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Treasure Coast That 'MOR' Style

Recently, I contributed to a post about Soft AC formats on another board. Right here on The Treasure Coast, we have WOSN (97.1 Ocean FM) Vero Beach that’s truly Soft AC.

It’s difficult finding history about small market radio. But to my surprise, I learned that Herb Oscar Anderson, of New York City’s WABC Radio of the 60s heyday, had a weekend gig in the 2012-2013 period. He may have been at the station a little longer, I had no way of verifying that.

If you aren’t familiar with Herb (HOA), he enjoyed engaging with the audience in both songs and in lengthy dialogue. In his time in hit music radio, he sometimes sounded a little out of place. But then I’m reminded that hit music jocks, especially before the Beatles came along, didn’t all talk rapidly.

So, Herb fit in with a mass-appeal environment and at a time families ate breakfast together in the kitchen with the radio on in the background. Herb had as many as 6 million weekly listeners to his WABC morning drive show. And to think, he came to the station in the very early 60s where WABC was a dog having very few listeners. Obviously, his style and all the station’s elements came together so it all worked making WABC a giant.

I thought about HOA’s presentation style. Middle of the Road, when it comes to radio, is often thought of by format, especially with the song selections. But the MOR style of broadcasting I can recall was one where various stories were told and there were liberties to do so. It certainly has its place in time. While MOR may be thought of in terms of Standards or Beautiful Music formats, I noticed exceptions to rapid banter and getting one song after another played.

For those of you who are old enough to have experienced early FM, there was a format known as “Progressive Rock.” This wasn’t in all cases, but the jock would occasionally tell a story, especially about the artist, latest album, or concert series.

It was in the late 1990s that my job took me to Jacksonville, Fl. Back then there was a rock music station, WFYV 104.5, known as “Rock 105.” It was a highly successful radio station, always in the top tier in the ratings.

While my new boss was driving me around the community, that station played in his car. What amazed me was the female jock who was on in afternoon drive told a story about how that song she just played got produced.

As much as I am not a fan of rock music nor have even minimal knowledge of the typical artists, I found her 5 minute or so rap about the song quite interesting. She told the story well. That’s a must for any broadcaster who engaged in prolonged banter. Ramblings can have you tuned into another station quickly.

I couldn’t find any other videos of WOSN when it was a Standards Format. Interestingly, a guy by the name of Jim Davis was the PD of the station back then and he knew HOA. It may be the reason Herb moved to Vero Beach and wound up with a weekend gig. I believe this was Herb’s last time on the radio.

If you’re familiar with the old Westwood One’s “America’s Best Music,” this was syndicated Standards type formatting. Their morning drive host, Jeff Rollins, was let go in 2015 in a typical downsizing initiative. He wound up at WOSN 97.1 The Ocean. Imagine! It goes to show, big fish wind up in small ponds.

In early 2017, WOSN flipped from Standard to its current Soft AC sound. Perhaps, a lot later than what we’ve seen elsewhere but then again, the Treasure Coast area has a good percentage of senior citizens and older tourists/snowbirds who don’t want glitz and glamour but peace and quiet.

Time marches on. Public tastes change. And most have attention spans of a flea who can’t sit still enough to appreciate a good story told by those who are very skilled at telling it. It recalls when radio was regarded as "theater of the mind."

Upcoming: Highly rural areas of Florida and a Florida MOR legend.
 
Thank you John. I enjoy your contributions here.
Much appreciated, Greg.

Because I ran a little long, as usual, in the first post, I'd like to add a few things I wanted to include.

I'd include smooth Jazz formats as one where there were more "talk liberties." This was especially true in those Sunday morning offerings. The voices were always mellow-sounding. Lionel Richie's "Easy as Sunday Morning" perhaps depicted the beauty of Sunday mornings. Many sleep in but for those who are early risers, there is a beautiful quiet. Those "Smooth Jazz Vocals" just complemented that time of the week so well.

