Our radio medium is, among its many definitions, a commercial audio exhibition, a trade dealing with public entertainment, a business of presentation. It is both Commerce and Spectacle, it is Show Business.
This broadcast enterprise thrives in the balance of strong nurturing qualities of both love and protection, dissipates in their absence. When managers allow the brand to venture away from this delicate equipoise, listeners can hear the quality shift as the product immediately veers and suffers.
That symmetry is key. Whenever the pivot point of attention leans too much toward Show(-off,) the proceedings become lopsided, too desperate for attention; when weighing over-heavily on the other side, tuned exclusively to (Bottom-End Only) Bid'ness, it becomes shallow, predictable, distant and petty.
It's difficult to find dependable radio and television workers who are really good at what they do who will work for (a) the heartless, or (b) the insatiable. Even those desperate for work see the corporate reign as too unsatisfying spiritually, and unrewarding monetarily. Human resources should be viewed as profitable investments.
Right now, in its initial stumbling attempts at reorganization, the state of radio reminds me of the motorist who, stranded in a passing town, disassembled his vehicle and sold the parts for just enough money to buy gas.
Life's greatest freedom is love; fear, it's greatest limitation. That's good radio info, too.