats does not imply the success of some others. I personally feel that country, at best, would match the 12+ numbers that PLJ gets, but with demos that are not as advertiser-friendly, which ultimately means that the billing (which is what has kept PLJ afloat for now) won't be there. Even as the only game in town. Most of the recent failed attempts at country were also the "only game in town" and that didn't help them much.

People can talk all they want about country selling out venues in the NYC area or sales of country albums (in volume) being the highest in this region out of any region in the country. To that, I'd say that just about any genre sells out venues in this region. In a metro of 16+ million, it's not hard to fill up a 20,000 seat facility. I can speak from firsthand knowledge that even concerts from relatively small ethnic groups have been known to fill Madison Square Garden or the Continental Airlines Arena. That does not mean that we should flip some station to Polka or Greek or 24-7 Opera. Likewise, I'd venture to say that in terms of volume, more albums are sold in this region for just about any genre, than anywhere else in the country. I'd love to see percentages though, as I'm sure in that category, country purchases would represent a very small fraction of all types of albums sold in NYC-area stores.

I think that the best country fans can hope for in New York City is country on HD radio (which already exists on 103.5 HD-2), and some crossover country hits played on stations like Lite FM and PLJ. This is happening already, but notice again another key word: crossover. The country songs being played on those stations are limited, and relegated to the most pop/mainstream-friendly crossover acts, and even then, not in the heaviest of rotations for the most part. Not all stations and radio execs are stupid. Lite FM, for one, is a hugely successful station and both the ratings and the billing prove it. If country was such a hot format, I'm sure they'd integrate more of it into their playlist. After all, Lite has been known to be an AC that pushes the boundaries of that format (playing bands ranging from Coldplay to Boston, as well as disco and Motown hits).
 
Neo you make some very valid points. That being said I have to add that a good salesperson can sell ice to an eskimo. Country, if programmed properly could be sold to anyone, anywhere. Y-107 was run by a company with financial issues, so that was bound to fail miserably anyhow. WYNY when @ 103.5 had the misfortune of being caught in at least one major merger that ultimately decided it's fate. If you took a quality signal and programmed the format in the style of WPLJ or even Lite 106.7 you'd have a good shot at making strong numbers. You'd certainly beat Free FM and Jack without even lifting a finger and I would also be willing to bet you might chip away at Fresh and Lite. Will it be a huge homerun? Not necessarily, but it would do alot better than some of the stations that are out there. If everyone chooses to use the "lily white" arguement than why not chip away at the above mentioned stations. Maybe you can't beat them with this format, but you could truly make the going a bit rougher for them. Just a theory. Essentially make the crumbs that the others are sharing become even sparser.
 
No it's not and you better live with it

Where does it say that a station in New York City has to have a country format? The FCC does not regulate format decisions -- the market does!

Where does it say that the New York Times Company is obligated to change the format on WQXR? The FCC does not regulate format decisions -- the market does!

Where does it say that a station in New York City must change its format to please a bunch of Know-Nothing fanboys with nothing better to do? The FCC does not regulate format decisions -- the market does!

1050 WHN went away because its owners saw that (1) music on the AM band was dying and (2) an all-sports format in a sports-crazy city had potential.

WYNY changed format and call letters because the owners saw the station wasn't bringing in enough revenue. A frequency swap didn't help.

That much-beloved Y107 "Quadcast" flopped for good reason. It was built on 4 rimshot signals -- and New York people do not listen to rimshot signals.

You think you know everything? Call the chairman of the New York Times Company and ask him if it's gonna sell WQXR. He will tell you NO and hang up.

It's long past time that you got a life. It's about time that you got a brain and learned to use it, not spend all day acting out your juvenile fantasies on a message board. Until then SHUT UP!
 
Actually, if you want an attractive, even superior aspirational model for so-called lily-white and family-friendly, New York style, look no further than the heart of Manhattan, if we go by this article.
http://www.nytimes.com/2007/03/23/nyregion/23kid.html?_r=2&pagewanted=1&ei=5087%0A&em&en=e00d45e671b62f1c&ex=1174795200&oref=slogin&oref=slogin
Of course, this kind of lily-white/family friendly also happens to be cultural-diversity friendly, too, and all of that.

A generation or two ago, this attractive demo might well have been WABC-friendly; but that was a different time, a different culture, with limited technology and limited media spectrum. Today, they're more likely to regard commercial AM/FM as an outmoded, degraded medium only of interest to vulgar fogeys and numbskulls and mouth-breathers--and I'm only talking about the "white" side of the spectrum.

Those of you advancing the cause of country radio for NYC--bear that in mind...
 
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