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USA today on KEXP

Hypocrite

> I love how it gets classified by robojerk as a "hippie
> stoner station" but he never backs it up. What, robojerk
> makes you think it's anywhere close to that? Because they
> play EVERY genre of music? Yea, diversity = stoners. WRONG.
>
 
> Hypocrite
>
> > I love how it gets classified by robojerk as a "hippie
> > stoner station" but he never backs it up. What, robojerk
> > makes you think it's anywhere close to that? Because they
> > play EVERY genre of music? Yea, diversity = stoners.
> WRONG.
> >
>

You're right, just because Robo decides to resort to name calling and rude posts doesn't mean I should do it back. Apologies to the board.

But, I am posing the question. WHAT, please tell me makes one think that KEXP is a hippie stoner station? I know a ton of people that listen, myself included and we are neither of those things. We are hard working, contributing members of society with day jobs and none of us do drugs.

To be different does not automatically equal bad. Such closed mindedness here.
 
I only offer this in the sincerest way.

Seriously, just relax. Sometimes people (on some occasions, myself included) don't realize this is simply an internet posting board. We all heard the "sticks and stones" line when we were kids. Sometimes they have a better ability to let things slide than we do.

If some people feel the way they do about a radio station, such as KEXP, big deal. If you want to let those words get to you personally, there's nothing anyone can do for you.

Really -- relax, this is just an internet posting board.



> You're right, just because Robo decides to resort to name
> calling and rude posts doesn't mean I should do it back.
> Apologies to the board.
>
> But, I am posing the question. WHAT, please tell me makes
> one think that KEXP is a hippie stoner station? I know a ton
> of people that listen, myself included and we are neither of
> those things. We are hard working, contributing members of
> society with day jobs and none of us do drugs.
>
> To be different does not automatically equal bad. Such
> closed mindedness here.
>
 
Re: USA today on KEXP AND Entertainment Weekly

> I only offer this in the sincerest way.
>
> Seriously, just relax. Sometimes people (on some occasions,
> myself included) don't realize this is simply an internet
> posting board. We all heard the "sticks and stones" line
> when we were kids. Sometimes they have a better ability to
> let things slide than we do.
>
> If some people feel the way they do about a radio station,
> such as KEXP, big deal. If you want to let those words get
> to you personally, there's nothing anyone can do for you.
>
> Really -- relax, this is just an internet posting board.
>

Well, I appreciate your sincerity and I am relaxed. There's this misguided classification given (here) to a radio station, so I'm trying to discuss it. If it were a station you really dug, I'd imagine you'd have something to say as well. It is a RADIO board.

In better news, I just saw this on the (cover your eyes it's the L word!) Lisa Wood Blog. Apparently Entertainment Weekly is pumping them up now as well. Not getting the attention of big media? I think this below, proves that wrong.



KEXP Gets National Media Attention

This is a story that came from an Associated Press writer's visit to KEXP. The story went up on the regional wire service and was picked up by USA Today.

The story also ran in the PI, Tacoma News Tribune, on KOMO News website, and several other smaller regional papers. It really illustrates KEXP's reach and influence despite the small signal.

http://www.usatoday.com/tech/products/services/2005-10-16-kexp-radio_x.htm

http://www.komonews.com/stories/39762.htm

And in an Entertainment Weekly article about Satellite radio, KEXP is in the top 5 of "Great Old School Radio" (available only in print, screen shot below). Since it's so small, I'll tell ya what it says:

"KEXP Seattle: Literate Indie-pop (Sufjan Stevens, The Decemberists), anti-bling hip-hop (Blackalicious) and plenty of local acts adds up to the country's hippest alternative broadcast."
 
