I remember those transmissions…weren’t they from the Greenville “C” site that was used solely for program routing and feeders, as opposed to the standard AM modulation at the “A” and “B” sites? Audio was quite good, though as they were ISB you had to have a receiver that could separately tune each sideband. Otherwise you’d hear a mix of two different programs!
Greenville C Site did all the program routing for the transmitters but those four, later six, ISB transmitters were out at the two transmitter sites, A Site and B Site.
The four original ISB transmitters were TMC GPT-10 units and later, sometime in the mid-1960s, updated to GPT-40 units with the addition of the 40 kW PEP amplifiers. The transmitters were also moved from the original locations on each side of the shift supervisor's office to the back hall area near the power vaults for the Continental 420A transmitters.
At some point in the early 1980s, when the four newest 500kW transmitters were installed, the old Gates HF-50C units, six total, were removed and position #9 at each transmitter site was then filled with a Continental 617A SSB transmitter. At the time, all of the ISB transmitters used TMC MMX-2 exciters with the wideband audio filter options.
I think Greenville may have one or more Harris ISB exciters, a little newer vintage in the GB-9 transmitter. Been a long time since I've actually looked.
True, but you need a receiver that is rock stable and precisely tunable. If the tuning is slightly off, the pitch of spoken word content will change while still being intelligible. However the harmonic relationships in music will be completely thrown off, resulting in a dissonant mess.
You are absolutely correct. But the RCA receivers, SSB-R3 systems and even the previous systems using the Pioneer SSB adaptors, used the reduced carrier of the transmitter to maintain that precise tuning.
That also reminded me of a program we used to monitor at Greenville and feed up to Washington on the microwave system, a program from ERT. The transmission network which ERT used between the studio and the transmitter site appeared to be a frequency division multiple system but it was not synchronized and there was a hertz or two difference between the TX multiple and the RX multiple. That frequency offset was not enough to affect spoken word content, but did mess with the music. I found that by unlocking the RCA receiver from the AFC circuit, I could mistune the receiver and get the program back to the correct audio frequency relationship and make it sound better, but the RCA drifted a little too much and it wasn't worth the effort to keep playing with the PTO setting. The Greek service in DC didn't seem to care, one way or the other, so I quit worrying about it.
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