I think because Jazz music and its artists were appreciated by smaller numbers of people, but nonetheless devoted fans, there were those occasions when the music itself was explained in more detail. Perhaps the feeling was there were new listeners sampling the music each week so informational commentary was a part of the programming.

Certainly jazz was not a mainstream format and so perhaps the "rules of radio" were different in allowing extended banter at times.

I long remembered hearing Sunday morning jazz in South Florida. But perhaps surprising, it had a pretty good run in Jacksonville. Before CHR 97.9 WKSL KISS FM came to Jacksonville, it was a smooth jazz format, among other formats in St. Augustine. I do recall the talent discussed the music in that calm, yet entertaining way.

There were two frequencies that each served portions of Jacksonville. That was 105.3 and 105.5. For a long time, both saw a tremendous number of format flips. But when the stations subscribed to then Arbitron ratings, and were doing the jazz format, they appeared to do quite well in those beauty-contest numbers. We may say there were issues in selling the format, but in the case of 105.3 and 105.5, no format was ever given a chance to succeed because nothing lasted long. The format did promote its smooth vocals and there was far more "rap time" built in to the programming than found in the mainstream formats.

Something else worth noting. There was a time the biggest markets offering the Classic Hits format, allowed for a "Legends Weekend" or something similarly titled. They would bring back the big-name DJs of that market from the past, especially the AM Radio hayday. And yes, there was a lot of banter and talking about the music, on the air mishaps, lucky breaks - you name it.

When I lived in Jacksonville, I made this suggestion (it would have been around 2002 maybe). It never materialized but I would imagine this would be an expensive endeavor. Jacksonville BTW with its Top 40 WAPE had quite a lot of good and notable talent in it's time. Jay Thomas, actor and comic, is one who comes to mind.

The aforementioned Herb Oscar Anderson did one of those reunion programs. In Herb's case, there was either a Top 10 or Top 20 specialty countdown. He never announced the title or artist and that in itself became a fun but lengthy discussion with the stations PD, Joe McCoy on the air. It was something that worked way back when. Herb's feeling was 50 year old songs that were played frequently over the years didn't need an introduction. I'd say he was right.

When you think about that "Old style" DJ who engaged in extended on-air conversation, it had to be a tough transition to move to a more music-intensive environment. Many never made it. Some wound up doing local talk shows before syndication became king. If there's anything to note about radio is very little is certain.

By time we were in the 1980s, I was convinced AM & FM would co-exist. AM would be the home to those DJs who had that "Middle of the Road" style of broadcasting. In some respects, it was a good run. There were those who did give life to the AM band. We'll discuss that and more upcoming.
 
Without further ado, I'd like to acknowledge Mike Reineri who would certainly be the quintessential Middle of the Road broadcaster. His show was certainly unique and it proved quite popular over many years. I'd tune in on occasion. The Wonderful Isle of Dreams that was WIOD Miami was where one would find Mike's morning drive show as well as other popular news and talk personalities. WIOD has been a news/talk format for quite a long time. But, the 1980s IMO was a helluva decade for that AM radio station. Even shock-jock Neil Rogers wound up at the station in the late 80s. More on Neil down the road.

It was no wonder many of us were of the impression AM & FM would not only coexist but each band would offer formats the other band did not.

Mike came to WIOD-AM in Miami in 1975 and wound up having the longest running morning show there which ended in 1993. Originally from Ohio, he also had gigs in Jacksonville at Top 40 WPDQ, a major competitor to WAPE.

If you are too young or have no idea what this kind of radio was like, give a look and listen to this:


Music was not the focus. Truly, it was the quality of the callers that dictated the direction of the show. Even the music itself was middle of the road, mostly ballads and pop hits from the past.

We can all play Monday morning quarterback. But what makes a radio show successful is certainly the talent and skill of the broadcaster. There were many participants to the show and you could tell they all got along. There was that chemistry that wasn't fake. The video did discuss the producer. He was certainly on top of his game. Kudos also to the sales team who kept the sponsors coming. And yes, there were lots of spots.