Re: USA today on KEXP AND Entertainment Weekly

> > I only offer this in the sincerest way.
> >
> > Seriously, just relax. Sometimes people (on some
> occasions,
> > myself included) don't realize this is simply an internet
> > posting board. We all heard the "sticks and stones" line
> > when we were kids. Sometimes they have a better ability
> to
> > let things slide than we do.
> >
> > If some people feel the way they do about a radio station,
>
> > such as KEXP, big deal. If you want to let those words
> get
> > to you personally, there's nothing anyone can do for you.
> >
> > Really -- relax, this is just an internet posting board.
> >
>
> Well, I appreciate your sincerity and I am relaxed. There's
> this misguided classification given (here) to a radio
> station, so I'm trying to discuss it. If it were a station
> you really dug, I'd imagine you'd have something to say as
> well. It is a RADIO board.
>
> In better news, I just saw this on the (cover your eyes it's
> the L word!) Lisa Wood Blog. Apparently Entertainment Weekly
> is pumping them up now as well. Not getting the attention of
> big media? I think this below, proves that wrong.
>
>
>
> KEXP Gets National Media Attention
>
> This is a story that came from an Associated Press writer's
> visit to KEXP. The story went up on the regional wire
> service and was picked up by USA Today.
>
> The story also ran in the PI, Tacoma News Tribune, on KOMO
> News website, and several other smaller regional papers. It
> really illustrates KEXP's reach and influence despite the
> small signal.
>
http://www.usa> today.com/tech/products/services/2005-10-16-kexp-radio_x.htm
>
>
> http://www.komonews.com/stories/39762.htm
>
> And in an Entertainment Weekly article about Satellite
> radio, KEXP is in the top 5 of "Great Old School Radio"
> (available only in print, screen shot below). Since it's so
> small, I'll tell ya what it says:
>
> "KEXP Seattle: Literate Indie-pop (Sufjan Stevens, The
> Decemberists), anti-bling hip-hop (Blackalicious) and plenty
> of local acts adds up to the country's hippest alternative
> broadcast."
>
Oh good. Somebody's bashing KEXP here. This is great. If you like "anything goes" FM, or any old record, then KEXP is your place. I prefer the good old days, those days gone by before Paul Allen seized control. Yeah, that's KCMU, baby and KCMU was the radio station for the Associated Students of University of Washington(ASUW)and had studio's next door to KUOW on CAMPUS, and UW DJ's. PSA's were about campus activities and the local scene. Now it's "world wide" and "podcasts" are the "in" thing. And you know who still owns the station? The University of Washington Board of Regents. They should be ashamed of themselves. And they should bring that radio station back to Campus, as far as I am concerned.
 
Seems KEXP has two issues going for it that make it very unique vs. what the rest of us seem to have to deal with:

a) No shareholders and no gun-to-the-head for sales numbers (but, yes, they still have to WORRY about revenue with pledges, etc. to cover some expenses -- but not a year-over-year sales comparison kind of mentality).

b) When Paul Allen gets involved with companies sometimes it's for the "see what happens" and not so much on the "gotta perform" mindset. Nice to have deep pockets to back up a "see what happens" approach -- again, it's taking something out of the equation that other stations don't have the luxury of trying. (As an aside, I used to LOVE IT when Paul would buy competing companies of mine because I knew it meant they would slow down on being "smart" and "lean"; and in many cases would likely cause their demise over a longer time span).

I'm happy for all the attention the station is getting (haven't heard it since the KCMU days, which FMSteve below highlighted) ... but am also jealous that they seem to have it much easier than the rest of us who have the "business junkies" involved that help us junk up the product as a result!!!!
 
> They don't play every genre of music. Not even close to it..
> KEXP is so rockcentric right now that it's sickening.
>

Whatever dude. You've had this same debate here a million times. I don't know what you're listening to, but in this case, you're wrong. Just this morning I've heard hip-hop, blues, rock, electronic and country. And Saturday mornings I listen to a reggae show. Yea, no variety.
 
> > They don't play every genre of music. Not even close to
> it..
> > KEXP is so rockcentric right now that it's sickening.
> >
>
> Whatever dude. You've had this same debate here a million
> times. I don't know what you're listening to, but in this
> case, you're wrong. Just this morning I've heard hip-hop,
> blues, rock, electronic and country. And Saturday mornings I
> listen to a reggae show. Yea, no variety.

Give up robojock...KEXP is on a roll these days. Does YOUR station get coverage in USA Today, Entertainment Weekly, Rolling Stone, Spin and KOMO-TV and acclaim from listeners everywhere?

I don't know how your station is doing, but I guess it's safe to say KEXP is WAAY more popular than your station will EVER be.

Soooo....are you gonna top that? If you are so sure you can do better than KEXP, let's hear it. Give us a web feed to listen to or something....

I rest my case....
>
<P ID="signature">______________
Horse Sense: What a horse has that keeps it from betting on people.

[email protected]


</P>
 
What's your criteria for "being on a roll," Larry?

You yourself like to point out the carbon copy nature of radio. You were first on the Jack bandwagon when it went on in Vancouver, and you've got off that train since they have been duplicated twice over in the Pacific Northwest.

Use your common sense; don't you think if KEXP was this big huge thing that the "Evil Empire" would have copied it by now? I'm tuning up and down the dial and am hearing the usual fare on the usual stations, no KEXP copies.

Chew on that one, chief. If KEXP is so big, why are there no copies out there?

Further, if your criteria for "being on a roll" are press clippings, then why is C-89, a station that has been in Rolling Stone, Seattle Times, Billboard, all the local TV stations and New York's Village Voice, on the cusp of being cut by its owners?

