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Steve Martorano 'Tuned Out'

Steve Martorano penned an article called Media:Tuned Out. It makes for some good reading from the early part of his career, forward.

http://www.phillymag.com/articles/media_tuned_out/page3


My comments on the article:

Hy Lit was the man who gave Steve Martorano his first job in radio. I remember Steve at WDAS FM. I grew up there and at WIBG myself. My step brother, (who’s father Robert A. Klein, was part owner and general manager WDAS AM/FM) and I grew up in radio, and we tooled around WDAS, like we owned it. Going between WDAS AM and WDAS FM, and engineering, and evaluating everything, because really, between my step brother and I, we really did know everything, about radio. At our tender little age of 12 we knew the business of radio, every piece of equipment and it’s economies of scale. So I remember it all too well. WDAS AM/FM was a magnificent pioneering broadcast facility located in Philadelphias majestic Fairmount Park.

Steve Martorano by 1968, was by all definition a modern day, free spirited flower power counter cultural literary revolutionary. Of course, Vitaman B modified Lysergic amino acid experimentation on the air, really won’t achieve measurable ratings, particularly when those recreational patterns leave no room for intrinsic intrusions. So, Steve Martorano along with Steven Leon (another on air personality and the son of WDAS’s majority owner Max Leon) were more into creating revolt for the sake of revolt and misguided mischief at WDAS FM. These early FM stalwarts had never meaningfully held a job before and really didn’t know to operate in a business environment, even with instructions. Steve refused to abandon the recreate and follow the format, rules and management of a radio station, because as horrific as it may seem, even in 1968, radio was a business, and someone has to pay the bills. The WDAS FM air staff erringly endorsed a chemically fuelled existence on and off the air, where Steve and his revolvers felt it appropriate to broadcast things like decrepitation contests, accurate accountings of the daily price of marijuana, and readings of the station memos on the air. All this while playing only the most obscure picks of music between the imbecilic bantering about nothing even remotely interesting if it didn’t identify with the immediate neighborhood around 22nd and Samsom, (the epicenter of the Philadelphia counter drug culture in 1968).. It was beyond FM’s contemporary cognoscence to attempt to do anything mass appeal either because they wouldn’t or couldn’t. It would be too establishment like to be liked, and dare I say do anything even remotely profitable, except split a pound of pot into 16 lightly measure ounces. In fact after reading this article, and Steve’s recollections of certain events, I can’t help but think the magnifications of the Lysergic effects of these delicate years on the growing mind, linger on. After he finally left WDAS FM and went to WMMR that station was an abysmal failure until new management in the mid 70’s came in and gutted the poisoned unprofitable obscure broadcast culture permeating that facility as well. But I’m sure he felt like he did at WDAS FM, that MetroMedia broadcasting, the owners of WMMR at the time, had enough money to support infantile radical broadcast nonsense, and deserved no more than the self effacing contemporary mind set of the moment.

I realize somewhere along the way, Steve, by default, if nothing else, matured, if only marginally, in to a relatively seasoned successful AM talk show pontificator at WIP. And I give him measured credit for that. Because after all even the mind of a child should grow up someday, no matter how long one wants to hang on to and bang ones rattle. But what has been left behind, in terms of brain damage from those early chemically induced underground radio years, is the failure to recognize the ruinous tides even if inadvertantly, he dumped on Hy Lit, the only man who was kind enough to give him his start. Even more important, regarding the editoral conclusions of the article, broadcasting, and the science of, doesn’t end with old style, terrestrial signal receiving devices.

Yes, I remember it well.
 
I read the article, remember those days of "underground" radio birthing in philadelphia and the night and day diversity in formatics.

When I read the article, I knew the Lit family was going to be p.o'd.... Your claim that "..at the tender age of 12 years"... you knew all the ins and outs of radio is almost as laughable as the articles author. Think about it, Philly mag asks Mr Martorano to pen a piece on "The Radio Days", and this is what comes forth. I was wondering when the other parts of the series might be released. I grew up listening during that time period and thought the piece would be interesting, but not the case. The whole world was changing fast in 1968, and so was philadelphia radio. I can't wait for Philly Mags piece on a part timers experiences at wysp during the Free fm days, fascinating!
If it was my folks he was referering to, I might have been upset as well. But taking the Hy road in this case would probably be best....oh and if I might ad....when your are p.o'd...leave the dictionary closed. Nothing in my opinion could tarnish the legend of Mr Hy Lit.
Thank you and we now return you to your regularly scheduled program ;D
 
simonbarrsinister said:
Your claim that "..at the tender age of 12 years"... you knew all the ins and outs of radio is almost as laughable as the articles author.

