AckDX said:I thought a remix of in the air tonight was released in 1988?
I remember a very irritating remix, but I don't know when it was made. "In The Air Tonight" had been re-released around 1984, but I don't think it charted in that release.
AckDX said:I thought a remix of in the air tonight was released in 1988?
I don't think "In the Air Tonight" was re-released (at least, not as a single) in 1984. It was, however, included in the Miami Vice soundtrack album that was released that year, in conjunction with the debut of the television show. I remember that airplay for the song ramped up sharply about that time. I remember being in a record store in Jackson, Tennessee, and they played "In the Air Tonight" over and over and over again! And a station in Murray, Kentucky, played it continuously for an entire weekend when "stunting" for a format change. I was already sick of the song from the repetitious airplay in that record store (and I was only in there about 10 minutes!), and have been sick of it ever since!NoWayNoCC said:I remember a very irritating remix, but I don't know when it was made. "In The Air Tonight" had been re-released around 1984, but I don't think it charted in that release.AckDX said:I thought a remix of in the air tonight was released in 1988?
Interestingly enough, I like that one, too, even though I am sick and tired of the original.Mid West Clubber said:The rhythmic dance remix of in the air tonight was released in 88 as is called the 88 remix... I liked it better than the dark and drab original......
johndavis said:[L]et's face it, if the record company thinks it can get 6 singles out of a disc, they're going to ride that artist as far as they can until the public loses interest
I remember Springsteen specifically saying that he did not want any more singles released from Born in the USA after "My Hometown" had run its course. This was early 1986, and the album was nearly two years old by that time! Still, I thought that "Darlington County" would have made a great single, and I was disappointed that it was never released as one. Springsteen could have taken the record of "most singles from one album" away from Michael Jackson by merely releasing an eighth single, regardless of how it performed on the charts!ixnay said:Even without the artist's consent, can they do it, if they have him/her/them under contract? I guess it all depends on the contract.johndavis said:[L]et's face it, if the record company thinks it can get 6 singles out of a disc, they're going to ride that artist as far as they can until the public loses interest
ixnay
Don't give them any ideas! I'm still sick of "What a Wonderful World"!hornet61 said:Billy Vera's "At THis Moment" from #79 in '81 .....to #1 in '86.
I am surpised that "Day-O" and "Jump In The Line (Shake Shake Senora)" both by Harry Belafonte were not re-releashed in the 80's on the strength of BEETLEJUICE,BEETLEJUICE,.......stop there can't say it three times.
Didn't make much of an impact on the charts either time.AckDX said:Modern English "I melt with you" Released 1982 and then again in late 1989/1990.
firepoint525 said:always felt like "You Can Call Me Al" was sort of "forced" on us by radio.
Uncle Kracker was the one who did the remake of "Drift Away." I agree, the original is better.ixnay said:I feel the same way about two songs from this millenium: Kelly Clarkson's "At a Moment Like This" ("Miss Independent" and "Break Away" I like better) and the remake of "Drift Away" by its composer (I forget his name) with Dobie Gray guest starring. I like Gray's solo version from 1973 better.
ixnay
ixnay said:johndavis said:[L]et's face it, if the record company thinks it can get 6 singles out of a disc, they're going to ride that artist as far as they can until the public loses interest
Even without the artist's consent, can they do it, if they have him/her/them under contract? I guess it all depends on the contract.
ixnay
hornet61 said:Billy Vera's "At THis Moment" from #79 in '81 .....to #1 in '86.
I am surpised that "Day-O" and "Jump In The Line (Shake Shake Senora)" both by Harry Belafonte were not re-releashed in the 80's on the strength of BEETLEJUICE,BEETLEJUICE,.......stop there can't say it three times.
I would agree, except that taken in context of what was happening on radio in 1988, it was actually considered a breath of fresh air. Radio was playing the umpteenth hit singles from about a dozen albums that were by then over a year old. Of course, after "Red Red Wine" (re)broke, then they started reissuing more "near miss" oldies from the earlier '80s, until the public grew tired of that fad, too. And again, after about a year of warmed over stuff, the reissues began to fail to even match the peak positions from their earlier chart runs. "What About Me?" anyone?rageradio said:That song has been in rotation longer than deserves. Sorry never got on the "red red wine" bandwagon. Could never see why people though it was such a great song
Wasn't one of Abdul's early hits actually a b-side of one of her earlier flops, like "Knocked Out" or something?ChrisInMI said:Bruce Hornsby re-released his first chart single, "Every Little Kiss," which originally peaked at #72, after "The Way It Is" had brought him to #1. The slightly remixed re-release hit the top 20. Same deal with Paula Abdul's "(It's Just) The Way That You Love Me" (though that re-release wasn't a remix). Steve Winwood charted with two remixed re-releases of early '80s flops - "Valerie" and "Talking Back To The Night" - in the late '80s; the former was a top 10 hit.