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Tomorrow's Radio Talent ETC.

As I've been reading the various recent posts on this board, I'm thinking that those who are in school right now working toward a communications degree should rethink what they are doing.

Just how much opportunity is out there? Even now in the really big markets like NYC, the overnight jock is becoming extinct. An ever growing numbers of FMers in most markets staff their stations with 3 jocks to cover M-F 5:30AM - 7 PM. And in fact, we see the PD doing a shift, the Assist PD/Music Director and even the Production Manager all splitting their time doing on-air duties. Voicetracking and automation are more the norm than the exception.

AM is practically all syndicated wherever you go or brokered and so where does that wide-eyed radio guy/gal go to break into the business? Gees, those in the business who have proven track records can't find work or even fulltime work.

When we see virtually no response about the best personalities in radio, that says tons. This isn't rocket science folks, it's all by design. Many on the air nowadays play second fiddle to the format. Management it seems goes out of their way to ensure that those on the air especially after morning drive don't become more popular than the format - music is the star - period. Plus, when the audience doesn't have a strong bond to whoever is on the air will only make it that much easier for management to get rid of that person when they have another buck-saving project.

Take the case of Mark Bell on Eagle. Frankly, I listen to Eagle most of the time on the way to work and I think he's doing a great job. But then we hear, a permanant replacement is being considered. Why? In the very limited time Mark has to say something - he does inject his personality and style into the program and really - he seems to complement the format.

But then, lots of PDs have to justify their existance showing that they want to reach higher etc. But with so little on-air freedom, I don't care who they get - they won't change significantly what they are doing in AM drive and gees, they are not doing badly at all. Mark is no doubt another one of these guys who is labled by managment for some reason or the other and of course the PD will not buck that.

Some of these PDs should work behind the scenes if you ask me. But if we just use the case of Eagle, look at how great they do between 10-3. And it's not because everyone drops what they are doing as they can't wait to tune into Scott Walker. He talks for what, maybe 2 minutes an hour.

But as long people keep tuning in, that's what it's all about. Tough business if you have a passion to be in it.
 
From what I'm reading it's very possible when Cheap Channel sells their company it will be better for everyone who is looking for a job on the air or has one presently. CC will either sell off to one huge conglomerate who will then spin off the stations because they can make more money that way. More companies equals more jobs in broadcasting.
As far as the Mark Bell, Scott Walker situation Mr Walker feels threatened by MB and is looking for a friend to talk to. Apparently Mr Lonely needs a life and another job and I'm not talking about MB.
 
Digital automation/voice-tracking & network programs have eliminated the old evening (7P-Mid) and overnight (Mid-6A) shifts at virtually every station in America. That's 40 percent of all AT jobs--gone--if you figure most music stations continue to have 6-10A, 10A-3P & 3-7P shifts covered by humans. Virtually all weekend jock gigs have also been eliminated. Networking covers damn near every shift that once existed on the AM band, and the Lex & Terrys, John Boy & Billys, Ace & TJs, Bob & Toms and Mancows of the world have eliminated nearly every FM rock morning gig in America.

And by eliminating so many Air Talent jobs--probably 60 percent of all AT gigs, I'd guess--the lucky ones who do have jobs--have nowhere to "move up" to... so they stay where they are... don't ask for (or get) raises... and get fired when they "outgrow" the format. And, more than ever before, when there IS an opening, the station gets swamped with T&Rs from seasoned jocks who will ALL work for less that you will... and virtually nobody under age 40. With no entry-level gigs left, there are VERY few 22-year old jocks. They're ALL 45+.

Tough racket, huh?

There ARE a few places doing it the old way... but they're becoming very rare. Young air talents should dive into their college radio stations and get as much on-air experience as they can. There ARE jobs to be had, but they're fewer and further-between than they were 20 years ago. So young ATs have to have their shit together when they start looking for work. Unlike the old days, they can't make their mistakes during OJT. The OJT shifts are being covered by the computer.
 
In all honesty who are some of the best young jocks in Jacksonville... any of these guys at KISS and APE worth anything????
 
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