KEXP is taking the EXACT same path that C-89 has gone down.




>
> Give up robojock...KEXP is on a roll these days. Does YOUR
> station get coverage in USA Today, Entertainment Weekly,
> Rolling Stone, Spin and KOMO-TV and acclaim from listeners
> everywhere?
>
> I don't know how your station is doing, but I guess it's
> safe to say KEXP is WAAY more popular than your station will
> EVER be.
>
> Soooo....are you gonna top that? If you are so sure you can
> do better than KEXP, let's hear it. Give us a web feed to
> listen to or something....
>
> I rest my case....
> >
>
 
> What's your criteria for "being on a roll," Larry?
>
> You yourself like to point out the carbon copy nature of
> radio. You were first on the Jack bandwagon when it went on
> in Vancouver, and you've got off that train since they have
> been duplicated twice over in the Pacific Northwest.
>
> Use your common sense; don't you think if KEXP was this big
> huge thing that the "Evil Empire" would have copied it by
> now? I'm tuning up and down the dial and am hearing the
> usual fare on the usual stations, no KEXP copies.
>
> Chew on that one, chief. If KEXP is so big, why are there
> no copies out there?
>
> Further, if your criteria for "being on a roll" are press
> clippings, then why is C-89, a station that has been in
> Rolling Stone, Seattle Times, Billboard, all the local TV
> stations and New York's Village Voice, on the cusp of being
> cut by its owners?
>
> KEXP is taking the EXACT same path that C-89 has gone down.
>
>
Them's some good points....I'd like to hear his reply too. My question for Larry is why should "robojerk" as he has been nicknamed care about his station getting out of market exposure in USA today, or Rolling Stone, or Entertainment Weekly, or on television? Why shouldn't he focus on his market and his stations listeners?

I don't mind KEXP. In my opinion it's just another station, another format, and there's nothing special about it at all. But I AM somewhat put off by their lack of respect for their own market in their touting how much they care about listeners in other markets...they even pack up the station and take it to new york like what, once a year? Freaky.
> > >
> >
>
 
> What's your criteria for "being on a roll," Larry?

Constant format and technological development, increasing popularity. Lots of popular press coverage, all in a few short years? Sounds like a roll to me...

>
> You yourself like to point out the carbon copy nature of
> radio. You were first on the Jack bandwagon when it went on
> in Vancouver, and you've got off that train since they have
> been duplicated twice over in the Pacific Northwest.

Three times actually. The reason I got off is because it's starting to sound redundant now. The same VOs..and JACK is getting predictable. It's losing what made it different..
>
> Use your common sense; don't you think if KEXP was this big
> huge thing that the "Evil Empire" would have copied it by
> now?

Maybe that's what makes KEXP unique. I'd love to hear a commerical station try and take a stab at KEXP. Will it succeed? If you know how to make it work, try it. Can you do it?. Do you have what it takes to match KEXP?..

I'm tuning up and down the dial and am hearing the
> usual fare on the usual stations, no KEXP copies.
>
> Chew on that one, chief. If KEXP is so big, why are there
> no copies out there?

You cannot deny KEXP is getting a LOT of popular attention...somehow. I don't hear many commercial stations getting this kind of popular press. But if think you got a hot commercial format that can wipe out KEXP up your sleeve, try it. We're waiting..
>
> Further, if your criteria for "being on a roll" are press
> clippings, then why is C-89, a station that has been in
> Rolling Stone, Seattle Times, Billboard, all the local TV
> stations and New York's Village Voice, on the cusp of being
> cut by its owners?

The Seattle School District is in a budget crisis. That's why. They are not a radio business. Things not directly related to the Three R's are getting slashed right and left in schools everywhere to fill in federal budget gaps left by Bush's tax cuts for the rich and an unpopular war. Furthermore, Paul Allen didn't help fund KNHC's development although I think that should be his next radio move.
>
> KEXP is taking the EXACT same path that C-89 has gone down.

WRONG. If they are going downhill, then how come KEXP is currently operating in the black with just it's listener and business donations?

http://www.kexp.org/support/support.asp

How can KEXP develop all this technology if nobody cares about it? Furthermore, if you were to ask just your listeners to financially support your station, would they willingly do it? That's the measure of KEXP's success right there. KEXP listeners love their radio station enough to do it. Think KBKS's listeners would do the same? I'd LOVE to see it.