I dunno? Maybe you just had to be there.


WDAS AM/1480 was a legendary Rhythm and Blues heritage station located in the beautiful Fairmount Park section of Philadelphia. I had the privilege of growing up there are a kid, with my step brothers and sisters, as my stepfather Bob Klein was General Manager and part owner. The term legendary does not even capture what WDAS-AM was to Philadelphia or the role it played as setting the standard of black radio, both locally and nationally. WDAS’s influence was unequalled, where Philadelphia and the country heard the black hits and the sound of Philadelphia first. It was unique and magical, with an extraordinary on air presentation that began at the dawn of Rock and Roll in 1951, when Rock and Roll meant Rhythm and Blues. WDAS was an influence that was heard and woven into the fabric of our society, as well as the broadcast industry, nation wide.
The studios in Fairmont Park were one of the most exciting full service, on air engineer broadcast assisted, RCA blue print facilities that I have ever seen. And I have seen them all, including as you know WIBG, where I also grew up as a kid. The Disc Jockeys were true radio wizards, and the home of legends like Jocko Henderson, Georgie Woods, Kae Williams, Jimmy Bishop, Larry Daily, Carl Helm, Louis Williams, Joe (Butterball) Tamburro, and many more. http://hylitradio.com/productlogo/wdassoulsurfers
Even Hy was on WDAS-AM in 1969 from 1-4pm, as he launched WDAS-FM (1968-1971) into contemporary underground radio. (see http://hylitradio.com/index.php?page=6 for a history timeline). http://hylitradio.com/productlogo/hylitwdasfm

But no matter how big the musical high points, WDAS News was there. The WDAS newsmen and women were a group of brilliant journalists, where many prominent broadcast journalists, including Ed Bradley (late of CBS), Bob Perkins (now at WRTI), my stepsister Wynn Alexander, and Joe Rainy, among and many others, professed an award winning level of reporting, at a time when radio was where people turned to hear what was happening now, fast and factual.
The WDAS News department had achieved more awards year after year, for news journalism, than I can name. By 1966, WDAS News had won 17 major awards and dozens of Associated Press Awards for news and editorial in addition to 13 Valley Forge Freedom Awards, 3 Valley Forge Freedom Medals, the Armstrong Award for Journalism, and countless proclamations of recognition. WDAS News was a tireless warrior against racism and oppression, and every known social ill. The contributions to black progress and racial harmony were recognized far and wide as well as congressionally. It is worth noting in a long roster of accomplishments, that in 1962 WDAS News, was the only station to 'sweep' the Associated Press Awards and one of only two stations in the country to win a Valley Forge Freedom's Foundation Medal for editorial excellence that year. (see http://wdashistory.org for a history timeline)
There is no Philadelphia area radio station before or since that has matched what a single locally owned and operated broadcast voice has meant to a city or an industry. My stepfather sold WDAS AM/FM in 1979, for what was the highest dollar value ever paid for a Philadelphia radio station up until that time, culminating a combined three decades of unparalleled broadcast excellence.

http://wdashistory.org was assimilated by Wynne Alexander (Wynne Klein), my step sister, Bob Klein’s oldest, and, Max Leon’s granddaughter. Bob Klein, Max's son-in-law, General Manager, and part owner of WDAS, married my mother after her and Hy divorced. Even before as Hy’s best friend, (that’s another story for another time), Bob and his kids were part of a close family inner circle that dated way back before I was born. Bob was originally married to Max Leon’s daughter. Max Leon was a Jewish immigrant and at the age of 16 came to the US from Poland (Swierze) with a violin, four dimes, and a suitcase. Max ultimately became the general manager of a candy factory at which he began work as a candy breaker. He then became the owner of that same company, the Whole-Sum Products in 1934. They made different types of sweets while inventing marshmallow ice cream for the Breyers Ice Cream Company headquartered in the Grays Ferry section of Philadelphia. He kept the candy factory all during the WDAS days. In fact, the candy company was a major sponsor on WDAS radio. There was many a year in which I heard the ‘Dainty Mints’ commercials on the air, and in the production studio. Dainty Mints was one of the staple nickel sugar product lines manufactured by Whole-Sum Products. Max made a bundle, one nickel at a time, literally. He made millions and in 1943, he founded, financed and conducted "the Philadelphia Pops Orchestra" which was the the prelude to what is now the Philadelphia orchestra.

