Markieo said:For the next several years after, when shows like "Bewitched" would start to roll the end credits, I'd be running to the other side of my house yelling "Help! Help! Screen Gems! ABC! Screen Gems!", then go into my bedroom closet, curl up into a fetal position and drown out the music.
Out of curiosity, did you also act similarly after shows like Hazel (whose final season was on CBS), I Dream of Jeannie or The Monkees (both NBC)?
Personally, after SG's use of the Columbia Lady and the populuxe dancing sticks, they decided to go to the "S from Hell", so they could be more "modern" with the era, never mind that many kids (and some adults) who grew up during the late-1960s and the 1970s would develop a fear of the ends of TV shows. Despite the high fright level, SG used the "S" until around 1975 (and the music (truncated around 1971) through around 1977 or 1978.
I also don't know of any other scary logos similar to the "S", other than Viacom's "V of Doom". Don't know how that was created, though I bet that the conductor was in a very bad mood the day of recording, after an all-night session of finding the right music to fit the logo; so he had the orchestra play five ascending notes, record them on a worn reel-to-reel tape, and walked out the door.
One, however, has to wonder if Sony had the "S from Hell" in mind when they brought back the logo for their new film label (though colored silver on black, with much more pleasant music)?
Michael Bayus said:I thought [the "S from Hell" music] sounded like an old Baldwin Orgasonic. I don't think the Moog had been invented yet.
At least some sort of analog electronic music must've been available at the time -- Eric Siday, the writer of the "S from Hell" music and a noted electronic musician, was also responsible for the CBS Color bumper music and the ABC radio news sounder.