Chew on that one, brave......
>
>
>
>
> >
> > Give up robojock...KEXP is on a roll these days. Does YOUR
>
> > station get coverage in USA Today, Entertainment Weekly,
> > Rolling Stone, Spin and KOMO-TV and acclaim from listeners
>
> > everywhere?
> >
> > I don't know how your station is doing, but I guess it's
> > safe to say KEXP is WAAY more popular than your station
> will
> > EVER be.
> >
> > Soooo....are you gonna top that? If you are so sure you
> can
> > do better than KEXP, let's hear it. Give us a web feed to
> > listen to or something....
> >
> > I rest my case....
> > >
> >
>
<P ID="signature">______________
Horse Sense: What a horse has that keeps it from betting on people.

[email protected]


</P>
 
> Constant format and technological development, increasing
> popularity. Lots of popular press coverage, all in a few
> short years? Sounds like a roll to me...

Same thing at C-89. New transmitter and tower site, all the press clippings, all the popularity outside of Seattle.

So, by this criteria, any time a station turns into a streamie, gets new audio processing or is on the news, it's 'on a roll.' Okay.


> Three times actually. The reason I got off is because it's
> starting to sound redundant now. The same VOs..and JACK is
> getting predictable. It's losing what made it different..

And like any other radio station, I'm sure KEXP will fall into that fold too.


> Maybe that's what makes KEXP unique. I'd love to hear a
> commerical station try and take a stab at KEXP. Will it
> succeed? If you know how to make it work, try it. Can you do
> it?. Do you have what it takes to match KEXP?..

Other stations don't 'take a stab' at KEXP becuase it's not that popular in Seattle.

You yourself like to complain about research. When stations do research, they find out which stations are most popular. And obviously KEXP isn't on that list. Thus, why would a commercial station want to copy a format that only a handful of people in Seattle listen to?

Let me make one thing clear -- I don't have anything against KEXP, they can play whatever music they want and make their audio audible on toilet seat covers for all I care. If you think they are there for you the listener, think again. You can go to that pledge page and see what they're all about. Clearly, not enough folks listen to the station in Seattle to balance their ledger sheet, so that's why they go worldwide. Good move on their part to rake in more dough, but it doesn't do anything for them in the ratings and it just hypes up their pledge page to line up their pockets even more. They just cut out the middle man (sales people) and ask listeners (and Paul Allen) for their money.

The only difference here is how pockets are being lined here in Seattle rather than San Antonio or New York.


> You cannot deny KEXP is getting a LOT of popular
> attention...somehow. I don't hear many commercial stations
> getting this kind of popular press. But if think you got a
> hot commercial format that can wipe out KEXP up your sleeve,
> try it. We're waiting..

Popular attention, but not everybody reads Rolling Stone, not everyone reads USA Today, not everyone watches Channel 4 News (judging by their ratings, FEW people watch them).

Again, I don't need to have a "hot commercial format....up my sleeve" because they are not targeting Seattle. They have gone international in their quest for pledges. And in this day and age of iPods and other custom-music players, I can't figure out why people would give money to someone else when I can pay for my personal music player and play the music I want to hear when I want to hear it.


> The Seattle School District is in a budget crisis. That's
> why. They are not a radio business.

EXACTLY. And that solidifies my point about KEXP not being about the music, they are about the money -- just like commercial radio stations.


> Furthermore, Paul Allen didn't help fund KNHC's development
> although I think that should be his next radio move.

Right. And when Paul Allen gets bored with KEXP, they had better hope they can shore up their pledge drives.



> WRONG. If they are going downhill, then how come KEXP is
> currently operating in the black with just it's listener and
> business donations?
>
> http://www.kexp.org/support/support.asp

I didn't say they are going downhill right now. I said they are taking the same path that C-89 has gone down before. And I do think that once all the new avenues for fund-raising dry up, they won't be as financially well-to-do.


> How can KEXP develop all this technology if nobody cares
> about it? Furthermore, if you were to ask just your
> listeners to financially support your station, would they
> willingly do it? That's the measure of KEXP's success right
> there. KEXP listeners love their radio station enough to do
> it. Think KBKS's listeners would do the same? I'd LOVE to
> see it.

So, KEXP is all about the money, huh? Given that criteria, what makes them different than commercial radio stations? Seems to me the only difference is how they just don't have sales people and they get to keep the money themselves. I'm sure KEXP refunds all the pledge money that they receive above and beyond their operational costs, right?
 
