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The Greatest Radio Station

OK, so you get to hire the DJ's/Personalities for your radio station. You can pick anyone current, retired, passed away. Who would be your morning man? Where would you put Wolfman Jack? What about weekends? Would you have Paul Harvey doing the news or maybe Rush Limbaugh doing an occasional commentary? Who would do your morning news? What type of music would you play?

What's your lineup?
 
MOR/Standards/Jazz:

6-9 AM: Lohman & Barkley

9-noon: Geoff Edwards

noon-3: Jay Lawrence

3-6 PM: Gary Owens

6-9 PM: Roger Carroll

9PM-Mid: Johnny Magnus

Mid-6 AM: Pete Smith

Weekends: Jerry Bishop, Paul Compton

News: Bob Steinbrinck, Gene Brodeur, Morgan Williams, David Rogers

Traffic: Captain Max Schumacher, Paul "Panther" Pierce, Big John McIlhenny, Bruce Wayne, Mike Nolan

(more formats to follow)
 
Bringing talent back from the dead makes it too easy. From now on, I'm sticking with living jocks.

Oldies/Classic Hits:

6-9 AM: Rick Dees

9AM-Noon: Charlie Tuna

Noon-3 PM: Bobby Ocean

3-6PM: Machine Gun Kelly

6PM-9PM: Billy Pearl

9PM-Midnight: Rich Brother Robbin

Midnight-5AM: Johnny Williams

Weekends: Scotty Brink, Shotgun Tom Kelly, Jim Carson
 
AOR/Modern:

5-9 AM: Frazer Smith

9-Noon: Dusty Street

Noon-3: Sam Freeze

3-6 PM: Jed The Fish

6-9 PM: Sluggo

9PM-1AM: Rodney Bingenheimer

1AM-5AM: Poorman

(Come to think of it, this is probably my generation's KMPC)
 
Another try at MOR/Standards/Jazz (a KMPC revival), this time with everyone alive and still active:

5-9 AM: Jay Lawrence

9AM-Noon: Geoff Edwards

Noon-3: Jerry Bishop

3-6PM: Gary Owens

6-9PM: Johnny Magnus

9PM-1AM: Pete Smith

1AM-5AM: Raechael Donahue

Weekends/fill-ins (with an eye toward developing full-time as the weekday talent retires): Charlie Tuna, Mark Elliott, John Leader, Kathy Gori, Sonny Melendrez, Talaya Trigueros, Don Burns

News: Bob Steinbrinck, Bob McCormick, Terri-Rae Elmer

Traffic: Mike Nolan, Chuck Street
 
For Top 40 in the 60's:

6-9am Robert W. Morgan
9-12n Don MacKinnon
12-3pm Casey Kasem
3-6pm Real Don Steele
6-9pm B. Mitchell Reed
9-12m Dick Biondi
12m-6a Johnny Williams
 
The Station in My Mind

I've mentioned many times in the past that I think KIIS-FM is a shell of its former self, when the top-40 station literally dominated the local airwaves. Last week I alluded to the fact that conditions now are very much the same as in 1982, the year KIIS-FM began its meteoric rise to the top of the Los Angeles ratings, and that the time may be ripe for a new challenger to shake things up.

But what should that KIIS-killer sound like? Here is my version.

Production and presentation: uncluttered. As opposed to far too many stations today, which have numerous production elements at every break and generic music beds playing whenever the personality speaks, my station would be clean and simple. No music beds under anything, my personalities will be allowed to actually talk one on one with the listener. The effect is a far more intimate relationship with the audience, building greater audience loyalty.

Music: Primarily current hits, ranging from urban to alternative to crossover country. I'd set the mix at approximately 50% current with the top hits airing about every 90 to 120 minutes. Sounds too repetitive? Not when you realize people only listen to the radio for short periods at a time and they want to hear their favorite hits whenever they tune in. I'd work hard to be the first to air new music, using the slogan "tomorrow's hits today."

To add a bit of flavor, I'd carry about 30% recurrents, or songs in recent memory that may not be on the current charts. Hits in the past 5 years from Blink 182 or Third Eye Blind would fit in here. About 10% would be hits from the 1980s (Prince, Michael Jackson), 5% would be from the 1960s - 70s (those that aren't burnt from being overplayed on Arrow 93), and 5% would be reserved for listener requests.

