TheBigA said:
w9wi said:
I think you mean 1964?, when the FM Table of Allocations, and the general structure of the current FM rules, were established?
No I'm talking about the Public Broadcasting Act of 1967, that reserved a portion of the FM band for non-commercial educational radio.
The channels from 88.1-91.9 were reserved exclusively to NCE use from the very beginning of the 88-108 MHz FM band in 1948. The 1967 act didn't affect that in any way, nor do I see anything in its text (
http://www.cpb.org/aboutpb/act/) that refers to FM allocations.
Doug is correct that there were stations operating noncommercially on commercial-band channels (92.1-107.9) both before and after 1967, but I don't believe any of those channels were specifically reserved solely for noncommercial use until much, much later on, and it was only a handful of channels. Most of the noncommercial signals on commercial channels even now are doing so "at will," and could convert to commercial operation at any time. (And in fairness, however many signals are getting "K-Loved" and taken out of commercial use, there are always channels going the other way, too - look at Family Radio's signals in DC, Philadelphia and soon, New York, which are all going to commercial owners.)
Doug is also correct that a big impetus for EMF to convert stations to noncommercial operation comes with lower regulatory fees. I'd expand further on that:
only by being noncommercial can EMF operate its stations in the lean fashion it does.
Not only is EMF exempt from hundreds of thousands of dollars a year of regulatory fees by operating noncommercially, but it also gets the immense tax break that comes from operating as a nonprofit - and, most critically, it can get main-studio waivers that free it from the responsibility other broadcasters have to operate local offices and studios. Those main-studio waivers were never meant to allow EMF to operate hundreds of signals in big markets from one studio in California. They were meant to allow noncommercial broadcasters to expand their service to smaller nearby markets without having to bear the expense of full local studios in each location with a transmitter. A commercial broadcaster can't get a main-studio waiver the way EMF can, and that's why EMF will not take over operation of a newly-purchased station until it gets that waiver.
The result? If EMF were commercial, or if it were denied its main-studio waivers, it would have to employ at least two full-timers (probably more) at each of more than 300 locations around the country...where it would also have to install studio equipment and pay rent for office space. 600 full-timers, even at a fairly minimal $40k a year including benefits, adds up tp something like $24 million a year that EMF would have to spend if it were a commercial operator - and, again, that's not even counting office space, phone lines, electric bills, etc.
Talk all you want about "government-subsidized"
public radio...by my lights, EMF gets what amounts to a huge indirect annual public subsidy simply by virtue of this loophole in the main studio rules, a loophole that's not available to noncommercial broadcasters who operate on a less-than-national scale, or to any commercial broadcasters.