Even with all that, my theory as to why that show was such a success would involve long-time Miami/South Florida residents. By the 1980s, Miami and South Florida were not only growing in leaps and bounds, demographics were also changing in a huge way. I have no science to back this up. But I suspect the Miami natives and/or those who moved to Miami at an early age gravitated to the show because it made them feel at home from another time and place.

There was never offensive talk but rather it was poking fun at politics, those in power, griping about traffic or this & that but that offensive line was not crossed.crossed.

Interestingly when hugely popular Neil Rogers came to WIOD, Mike negotiated his contract where he would get $1.00 more in salary than Neil. I thought that was so cool and flippant and so like Mike's personality that was on display each day.

If there's a sad part of Mike's radio career, it's that he left us too soon. A career in radio can be difficult and challenging, especially doing a fast-paced radio show like his must have been. He was only 60 years old when he passed away.

A great talent. I've often said, I was very lucky to be in the right places at the right time to experience a lot of radio's best.

More MOR stuff on the way!
 
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I'd like to clarify a few things I said from the last post.

Mike's radio career saw him in Cleveland, Ohio but he wasn't from Ohio as I had said. Mike was born in Kansas and grew up in North Carolina. Perhaps that explains his manner of speaking. He would end his show by saying: "Y'all hold on to what y'all got until y'all get what y'all want."

Yes, Mike Reineri's WIOD morning show ended in 1993. But, it wasn't his decision. It was On Saturday, January 30th of all days he was called into the office and dismissed. I realize there are tough business decisions in radio but, I'm sorry, for someone who performed quite well, made money for the station and was a ratings leader for many years to not be given the opportunity to say goodbye to his many listeners just sucks.

It wasn't my intent to get depressed about the state of radio. But, at least for me, that's where I found myself. When you think about all the live and local talent that was just on a station like WIOD-AM in the 1980s and what exists today, it's a stark difference and it's just a lot of emptiness.

Before syndicated talk became the norm, the Miami market did see a number of those MOR type jocks get a gig doing a talk show. Among the better ones, in my view, were those who didn't take themselves too seriously. It was light banter but still it had entertainment value.

I've talked about Jerry Wichner numerous times on this board. He once jocked at Miami's WQAM when it was a Top 40 station. Someone I knew at work had tapes of him from his music days. You could almost see how someone like Jerry wound up gravitating to talk radio. His was always a MOR style and in one aircheck I heard, he talked about the weather at length. He would often do the same on his overnight talk show. He had an incredibly soft and relaxing voice too.

It's like a different world back then in that someone was live on the air from midnight to 6 AM. Not an easy shift but the audience loved him as he was often #1 in the ratings. Back then, I suppose even that daypart had value.

Speaking of news oriented formats, I would be negligent if I didn't mention NPR. It's a throwback, in my view, to that conversation style of broadcasting. There's a lot more detail provided in the various stories aired. Even when there is music programming, there's a measured and not rushed delivery.

Earlier I mentioned how typical listeners have attention span of fleas, that's so obvious. Watch local TV news and stories are presented in a very rushed fashion. There's not much detail. But if you want to know more, go to the website. There's jingles, flashing graphics, and lots of smiling faces. That's what works nowadays but still NPR has a loyal following who appreciate stories told in a relaxed and unrushed style.

This is one example of a story that few would actually know about. It's a reminder that NPR does cover news happenings not found elsewhere and told in a good conversation style. It's a story about Rod Serling of Twilight Zone fame. I actually knew very little about him, including his military career. Perhaps now I know why there were quite a few ravages of war stories on The Twilight Zone.


There's a very noteable radio personality who may not be thought of in terms of a MOR delivery...but it was there & we'll discuss him upcoming.
 
We continue. Why we do is anyone's guess!?!

As it's Sunday morning, I can't help but think of Casey Kasem's "American Top 40." It was a weekend fixture for quite a long time. I thought the program was especially good in the 1970s. Perhaps it was the true variety of the music in that decade that lent itself went well with Casey's presentation style. His was almost like a Sargent Joe Friday of Dragnet. But it worked obviously.

