A book I once read on older TV shows made the claim that the Andy Griffith Show was a program indeed made for Black & White TV. I think that's true. Of course the switch from B&W to color production pretty much mirrors the transition between the departure of Don Knotts and the arrival of Jack Burns. Any successful TV show if it goes on long enough will wear out pretty much every avenue there is to explore. Plus one thing to remember is that shows like the Griffith Show, and really ANY show done in the later 50's, 60's and early 70's did up to 39 episodes a year. That's a lot of content. If you compare that to the 15-20 episodes done currently, that's a lot of material. Plus, commercial loads were lighter due to FCC regulations, which of course meant more content per show. MASH, just like Andy was on for so long, they had done about everything there was to do and cover. Eventually you've done so much you wind up thinking that hiring Ted McGinley is a good idea!The Voice of Reason said:KyDXIn said:Most color versions of Andy Griffith...
For me personally the Andy Griffith Show lost its appeal when Don Knotts left. Jack Burns, who replaced Knott's as Andy's Deputy, wasn't funny at all, neither were other replacements: George Lindsey (Goober Pyle), Jack Dodson ( Howard Sprague), Paul Hartman (Emmett Clark).
One of the biggest mistakes the show made was getting rid of Elinor Donohue and replacing her with Aneta Corsaut, who played Helen Crump. Donohue and Griffith made for a better love interest than the milk toast Corsaut.
I do feel bad for Ken Berry however. I read that when he signed on to be Sam Jones on the spin-off, Mayberry RFD, he went out and bought a house thinking the series would be on the air for a few years. Unfortunately that's around the same time some brass-hat at CBS decided to deep-six most of their top 10 shows because many of them had a rural setting. Heaven forbid there are actually people living between New York City and Los Angeles.