Personalities would work 3-hour shifts to stay fresh, and there would be no voice tracking. Assuming I couldn't convince Ron Engelman and John London to reunite, Bobby Ocean would be my morning man paired with a real newscaster such as Lee Marshall, Liz Fulton, Sharon Dale, or Rick Jager.

9-noon would be Pat Garrett, noon to 3 would be Paul Freeman, 3-6: Big Ron O'Brien, 6-9: Sue Hall, Shana, or Maggie McKay, and 9-midnight Mike O'Neil. Overnights would feature China Smith, whose voice is perfect for that shift or later evenings. If any of those people were not available, I'd go after Nancy Plum, Sie Holliday, Laurie Allen, Brother Bill, or J. J. Johnson, or people of similar high caliber.

News: five minute casts twice an hour in the morning, once every hour (or so) through 7 PM. My listeners are intelligent, and I don't want them tuning away to another station such as KFI to get their news.
 
KROQ when they played the latest hits from London months before any other station. Also, playing b-sides that would not normally get airplay. That would make me :D!
 
michael hagerty said:
Bringing talent back from the dead makes it too easy. From now on, I'm sticking with living jocks.

Oldies/Classic Hits:

6-9 AM: Rick Dees


Noon-3 PM: Bobby Ocean

When I worked at KHJ-AM we had those parts of your dream team (well Bobby was a little later in the day) but did not do well in the ratings, although 1979-80 was not a peak time for AM music radio and I think all of the promotion budget had gone to pay for Dees' salary, house and Caddy.
 
radio-darn said:
michael hagerty said:
Bringing talent back from the dead makes it too easy. From now on, I'm sticking with living jocks.

Oldies/Classic Hits:

6-9 AM: Rick Dees


Noon-3 PM: Bobby Ocean

When I worked at KHJ-AM we had those parts of your dream team (well Bobby was a little later in the day) but did not do well in the ratings, although 1979-80 was not a peak time for AM music radio and I think all of the promotion budget had gone to pay for Dees' salary, house and Caddy.

I think if we look at Rick's KIIS-FM numbers, we can safely say he wasn't the problem at KHJ.

Neither was Bobby Ocean.

As I noted in another thread on this board last month, KHJ lost its teens and young adults to KLOS and KMET and its adult women to A/C (including, after its 1976 switch from oldies, its own FM, KRTH).

John Sebastian's attempt to fend off KMET in 1978 was tilting at windmills and accelerated the adult defection to A/C.

By the time Chuck Martin got KHJ in 1979, he was left with an audience that expected something other than Top 40. So when he restored the KHJ sound, they left and Chuck's only shot at an audience was convincing those teens and young adults still listening to AM to split the time they spent listening to KFI and/or TenQ (gone by July 31 of that year) with KHJ. Not exactly a recipe for huge ratings, given that KFI was number 10 or 11 with (rounding up) a 3 share.

The fact that KHJ pulled any numbers in 1979 and 1980 was something of a miracle and I wonder how much worse the numbers would have been had they not had Rick Dees and Bobby Ocean.
 
M-ONeil said:
Music: Primarily current hits, ranging from urban to alternative to crossover country. I'd set the mix at approximately 50% current with the top hits airing about every 90 to 120 minutes. Sounds too repetitive? Not when you realize people only listen to the radio for short periods at a time and they want to hear their favorite hits whenever they tune in. I'd work hard to be the first to air new music, using the slogan "tomorrow's hits today."

To add a bit of flavor, I'd carry about 30% recurrents, or songs in recent memory that may not be on the current charts. Hits in the past 5 years from Blink 182 or Third Eye Blind would fit in here. About 10% would be hits from the 1980s (Prince, Michael Jackson), 5% would be from the 1960s - 70s (those that aren't burnt from being overplayed on Arrow 93), and 5% would be reserved for listener requests.

Personalities would work 3-hour shifts to stay fresh, and there would be no voice tracking.

There's that "ONLY" word again and I have to disagree with the fact that people "ONLY" listen to radio for a short time. I know plenty of people who work in offices, warehouses, stores, etc., with the radio playing all day. Some can choose what they listen to while others are listening to stations not of their choosing. People with long commutes listen to the radio. I have a 70+ mile one way commute, and in the Afternoon "Set it and forget it" to John and Ken.