> Other stations don't 'take a stab' at KEXP becuase it's not
> that popular in Seattle.
>
> You yourself like to complain about research. When stations
> do research, they find out which stations are most popular.
> And obviously KEXP isn't on that list. Thus, why would a
> commercial station want to copy a format that only a handful
> of people in Seattle listen to?
>
> Let me make one thing clear -- I don't have anything against
> KEXP, they can play whatever music they want and make their
> audio audible on toilet seat covers for all I care. If you
> think they are there for you the listener, think again. You
> can go to that pledge page and see what they're all about.
> Clearly, not enough folks listen to the station in Seattle
> to balance their ledger sheet, so that's why they go
> worldwide. Good move on their part to rake in more dough,
> but it doesn't do anything for them in the ratings and it
> just hypes up their pledge page to line up their pockets
> even more. They just cut out the middle man (sales people)
> and ask listeners (and Paul Allen) for their money.
>
> The only difference here is how pockets are being lined here
> in Seattle rather than San Antonio or New York.

Really? Not that popular? Then how come any time a readers poll or newspaper poll happens KEXP comes out on top and their DJs are named the favorites (the time, seattle weekly, the stranger, etc)? Once you step outside your old time ratings system, KEXP is extremely popular.

> Again, I don't need to have a "hot commercial format....up
> my sleeve" because they are not targeting Seattle. They
> have gone international in their quest for pledges. And in
> this day and age of iPods and other custom-music players, I
> can't figure out why people would give money to someone else
> when I can pay for my personal music player and play the
> music I want to hear when I want to hear it.

People contribute their hard earned money because it's valuable to them. Radio is a dismal place and outside of Seattle, radio is even more dismal. When I moved out east, I was devastated at the choices for radio, but thank GOD I can stream it. That's why the listeners give them money. They love it, they love the music and it's worth it to them.

> Right. And when Paul Allen gets bored with KEXP, they had
> better hope they can shore up their pledge drives.

I love this fall-back, cliche response. It's been used since I lived there in the Stranger and by all kinds of critics. Too bad it's not true. If any of you'd done any of your research about this station, you'd know that Paul Allen gave KEXP a certain amount of money and time to grow and get on their feet from KCMU to KEXP and they are completely independend of him now. It's in their public radio stuff.

If it meant nothing, did nothing and didn't matter, no one would even be discussing it.
 
> Really? Not that popular? Then how come any time a readers
> poll or newspaper poll happens KEXP comes out on top and
> their DJs are named the favorites (the time, seattle weekly,
> the stranger, etc)? Once you step outside your old time
> ratings system, KEXP is extremely popular.

Well, when you step into the principles of a proper sample, you'll find that it is not as popular as you want it to be.

The polls that count, done by Arbitron, are comprised of the population, age, gender and race balance proportionate to the market.

Polls, where done by The Seattle Times, The Stranger, The Weekly, whatever are tallied of people who choose to respond. Just like those polls on CNN, MSNBC or whatever, they are not scientific and are done by the people who choose to take them.


> People contribute their hard earned money because it's
> valuable to them. Radio is a dismal place and outside of
> Seattle, radio is even more dismal. When I moved out east, I
> was devastated at the choices for radio, but thank GOD I can
> stream it. That's why the listeners give them money. They
> love it, they love the music and it's worth it to them.

But the argument by many, including Larry, says that people are not listening to regular radio anymore. Supposedly, they are switching to iPods and internet radio because of the bad choices.

People are free to give their money wherever, land of the free home of the brave. It's beyond me why when you can buy a custom music playing device over lining the pockets of a the third party.


> I love this fall-back, cliche response. It's been used since
> I lived there in the Stranger and by all kinds of critics.
> Too bad it's not true. If any of you'd done any of your
> research about this station, you'd know that Paul Allen gave
> KEXP a certain amount of money and time to grow and get on
> their feet from KCMU to KEXP and they are completely
> independend of him now. It's in their public radio stuff.

Yes, but they'll be asking for more money when funds start drying up in the future. It might not be next week, next month or next year. But just as the "Jack" format wears thin after awhile, KEXP's novelty will wear out and funds will not come in as much.


> If it meant nothing, did nothing and didn't matter, no one
> would even be discussing it.

In the grand scheme of Seattle radio, KEXP has zero influence. Again, if it had an impact, the commercial radio stations would be reacting to them. Instead, they are reacting to Jack...not KEXP.

Listen, I have nothing against KEXP. They can do whatever they want. But to position them as this huge thorn in Seattle radio's side and being this popular monster is incorrect.
 
