HighDef said:
That was perhaps the saddest and most generalized definition of a music genre ever. Hey Gringo...Asians are good at math and only Jews sell jewelry. Sheesh.
I am not even sure what you are referring to. Do you mean my definition of "cumbia?" For some reason you seem to be offended by a totally real description of the appeal and extension of cumbia across Latin America.
Cumbia is a folkloric music of Colombia, and one specific area of Colombia to be more precise. It is a union of native, African and European music forms that goes back way over a century in its origins. It did not break out of the rural areas of northern Colombia until well into the 20th Century, and then mostly in places like Barranquilla and Cartagena, later expanding to Cali and then the rest of the nation. Today, it has been eclipsed by slasa among the higher income tropical fans, and vallenato in the lower levels.
Since radio ratings in Latin America are done by socio-economic levels (Arbitron, IBOPE, INRA, etc.), the income of listeners is very important. This is not a stereotyping, either, as advertisers demand to know if a station has listeners with enough money to buy specific products. And different music forms appeal, usually, to very specific S/E levels.
But only in the 60's did it expand much beyond Colombia itself, first to Ecuador and Venezuela where bands like the Billo's Caracas Boys and the Blacio Junior picked it up and added it to their repertoirs. Later, it spread to Mexico where the Sonora Santanera adopted it among the first. In Perú, Enrique Lynch's band popularized it, and in Argentina groups like Los Wawanco adapted it to the local tastes.
Today, in Argentina there is a very different sound to the cumbia than one would hear in Colombia. No longer called "cumbia" by most, "bailanta" music is widely heard in the poorest suburbs of Buenos Aires and the interior of Argentina. As mentioned, no major licensed station in Buenos Aires programs it, as the income level of listeners to "cumbia villera" is so low that advertisers do not buy ads on such stations. This is a reality, and whether you think it is a stereotype, the fact is that atrtists like Rodrigo and Gilda are folk heros of the lowest S/E groups and seldm heard outside of them.
Today, in Mexico, another adaptation of the cumbia, the "cumbia grupera" has been created. Seldom are true Colombian artists heard, but the cumbia and vallenato bands of Monterrey are very popular for dances and such among C-, D and E socioeconomic levels all over Mexico.
In Perú, an interesting form of Technocumbia has been developed, with artists like Rosy War at the forefront.
So the rhythm danced in rural Colombia while holding a lit candle now has multiple derivatives all over Latin America.
For some samples of Mexican cumbia, you can try the Mexican Tropical tab at
http://www.hispanicformats.com