As for the "Sounds too repetitive?" comment. Very much so. Last night on the radio Lynyrd Skynyrd's "Sweet Home Alabama" came on AGAIN! I turned it off immediately. I mean seriously, WTF? All the songs they have and you have to play that one every 20 minutes? One thing I can't stand (and with the popularity of the I-Pod and MP3 players i'm sure i'm not the only one) about radio is the repetitiveness. Instead of doing the "We won't play that song again between 7 a.m. and 5 p.m. thing that i've heard some stations do, how about "You won't hear that band again for at least 4 hours". Expand the play lists. As for the station ID's I love K-Earth but I don't need to hear a station ID after every song. I may be getting forgetful in my old age (according to other posters 'round these parts) but I ain't that forgetful ..... yet anyways.

Oh and Arrow 93?!?!? If you're referring to KCBS-FM out here in LA, it's been Jack FM for quite a while now. As for the 3 hour shifts for DJ's, I prefer 4. With 3 you hardly get a chance to get used to them before someone else comes on. If you're morning guy is on, say, 6-9 then another on 9-noon, noon-3, 3-6 or 7, that, to me, is too busy. Too many people. Show prep is a lot easier with the internet, so being "fresh" shouldn't be too much of a problem, to me anyways.

(stepping of soap box) Carry on.
 
Rob, you may be correct that people are "listening" in offices, warehouses, and stores, but I don't think they're active listeners in those settings. Otherwise how would actual work get done? How many bosses would tolerate that? Therefore, the burnout factor is not as intense as you think.

Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello.

I agree with you on 4 hour shifts vs 3 hour shifts.
 
SuperRadioFan said:
Rob, you may be correct that people are "listening" in offices, warehouses, and stores, but I don't think they're active listeners in those settings. Otherwise how would actual work get done? How many bosses would tolerate that? Therefore, the burnout factor is not as intense as you think.

Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello.

I agree with you on 4 hour shifts vs 3 hour shifts.

hahahaha lol
 
"Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello."

---You must think people are even bigger morons than I do!
 
WTFman said:
"Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello."

---You must think people are even bigger morons than I do!


;)
 
OC Radio Geek said:
SuperRadioFan said:
Rob, you may be correct that people are "listening" in offices, warehouses, and stores, but I don't think they're active listeners in those settings. Otherwise how would actual work get done? How many bosses would tolerate that? Therefore, the burnout factor is not as intense as you think.

Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello.

I agree with you on 4 hour shifts vs 3 hour shifts.

hahahaha lol

You must have Super confused with...Well, actually nobody.

If the shoe fits my man!
 
SuperRadioFan said:
Rob, you may be correct that people are "listening" in offices, warehouses, and stores, but I don't think they're active listeners in those settings. Otherwise how would actual work get done? How many bosses would tolerate that? Therefore, the burnout factor is not as intense as you think.

Realize that most of us posters here are the exception to the rule. We do care about hearing "..... Alabama" three times a day but most people would probably not even notice. [Was it KLOS that was playing it "AGAIN"?] Sorry, at the risk of sounding like a music radio elitist here, the average pair of ears out there may not know the difference between Elvis Presley and Elvis Costello.

I agree with you on 4 hour shifts vs 3 hour shifts.

I disagree about the active listener part. This past weekend I was in an eatery in Ventura for lunch and they had K-EARTH tuned in on the radio. Instead of playing "Sweet Home Alabama" they played "Mack the Knife" by Bobby Darin. When was the last time you heard that one on the radio? So instead of saying "Je*us F**kin' C**ist can't they play something different for a change?" I was tapping my toes and smiling. That's the reaction they should be going for, instead of the "Let's play the same song over and over (like KLOS) so people can set a clock to us".

Now granted in most businesses out there you have to appeal to the lowest common denominator so yea, I agree about a lot of people not being able to differentiate between Elvis P and Elvis C.. But I think you'd be surprised of how many actual "active" listeners there are out there. When I go into a store or business I'm always "listening". Albertson's plays music (not a radio station) and i'm either singing along to the song or find others doing it.
 
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