> > Other stations don't 'take a stab' at KEXP becuase it's
> not
> > that popular in Seattle.
> >
> > You yourself like to complain about research. When
> stations
> > do research, they find out which stations are most
> popular.
> > And obviously KEXP isn't on that list. Thus, why would a
> > commercial station want to copy a format that only a
> handful
> > of people in Seattle listen to?
> >
> > Let me make one thing clear -- I don't have anything
> against
> > KEXP, they can play whatever music they want and make
> their
> > audio audible on toilet seat covers for all I care. If
> you
> > think they are there for you the listener, think again.
> You
> > can go to that pledge page and see what they're all about.
>
> > Clearly, not enough folks listen to the station in Seattle
>
> > to balance their ledger sheet, so that's why they go
> > worldwide. Good move on their part to rake in more dough,
>
> > but it doesn't do anything for them in the ratings and it
> > just hypes up their pledge page to line up their pockets
> > even more. They just cut out the middle man (sales
> people)
> > and ask listeners (and Paul Allen) for their money.
> >
> > The only difference here is how pockets are being lined
> here
> > in Seattle rather than San Antonio or New York.
>
> Really? Not that popular? Then how come any time a readers
> poll or newspaper poll happens KEXP comes out on top and
> their DJs are named the favorites (the time, seattle weekly,
> the stranger, etc)? Once you step outside your old time
> ratings system, KEXP is extremely popular.
>
Put that same poll in a mainstream paper like the PI or The times or the Oregonian, etc. and it likely wouldn't come out on top. It's a bad sample when you only survey people who read alternative newpapers, magazines, etc.
 
> > Really? Not that popular? Then how come any time a readers
>
> > poll or newspaper poll happens KEXP comes out on top and
> > their DJs are named the favorites (the time, seattle
> weekly,
> > the stranger, etc)? Once you step outside your old time
> > ratings system, KEXP is extremely popular.
>
> Well, when you step into the principles of a proper sample,
> you'll find that it is not as popular as you want it to be.
>
> The polls that count, done by Arbitron, are comprised of the
> population, age, gender and race balance proportionate to
> the market.
>
> Polls, where done by The Seattle Times, The Stranger, The
> Weekly, whatever are tallied of people who choose to
> respond. Just like those polls on CNN, MSNBC or whatever,
> they are not scientific and are done by the people who
> choose to take them.

Scientific? How scientific is writing what you listened to on the radio on a piece of paper? If Arbitron research is "scientific" in any way, then my grocery list is the Rosetta Stone.

And I thought ALL polls and research were done by people who CHOOSE to take them. And I've known people who have stopped sending their diaries back to Arb because it was too much hassle for 5 lousy bucks. Or were sent/given to radio people I've known who manipulated them-including myself (and the eventual ratings-it's easier and happens more often than you think.) And you call THAT scientific?

Radio research is the most fatally flawed of ALL polls. That's why I say in the end, ratings don't matter. It's fun to look at the numbers and see who's (allegedly) going up or down. But it's a FAR cry from a REAL science because REAL science takes careful measures to insure the best accuracy. The diaries don't. Too much is taken on faith and faith and science do not mix.

However, if there is a poll in the paper (or online), then somebody has to WILLINGLY do it and if they are going to make that effort for no reward, they might as well make it mean something to them.

Yes, stuffing can happen here too. KISW was once disqualified in the '80s from a Rolling Stone Favorite Radio Station poll for stuffing. But the industry does not depend on these polls for cashflow and job security, but they do for Arbitron's because a higher Arbitron can mean higher spot rates and maybe a bigger year end bonus for everybody on top of this particular food chain and of course, job security. And some of the WORST stuffing happens here. I have personally participated in it at the request of my former PD 17 years ago. And that's nothing shocking and nothing new. It's been going on for DECADES. To THIS day. In EVERY market...

It's NOT science my friend. It's just organized bulls--t.


>
>
> > People contribute their hard earned money because it's
> > valuable to them. Radio is a dismal place and outside of
> > Seattle, radio is even more dismal. When I moved out east,
> I
> > was devastated at the choices for radio, but thank GOD I
> can
> > stream it. That's why the listeners give them money. They
> > love it, they love the music and it's worth it to them.
>
> But the argument by many, including Larry, says that people
> are not listening to regular radio anymore. Supposedly,
> they are switching to iPods and internet radio because of
> the bad choices.

More like the LIMITED choices. AC, Country, CHR, AOR, Alternative, Public, Smooth Jazz, Christian, News/Talk, Oldies and Classic Rock are the virtually the ONLY formats you find up and down the radio dial. There has to be something different than the same old same old. Radio isn't doing much to buck this. It's just doing what it's always done, just keep reinventing the wheel.

Along comes internet radio, Music Choice, satellite radio, iPods and MP3 downloads. And all of a sudden, the radio and recording industries are trying desperately to justify their business practices, to say nothing of their very existence after 20 years of giving us a limited selection of stale "researched" music repeated ad nauseum over and over and over and over and over and over on the airwaves. The recording industry is in a LOSING battle to stop file sharing and in 10 years, either their business model will change dramatically and give the artists more creative control and profits from their recordings as well as lower CD prices for consumers or they will all die a horrible death as more and more artists begin using the internet as a means of direct music distribution. Radio may go the same way if they don't start bringing back what made radio so popular, the personality jock with creative control over his/her program.