It was a slow and steady pace. When you think of how much Casey interacted, it was quite extensive. He talked up all 40 songs for starters. There were request and dedication parts of the show. There were factoids about songs, especially from the past, because of a listener's question he'd read on the air.

When you think of the audience on a Sunday morning, it could be quite varied and maybe even unique. There were the young folks who were coming home from a night of partying and going out for early morning breakfast. There were those running chores, Church goers, and even some heading to work. Perhaps that time of day demanded that middle of the road style.

Casey, as in many other fellow broadcasters, was a Voice Actor. Those with those great skills can project pretty much any image required. Today, the program featuring the 1970s and also 1980s is still heard. While hit music is constantly changing and evolving, Casey's on air persona remained the same. Listeners knew what they were getting. I've often talked of "consistency in sound" when discussing the playlist. There's also that same thing when it comes to voice delivery.

Sunday mornings were often filled with syndicated programming of various kinds, but AT40 was king and a lot of it because of Casey Kasem.

A few years ago, I did a post about ratings all over Florida. For me, it was quite a learning experience. I spent a considerable amount of time listening to stations in each market via streaming.


Ironically, I enjoyed radio from the Keys a lot. I say ironically because The Florida Keys is not actually a radio market because there's not enough Nielsen subscribers but I treated it as such. Perhaps it's because of The Keys location, but I did notice more "DJ banter" and even news features not found in most places. And yes, many had that slow and deliberate. MOR pace. Laid back comes to mind. Many think of the Florida Keys in those terms and so radio there does reflect some of that.

As I mentioned there were more news broadcasts on more formats I came upon. Perhaps it's that feeling of isolation from the US mainland that allows for that. With all the boating and fishing that goes on there, staying informed is a must. Anyway, at least a few years ago, I found the "Florida Keys Radio Market" a much better than average.

Another surprise to that post came from the Pensacola market. Overall, I didn't think much of radio there but I found a gem of a station in nearby Alabama. In looking at the list of stations, it may have been Classic Hits WCSN-FM (Sunny 105.7). I can't be sure. But what I originally heard was quite unique and it also had active participation from the hosts.

On Sundays, the station featured oldies and not all the run-of-the mill same songs heard for years. There were some factoids thrown in and you can tell there was some effort. Again, it was slow and MOR type delivery that complemented life on the Gulf Coast. Perhaps that's all changed now but at least when I tuned in there a few years ago there were music features, specialty programming that was offered in various times of the week. IMO, it was all done quite well.

This is only a 5000 watt Class A but sometimes those type stations in very small markets can surprise the most. My feeling is whatever works and whatever may deliver that local advertising and keep the station in the black is part of a strategy. When done well, even the smallest station in a small market can be a draw to some listeners looking for something off the beaten path.
 
It’s time to wrap this up. As always, feel free to participate in giving a mention to those radio folks who had/have superior communication skills. I'm sure Florida has had a good number of them.

This string wasn’t intended to be a trip down memory lane. I used talent from the past to try to make points about how it fulfilled certain audience expectations. Yes, we can say much has changed. Early on, I felt it was a convenient excuse to justify the status quo in how radio is mostly run. But, today I can see why radio behaves as it does.

Where I still believe radio has a clear and distinct advantage on the communications front is when it’s all about the local community in which it serves. In the most isolated areas of the country,especially in Alaska and the Rocky Mountain states, radio remains as a type of lifeline where information regarding that locale is key.

I’ve long been fascinated with stories about UFOs, the paranormal, wormholes, aliens, Big Foot etc. There’s a lot of TV series that center around those topics and more. Sometimes, a small radio station in these usually desolate areas is featured where the locals call the station to discuss what they’ve seen. I would suspect that those who may not have a neighbor for miles drive only during the daytime but have that vehicle radio turned on. It’s less about the music and more about what’s happening.

On a national level, there’s the syndicated George Noory’s “Coast to Coast AM” program. UFOs have been one of many popular topics discussed there. He’s been hosting the show since 2003, having taken over from Art Bell. In other words, that program has been around for quite a while. Here’s another case where those who have exceptional skills to tell a story find themselves a good gig. This obviously is an exception to traditional or conventional broadcasting styles. But it still can be found in certain places.