Saturday afternoons saw Max and his members of the Philadelphia Pops Orchestra practicing on the 4th floor of his candy factory and at the Lorraine Hotel on Broad Street. Max "broadcast" the rehearsal throughout the plant through a loudspeaker system in the production area. During the Second World War, the orchestra played concerts at Army and Navy hospitals, service centers, camps, and stations and raised over $6,000,000 in war bond sales. Leon organized it, led it, paid all the bills, and was their conductor. It was his baby. Throughout the years, he continued to conduct the eighty piece Philly Pops with performances at the Academy of Music.

For twenty-nine years, Max M. Leon owned the majority interest in WDAS which he purchased for a half million dollars on October 19, 1950 from William Goldman (a theater chain owner.). WDAS was originally licensed to Ocean City, NJ, Subsequent ownership was retained by retailers Dannenbaum & Steppacher, Thus the call letters "W-D-A-S. Dannenbaum & Steppacher moved the station to Philly where it has remained ever since. Bob Klein, and Leon applied for and was granted a construction permit for an FM station and in 1959, 105.3/WDAS-FM was licensed and came on the air. (105.3 was originally WHAT-FM/105.3 and was abandoned when WHAT-FM moved to 96.5 Mhz. Up until Hy launched Hyski’s underground on WDAS-FM in late 1968, WDAS-FM was Max’s personal playground for the fine arts in Philadelphia. (Coincidentally, Hy was heard on 105.3 when his 1340/WHAT-AM radio show was simulcast on WHAT-FM/105.3, from 1954-55). http://hylitradio.com/productlogo/wdasreceptionreport


Factoid: 1972 WDAS' Bob Klein files a class action suit against the Arbitron rating service on behalf of all black radio stations and proves that black radio listenership was undercounted. Arbitron settles after four days of testimony and amends its methologies and policies.
Factoid: 1968: Bob Klein hires Hy Lit as V.P. and General Manager of WDAS-FM. Hyski’s underground is launched on WDAS-FM. Hy also does 1-4 afternoons on WDAS-AM.
Factoid: 1968 The campaign waged by WDAS News against Girard College's "white only" policy is victorious, when US Supreme Court orders that black students be allowed to attend the school.
Factoid: 1967 WDAS personality and Gospel Queen Louise Williams introduce a young gospel singer, Aretha Franklin to Jerry Wexler of Atlantic Records... and the rest is music history.
Factoid: 1962 Georgie Woods breaks the Beatles', "Please, Please Me," originally on the African-American owned, Chicago-based Vee-Jay Records label.
Factoid: 1960 Louise Williams hired by Bob Klein to come to WDAS-AM to do gospel. WDAS Charities established to address the needs of the community. WDAS Charities initiates "WDAS Freedom Shows," both Rock n' Roll and gospel concerts that raise money to benefit those in need in the Philadelphia community. John "Lord Fauntleroy" Bandy appointed Assistant General Manager at WDAS, one of the first African-Americans to hold that position in radio nationwide. WDAS commissions further market research and listenership study with E. John Bucci, President Kennedy's chief statistician. WDAS initiates one of the first voter registration drives. WDAS credited with increasing African-American voter registration by mayor of Philadelphia.
Factoid: 1956 Georgie Woods joins "Jocko" Henderson at WDAS-AM.
Factoid: 1953 "Jocko" Henderson hired at WDAS-AM in Philadelphia on October 5th. Georgie Woods hired as an air personality at WHAT-AM after a brief stint at WWRL-AM in New York.

Meanwhile Joe Tamburro (butterball) who began his career spinning records for Hy Lit at record hops in the late 50's and who met my stepfather, Bob Klein through the association with Hy, started DJ’ing on WDAS-AM in the late ‘60’s and began programming WDAS FM in the 70’s. He is still there as program director to this day.
 
Well at least you can claim you were totally aware in the final days. The article proves that some were not.
Don't lose the memories Sam. I'm trying my damndest (sp) not to lose them myself. :)
 
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