>
> People are free to give their money wherever, land of the
> free home of the brave. It's beyond me why when you can buy
> a custom music playing device over lining the pockets of a
> the third party.

Well, I can understand the shoegazing apathy of some radio folks today. Most of them were INDOCTRINATED into the formula model at broadcasting school and now that all that is becoming obsolete, they are faced with challenges they never even IMAGINED even 5 years ago. But radio isn't radio without imagination. It is a business, but it is also personal. Radio needs to bring back it's human element. An iPod can play music, but it cannot interview the artist. Internet radio has LOTS of variety, but you can't take it with you. Satellite radio sounds good, but you have to pay for it and it doesn't tell you what's happening in your community. Radio is still the happy medium of all of these and that's why it can still be a viable industry if we can please focus less on the $$$ and focus more on the music and the people
>
>
> > I love this fall-back, cliche response. It's been used
> since
> > I lived there in the Stranger and by all kinds of critics.
>
> > Too bad it's not true. If any of you'd done any of your
> > research about this station, you'd know that Paul Allen
> gave
> > KEXP a certain amount of money and time to grow and get on
>
> > their feet from KCMU to KEXP and they are completely
> > independend of him now. It's in their public radio stuff.
>
> Yes, but they'll be asking for more money when funds start
> drying up in the future. It might not be next week, next
> month or next year. But just as the "Jack" format wears
> thin after awhile, KEXP's novelty will wear out and funds
> will not come in as much.
>
>
> > If it meant nothing, did nothing and didn't matter, no one
>
> > would even be discussing it.
>
> In the grand scheme of Seattle radio, KEXP has zero
> influence. Again, if it had an impact, the commercial radio
> stations would be reacting to them. Instead, they are
> reacting to Jack...not KEXP.
>
> Listen, I have nothing against KEXP. They can do whatever
> they want. But to position them as this huge thorn in
> Seattle radio's side and being this popular monster is
> incorrect.
>
<P ID="signature">______________
Horse Sense: What a horse has that keeps it from betting on people.

[email protected]


</P>
 
> Scientific? How scientific is writing what you listened to
> on the radio on a piece of paper? If Arbitron research is
> "scientific" in any way, then my grocery list is the Rosetta
> Stone.

Because the sample is derived from the ages, population and a proportionate percentage of each gender, as defined by the Census.

Go to the Arbitron website and educate yourself instead of pissing on everything, Larry.

> And I thought ALL polls and research were done by people who
> CHOOSE to take them. And I've known people who have stopped
> sending their diaries back to Arb because it was too much
> hassle for 5 lousy bucks.

Yes, and right now the return rate for Arbitron is 32%. They keep looking for those people until they meet the population quota.

And either you were lied to or you're exaggerating the truth, because Arbitron isn't paying $5 for respondents (except as an experiment in a couple of markets and to specific demos in those markets, none of which are in Washington State).


Or were sent/given to radio people
> I've known who manipulated them-including myself (and the
> eventual ratings-it's easier and happens more often than you
> think.) And you call THAT scientific?

I call it margin of error, which is a scientific fact in EVERY poll.

Another thing you don't know. Arbitron sniffs out the radio people who do things that you describe. Go fly to Columbia, MD and see what I mean.


>
> Radio research is the most fatally flawed of ALL polls.
> That's why I say in the end, ratings don't matter.

Ratings doesn't matter. Riiiiiiight.


It's fun
> to look at the numbers and see who's (allegedly) going up or
> down. But it's a FAR cry from a REAL science because REAL
> science takes careful measures to insure the best accuracy.

They do. Again, go to Arbitron and see the process. I have.

You may or may not recall, but about a year ago, I asked you for specific proof for you about the flawed research and ratings process. You said it was all based on the ratings and research company targeting through salary. I asked you for specific examples of Arbitron and research companies doing that. You failed to reply to that. Can you provide us with specific examples, or is this just more hyperbole on your part?


> However, if there is a poll in the paper (or online), then
> somebody has to WILLINGLY do it and if they are going to
> make that effort for no reward, they might as well make it
> mean something to them.

That doesn't make any sense.