The idea of “less talk and more music” has existed for many decades, even before the social media and the cellphone explosion. While a lot of that had to do with cost-cutting, especially after consolidation, I do believe there was a genuine listener preference for that. But radio itself may have indeed been the contributor to that perception.

In my experiences, I noticed “going through the motions” was on the increase. When it was time to rap, a lot of it was forgettable. To talk just for the sake of talking on cue could easily be thought of as a distraction from the music by typical listeners. I can recall much voice-tracking I experienced early on was in a word - dreadful. There was this obsession with reminding listeners of the day of the week. It was quite unnatural. It's to a point where it's now hard to tell who's actually broadcasting live and who's not.

Where technology really made inroads, I believe, is with Gen Z. It was common to see a toddler 20 years ago holding on to a technology toy. It kept the kid quiet as he/she became memorized with the lights, and the motions etc.

I’ve read many stories about Gen Z, especially the ones where they identify themselves. Overall, they tend to be introverted. Communication is preferred via text or speaking face-to-face or even via a phone call. Phone calls are pretty much reserved for emergency type situations. I’ve also noticed even older folks will express surprise if you call them as they think something is wrong.

And so, as we’ve become a society whose heads are buried in our phones and other tech marvels, a lot of radio does reflect that. I don’t believe there’s any turning back to the return of true personality radio. When I do talk radio, especially with seniors who complain that radio is boring, I remind them that most people are boring. The masses are happy hearing their fav songs as they drive here and there and so radio has a place for them amongst all the things jockeying for their attention.
 
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This is a little bit off-topic, John, but your thread title, "That 'MOR' Style" made me smile. In the mid-'70s I was part of a 5-person on-air news team at a full-service MOR/beautiful music combo in Upstate New York (when stations, even in smaller markets like ours actually had 5-person news teams!). During the week I mostly covered evening city council and school board meetings, but I had on-air news shifts during the weekends. Our AM station had 5-minute news reports every hour on the half-hour throughout the day, and they were delivered live in my straightforward (MOR?) news voice. I was also responsible for the FM newscasts, which were pre-recorded and aired whenever the tape loop dropped it in. Those 2-minute newscasts had to be delivered, however, in a "Beautiful Music Style" voice (the station's tagline was: "Your Quiet Island") which I learned how to do growing up in NYC, and listening to beautiful music deejays on WPAT and WVNJ. A little more stilted, calming, and velvety than your MOR style announcers.

I also wanted to comment briefly on your reference to Herb Oscar Anderson's weekly show on WOSN. Not sure when he started it, but it was on the air when we moved to the Treasure Coast in 2015. I was so excited when I heard that HOA, who I had listened to on WABC in the 1960's, had retired here and was doing the show. I don't want to speak ill of the departed, John, but HOA's show here was pretty awful, pointless meandering stories, his singing, all just very schmaltzy. I hesitated on writing this up because I was an old fan and still am of the HOA I remember -- with that MOR style -- from the "Call of the Great Northeast, 77 WABC."
 
This is a little bit off-topic, John, but your thread title, "That 'MOR' Style" made me smile. In the mid-'70s I was part of a 5-person on-air news team at a full-service MOR/beautiful music combo in Upstate New York (when stations, even in smaller markets like ours actually had 5-person news teams!). During the week I mostly covered evening city council and school board meetings, but I had on-air news shifts during the weekends. Our AM station had 5-minute news reports every hour on the half-hour throughout the day, and they were delivered live in my straightforward (MOR?) news voice. I was also responsible for the FM newscasts, which were pre-recorded and aired whenever the tape loop dropped it in. Those 2-minute newscasts had to be delivered, however, in a "Beautiful Music Style" voice (the station's tagline was: "Your Quiet Island") which I learned how to do growing up in NYC, and listening to beautiful music deejays on WPAT and WVNJ. A little more stilted, calming, and velvety than your MOR style announcers.

