Old Yeller said:
I agree, if I remember correctly. It was a mish-mash of music with really great creative.
Are you talking about the Rhythm & Rock format that preceeded the Smooth Jazz for several months?
That was not a stunt. Mike Jorgenson thought he created a format. Seriously. He sat in a Phoenix Suns game, saw everyone dancing in the aisles to the songs they played during timeouts, and thought it would be a huge hit if it were on the radio.
[The stunt that went between Y-95 and the launch of The Coyote was "The American Radio Museum," which was a bunch of old radio & movie clips that ran for a day.]
The format was doomed. His handpicked first song, "Nutbush City Limits" didn't play at launch because the nervous-as-all-get-out media buyer who won the charity raffle to fire the first song touched the wrong box on the touchscreen. After all, she was a media buyer, and Channel 10 put a camera in her face to air the format launch live. Heck, the creative people spent days on the Radio Museum, but nobody thought to produce a format launch piece. (Dean Moomey and I put that together 3 hours before the launch, after I had pulled an all-nighter with the automation.) Some very famous consultants were enlisted for their advice, which was probably ignored considering how it all turned out.
The guys hired to launch the "Rhythm & Rock" format got blown out within a month. It's not their fault - they were rock radio guys who thought they were launching a rock station but never got a chance to do anything of their own other than the creative. Mike couldn't keep his fingers out of that station.
I got thrown into taking care of the Coyote after that. At first, the direction of the format changed weekly. Then it changed daily. Then, after the ratings showed that we took Y-95's 1.9 and sank it to a 0.9, the decision was made to take it jazz. Nick Francis was hired from a station in Seattle that changed formats to program, and we bought their CD library. We put together the remote voice tracking (portable DAT machines in people's homes, with tapes sent every 3 days) and launched it within a month's time. Incidentally, about the same time, John Sebastian was hired at KSLX and I was directed to piss him off by playing his library. So I wrote down everything they played for 2 days, set the artist & title separations to an hour-fifteen, and played about 250 of their songs for the last month of the station's life. Sure enough, the last numbers of the Coyote went up because it finally had some focus and it was playing songs that people knew, but at that point we had already begun putting the new station together.
There was at least one person in Phoenix who really liked the all uptempo "party music" format, because he called the station's comment line all the time. When we started playing KSLX's playlist, we no longer cared about tempo, so he'd call and complain every time Nights in White Satin popped up. The last time he called was right after the first song of the "Smooth Rhythms" format aired (Nick would remember exactly what the tune was; I think it was from Acoustic Alchemy, with the vocals in Portuguese) and shortly after that I unplugged the answering machine.
For the end of the Rhythm & Rock format, we tracked albums from midnight until the launch. This was necessary because we used CD Jukeboxes, and we had to pull the old format's discs. Playing Pink Floyd's The Wall at noon in its entirety was kind of fun.
But trust me, Mike Jorgenson was as serious as a heart attack when he thought that Phoenix wanted Rhythm & Rock. We probably could have created Jack-FM back in 1993 if we had some music research. We did jockless with snarky sweepers before it was cool. We just had someone telling us to play all the wrong records. After the 0.9, Mike decided that from that point on he'd let programming people program, and for the most part he let the PDs & consultants do their jobs.
I know the people on the Smooth Jazz board love to bash Broadcast Architecture, but they really helped Nick turn KYOT into a ratings monster. They were on top of their game in the 90's, and it was a great station back in the day.