drded said:I worked at WPLY in 1966-1967 and Bobby did not have any ownership in the station. A company from Muskegon, MI owned it, Dalton C. Hille managed it. Otto was usually on tape. Dalton & Bobby had a library of shows on tape, voicetracks. Our job was to play the tapes and insert the proper music cuts.
I left in the spring of '67 and from what I recall there was some sort of falling out between Uncle Otto and WPLY and he was gone several months later.
Dave
Wow, that brings back many memories. My wife worked at WMIL back in the fifties with Fritz, a.k.a. Norman Marrgraff. He passed away back in '06. I've also got that Mono record. Mono was Marty Zivko's label; had quite a few Wisconsin polka bands. Each Sunday afternoon he did a show on WBKV, where I worked. Of course Mono artists were featured. I often had to start the show, as Marty had a habit of being late.drded said:In the twist of fate department, I later worked for WMIL, Milwaukee, with Fritz the Plumber. I never heard Fritzie mention Uncle Otto. However, whilst collecting records I came across Mono 011 which has "You Can't Be True Dear" by Bobby Art with vocal by Fritz The Plumber.
My dad bought WRJQ radio; he rewired the transmitters himself. Several people took advantage of his good nature. I ran an air shift on Sundays to help my dad. The above does not surprise me. Two weeks before dad died, he asked me if I wanted the radio station, and almost fell over, and of course told him, "dad, that is your station." Dad did many nice things for many people, and all I can say if those who took advantage of him will have to answer for themselves one day....Artabasy was a slime. He would take the carted music for WRJQ, dub them to cassettes, dupe the cassettes and sell the dupes through mail order. You knew they were WRJQ's library from the tape splices in the middle of the songs! He tried to argue that, since by that time "there was no Decca Records company," somehow the damned stuff was in the public domain! He also employed underage personnel at WRJQ without the proper work permits or paying them minimum wage. The forged will incident mentioned upthread fits right in...
Thank you for spelling it out. Bless you....Artabasy was a slime. He would take the carted music for WRJQ, dub them to cassettes, dupe the cassettes and sell the dupes through mail order. You knew they were WRJQ's library from the tape splices in the middle of the songs! He tried to argue that, since by that time "there was no Decca Records company," somehow the damned stuff was in the public domain! He also employed underage personnel at WRJQ without the proper work permits or paying them minimum wage. The forged will incident mentioned upthread fits right in...
Our paths may have crossed at WPLY. I worked there and at WHBL, Sheboygan, in the mid-1960s, while attending nearby Lakeland College. I was given the name “Buffalo Bill.” Working there was great fun. I moved on to WMIL (AM) in Milwaukee, and later to WISN-TV. WMIL was a Malrite station. The owners, Milt and Bob, told a funny story. They claimed their first station was WPLY (before Bunker bought it). On the first day of ownership, they offered five dollars to the first person to call the station. The phone didn’t ring!WMUS didn't own it. But the same guy that owned WMUS, R.Bunker Rigoski (sp?) was the head of WPLY Inc. He came to the station once while I worked there but didn't say anything to us peons.
One of my more fun jobs in radio was my tenure at WPLY, Top Gun Radio!
Dave