I also wanted to comment briefly on your reference to Herb Oscar Anderson's weekly show on WOSN. Not sure when he started it, but it was on the air when we moved to the Treasure Coast in 2015. I was so excited when I heard that HOA, who I had listened to on WABC in the 1960's, had retired here and was doing the show. I don't want to speak ill of the departed, John, but HOA's show here was pretty awful, pointless meandering stories, his singing, all just very schmaltzy. I hesitated on writing this up because I was an old fan and still am of the HOA I remember -- with that MOR style -- from the "Call of the Great Northeast, 77 WABC."
Alex, you have an interesting radio background and one I did not know. Thanks for sharing.

My use of "MOR Style" was kind of vague and that was by design. Actually, I was recalling a time when broadcasters articulated in a style, perhaps slower. But, as a result, it was far easier to understand what was being said, at least in my opinion. There was obviously a lot more latitude in that different time and place. Again, there were those who were gifted in telling a story very well.

I do recall Beautiful Music, WPAT. Yes, those on-air personalities did have velvety voices. But, it all seemed to work in those times. I can't help but recall my high school French teacher who was a big fan of WPAT. Whenever we got off topic, and it was often with him, he'd talk about the horrible music of the day - rock 'n roll.

He was a Conservative Republican who eventually ran in various local races. He lost in titanic landslides as this was a major New Jersey city that was like 90% registered Democrats there. I only bring that up because I got the perception beautiful music formats appealed more to conservative and older listeners. At the time he was in his 60s and when you're a teen, 60s was very old.

As far as your comments about Herb Oscar Anderson, I'm in total aggrement but I didn't express my true feelings. I saw and heard a number of videos of Herb when he was on WOSN here on The Treasure Coast. I walked away from it feeling depressed actually. It's far better to remember him in his prime. I think "schmaltzy" describes what I heard to a tee.

Besides all the MOR voices, I also thought about how broadcasters dressed back in the day. Even rock 'n roll jocks were often photographed in a suit, dress shirt, and tie. In that time and place, it all seemed pretty normal. Whenever I see one of "David Eduardo's" posts, his profile pic is exactly what many on-air radio people looked like back in the day.

He would be the one to answer this as I don't know when or where that photo was taken. Unlike the wild frenzy look of DJs giving kews to the engineer that would become the norm as time went along, David actually looks like a MOR talent in that picture.

When you consider just how much radio presentation styles have changed over the years, it's pretty amazing.
 
John, re dialogue with your French teacher... when I was in high school in the late '60s, my dad, who was a NYC high school principal, got me a summer job as a teacher's aide in a NYC high school. We lived on Long Island, and one of my dad's friends in our neighborhood worked at the same high school, so we car-pooled -- he drove 2 days, I drove 2 days. He was in his 40's and I was a teenager who had recently gotten my drivers license. When I drove we listened to WABC; when he drove we listened to WPAT. Like your French teacher, he would complain about my rock and roll music. But I was able to point out that most of the beautiful music of the day on WPAT was actually covers of Top 40 songs (e.g., the Hollyridge Strings playing the Beatles, Beach Boys, Four Seasons, Simon & Garfunkel -- even Elvis); I don't think my carpool partner had a clue!!
 
In Fort Lauderdale WFTL 1400 milked so much out of those 1,000 watts with a wide variety of MOR music topical promotions and a large news staff, including a full time sports director all were pros in every sense of the word. If it was going on in Broward County WFTL covered it. John Lupton from WCAU Philadelphia held down mornings from 1962-1980. Others included Chuck Parmalee who had been the morning man at WTOD Toledo, and Charlie Warren in afternoon drive. later moving to WBEN Buffalo, WWSW Pittsburgh before settling in at WMAL the ABC owned station in D.C.

I held down overnights, it was the best experience in my 20+ years on the air.

We routinely beat WIOD in Broward.
 
