I miss radio and tv station sign-offs. Back in the '50's and '60's and even into the '70's the majority of broadcasting stations were not 24-hour operations. There were lots of radio stations that were known as "day-timers", which meant they began their broadcast day at local sunrise and stopped broadcasting or "signed-off" at local sunset. Many still do, but the majority now run 24/7. TV stations usually signed on at 5 or 6am, local time, and off at midnight.
It took a good deal of legal work to extend hours of operation through the FCC, but the possibility of increased revenues, combined with the fact that staying on the air 24/7 didn't really cost much more caused the change to full-time operations. It didn't hurt that people who were listening to your station the night before stayed with you when they woke up the next morning. They hadn't left you for another station that was on longer than you were.
That aside, my purpose here is to share a couple of memories regarding "sign-offs" I've heard and been a part of. My first memories go back to TV in the early '50's, when stations didn't sign-on till midday or later due to the lack of product. You'd turn on your TV and see the familiar circle with dashes in it and some numbers and that face of an Indian chief in profile, complete with headdress. This was before the days of color bars on your screen.
Most broadcast stations used the "Star-Spangled Banner" as a sign-on/off aid...but some didn't. When I worked at WRBC in Jackson, MS in 1968-69, we used Duane Eddy's famed "Rebel Rouser" for sign-on/off music. After all, WRBC stood for Rebel Broadcasting Company! Some TV stations in the '60's used a chorus singing "The Lord's Prayer" while the video showed a full shot, outdoors, of an Indian chief, also in full headdress and buckskins, "signing" "The Lord's Prayer". It was very effective. The best sign-off I ever saw was the one used by KATV, Channel 7, in Little Rock/Pine Bluff back in 1965 or 6. They had just built a tremendous tower to hang their antenna from and were proud of it. It was 1200 to 1500 feet tall or some such number. They had the idea of putting a camera in a helicopter and lifting off near the tower and going straight up until they were above the tower, shooting all the way. Then they had the gumption to put the 4th movement of Dimitri Shostakovitch's 5th Symphony behind it. If you're not familiar with it, you should try to hear it. It builds and builds to a triumphant climax that is terrific. The combination of video and audio in that sign-off was magnificient.
In the early '70's here in Memphis, when WREC-TV (now WREG-TV) signed off, they would put up a slide of a nighttime view of Memphis and play an audio cut by WREC-AM's "Nightsounds" host, Al Kenngott, which said something like, "Not quite ready to retire, then enjoy "Nightsounds" on WREC radio right now with me, Al Kenngott."
I remember in about 1980 getting a call from a production guy at a new radio station that was about to sign on in Memphis. He was desperately seeking a copy of "The Star-Spangled Banner". "My boss says we can't sign on this station until we get one!", he told me. I sent him a tape and they signed on the next morning. They went dark a few years later, so no harm, no foul so far as helping out the competition, I suppose.
It took a good deal of legal work to extend hours of operation through the FCC, but the possibility of increased revenues, combined with the fact that staying on the air 24/7 didn't really cost much more caused the change to full-time operations. It didn't hurt that people who were listening to your station the night before stayed with you when they woke up the next morning. They hadn't left you for another station that was on longer than you were.
That aside, my purpose here is to share a couple of memories regarding "sign-offs" I've heard and been a part of. My first memories go back to TV in the early '50's, when stations didn't sign-on till midday or later due to the lack of product. You'd turn on your TV and see the familiar circle with dashes in it and some numbers and that face of an Indian chief in profile, complete with headdress. This was before the days of color bars on your screen.
Most broadcast stations used the "Star-Spangled Banner" as a sign-on/off aid...but some didn't. When I worked at WRBC in Jackson, MS in 1968-69, we used Duane Eddy's famed "Rebel Rouser" for sign-on/off music. After all, WRBC stood for Rebel Broadcasting Company! Some TV stations in the '60's used a chorus singing "The Lord's Prayer" while the video showed a full shot, outdoors, of an Indian chief, also in full headdress and buckskins, "signing" "The Lord's Prayer". It was very effective. The best sign-off I ever saw was the one used by KATV, Channel 7, in Little Rock/Pine Bluff back in 1965 or 6. They had just built a tremendous tower to hang their antenna from and were proud of it. It was 1200 to 1500 feet tall or some such number. They had the idea of putting a camera in a helicopter and lifting off near the tower and going straight up until they were above the tower, shooting all the way. Then they had the gumption to put the 4th movement of Dimitri Shostakovitch's 5th Symphony behind it. If you're not familiar with it, you should try to hear it. It builds and builds to a triumphant climax that is terrific. The combination of video and audio in that sign-off was magnificient.
In the early '70's here in Memphis, when WREC-TV (now WREG-TV) signed off, they would put up a slide of a nighttime view of Memphis and play an audio cut by WREC-AM's "Nightsounds" host, Al Kenngott, which said something like, "Not quite ready to retire, then enjoy "Nightsounds" on WREC radio right now with me, Al Kenngott."
I remember in about 1980 getting a call from a production guy at a new radio station that was about to sign on in Memphis. He was desperately seeking a copy of "The Star-Spangled Banner". "My boss says we can't sign on this station until we get one!", he told me. I sent him a tape and they signed on the next morning. They went dark a few years later, so no harm, no foul so far as helping out the competition, I suppose.