In Fort Lauderdale WFTL 1400 milked so much out of those 1,000 watts with a wide variety of MOR music topical promotions and a large news staff, including a full time sports director all were pros in every sense of the word. If it was going on in Broward County WFTL covered it. John Lupton from WCAU Philadelphia held down mornings from 1962-1980. Others included Chuck Parmalee who had been the morning man at WTOD Toledo, and Charlie Warren in afternoon drive. later moving to WBEN Buffalo, WWSW Pittsburgh before settling in at WMAL the ABC owned station in D.C.
And during many of the best years of WFTL, it had one of the best PDs in the country, Miochael O'Shea.
 
O'Shea did 10am-Noon on the air, always up, and fun to listen to. He has an energy that's contagious! I always appreciated he did an airshift so he knew first hand what was going on at WFTL.
 
Recently, I contributed to a post about Soft AC formats on another board. Right here on The Treasure Coast, we have WOSN (97.1 Ocean FM) Vero Beach that’s truly Soft AC.

It’s difficult finding history about small market radio. But to my surprise, I learned that Herb Oscar Anderson, of New York City’s WABC Radio of the 60s heyday, had a weekend gig in the 2012-2013 period. He may have been at the station a little longer, I had no way of verifying that.

If you aren’t familiar with Herb (HOA), he enjoyed engaging with the audience in both songs and in lengthy dialogue. In his time in hit music radio, he sometimes sounded a little out of place. But then I’m reminded that hit music jocks, especially before the Beatles came along, didn’t all talk rapidly.

So, Herb fit in with a mass-appeal environment and at a time families ate breakfast together in the kitchen with the radio on in the background. Herb had as many as 6 million weekly listeners to his WABC morning drive show. And to think, he came to the station in the very early 60s where WABC was a dog having very few listeners. Obviously, his style and all the station’s elements came together so it all worked making WABC a giant.

I thought about HOA’s presentation style. Middle of the Road, when it comes to radio, is often thought of by format, especially with the song selections. But the MOR style of broadcasting I can recall was one where various stories were told and there were liberties to do so. It certainly has its place in time. While MOR may be thought of in terms of Standards or Beautiful Music formats, I noticed exceptions to rapid banter and getting one song after another played.

For those of you who are old enough to have experienced early FM, there was a format known as “Progressive Rock.” This wasn’t in all cases, but the jock would occasionally tell a story, especially about the artist, latest album, or concert series.

It was in the late 1990s that my job took me to Jacksonville, Fl. Back then there was a rock music station, WFYV 104.5, known as “Rock 105.” It was a highly successful radio station, always in the top tier in the ratings.

While my new boss was driving me around the community, that station played in his car. What amazed me was the female jock who was on in afternoon drive told a story about how that song she just played got produced.

As much as I am not a fan of rock music nor have even minimal knowledge of the typical artists, I found her 5 minute or so rap about the song quite interesting. She told the story well. That’s a must for any broadcaster who engaged in prolonged banter. Ramblings can have you tuned into another station quickly.

I couldn’t find any other videos of WOSN when it was a Standards Format. Interestingly, a guy by the name of Jim Davis was the PD of the station back then and he knew HOA. It may be the reason Herb moved to Vero Beach and wound up with a weekend gig. I believe this was Herb’s last time on the radio.

If you’re familiar with the old Westwood One’s “America’s Best Music,” this was syndicated Standards type formatting. Their morning drive host, Jeff Rollins, was let go in 2015 in a typical downsizing initiative. He wound up at WOSN 97.1 The Ocean. Imagine! It goes to show, big fish wind up in small ponds.

In early 2017, WOSN flipped from Standard to its current Soft AC sound. Perhaps, a lot later than what we’ve seen elsewhere but then again, the Treasure Coast area has a good percentage of senior citizens and older tourists/snowbirds who don’t want glitz and glamour but peace and quiet.

Time marches on. Public tastes change. And most have attention spans of a flea who can’t sit still enough to appreciate a good story told by those who are very skilled at telling it. It recalls when radio was regarded as "theater of the mind."

Upcoming: Highly rural areas of Florida and a Florida MOR legend.
I had heard Herb Oscar Anderson on the Music of Your Life, sometime between 2002 and 2004.
 
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