>
> Yes, stuffing can happen here too. KISW was once
> disqualified in the '80s from a Rolling Stone Favorite Radio
> Station poll for stuffing. But the industry does not depend
> on these polls for cashflow and job security, but they do
> for Arbitron's because a higher Arbitron can mean higher
> spot rates and maybe a bigger year end bonus for everybody
> on top of this particular food chain and of course, job
> security. And some of the WORST stuffing happens here. I
> have personally participated in it at the request of my
> former PD 17 years ago. And that's nothing shocking and
> nothing new. It's been going on for DECADES. To THIS day. In
> EVERY market...

Statistically insignificant. It doesn't happen as often as you portray it to happen, anyway. Besides, again, Arbitron sniffs these out.

>
> It's NOT science my friend. It's just organized bulls--t.

You must have quite a collection of tinfoil hats.

Oh yeah, and thanks answering my last KEXP reply to you. Cat got your tongue, huh?

Look forward to your detailed response and proof of bad research and Arbitron sample!
 
Re: USA today on KEXP AND Entertainment Weekly

> >
> Oh good. Somebody's bashing KEXP here. This is great. If you
> like "anything goes" FM, or any old record, then KEXP is
> your place. I prefer the good old days, those days gone by
> before Paul Allen seized control. Yeah, that's KCMU, baby
> and KCMU was the radio station for the Associated Students
> of University of Washington(ASUW)and had studio's next door
> to KUOW on CAMPUS, and UW DJ's. PSA's were about campus
> activities and the local scene. Now it's "world wide" and
> "podcasts" are the "in" thing. And you know who still owns
> the station? The University of Washington Board of Regents.
> They should be ashamed of themselves. And they should bring
> that radio station back to Campus, as far as I am concerned.
>

The above is an interesting post.

In 1981 I was invited as a "guest star" on KCMU by Mike Stein (AKA Damien) - this event was heavily promoted on the air prior to my "appearance" for reasons I can't (or don't want to) recall.

Immediately after being introduced, the conversation went something like this:

SR: "What's that on the wall?
MS: "That's a Format Wheel"
SR: "What is a Format Wheel doing at KCMU, a radio station owned by the University of Washington - aren't you supposed to be setting an example to celebrate intellectual curiosity, to support and applaud diversity?"

I'm sure I rambled on...but I'll spare you.

Rather than the expected evening of frivolity and musical merriment, I asked that the phone lines be opened so we could discuss the presence of a Format Wheel at KCMU. (Thankfully Mike and I have remained friends over the years.)

It wasn't long after that event when the "powers" at KCMU opened their hearts and reached out beyond their limited – albeit spunky – playlist of Talking Heads, Devo and the like. (All of which I liked, I just didn't like the limitation.)

So here we are, almost 25 years later and...what's this? FMSteve (no relation) has a valid point: What Hath Regents Wrought?

To lose/ignore connectivity with the local community (i.e. UW happenings) is to deny reality (where oh where has my Husky gone...) and likewise deny listeners around the globe true LOCAL flavor.

Look, it's not just the music, just like it's not just the water...

Everyone LOVES Paul Allen, right? (Okay, I can't speak for his family or the forgotten high school chums who probably haven't forgotten him in the least. And I can't talk about his personal hygiene, I don't think I ever met him unless he was that dude who was always hanging 'round the Sleaze District in a trench coat. I hope that wasn't him, ewww.)

But how can you not love a guy who lives out Atlas Shrugged?

Still, it's not just the money either - although it helps a lot.

(Even though KEXP doesn't need to, they should now be saying: "K-E-X-P, Seattle...and thanks Paul, we couldn't be here wihout you!" at the top of every hour.)

That musical art can (pick one or more) move, excite, provoke, comfort, inspire, (add your descriptive here) is, of course, wonderful.

Yet shouldn't a Radio Station, licensed to a community, be more than a jukebox podcast? (Yes, this goes for the mega-mondo commercial consolidated too.)

A great example of a fabulous college station "broadcast" - IMHO - is KAOS in Olympia: http://www.kaosradio.org/

A great example of a fabulous "webcast" - one w/o pretence or, for that matter, specific direction (this gives "shuffle" new meaning) is: http://hype.non-standard.net/ (just click on "listen")

I'm sure there are plenty more.

Nevertheless, you really have to cheer on the folks at KEXP for their entrepreneurship and - especially - for successfully arriving where they need to be. For the moment.

Let's hope the folks at KEXP will take a look around and, using the same pioneering spirit that got them truly "indie" (read: "in the black") they will also create new and innovative ways to embrace and promote "a sense of community" - one the reaches into the vast resources of their surroundings. (No, not the strip bar). (And no, not just airing local bands either.)

Now that there truly is no need for a Format Wheel of any kind, lets see if they can use their creative energy to reflect who they are rather than simply dictate what's "cooool boy...stay cooool, boy..."

Because...

"When you're a Jet (City) you're a Jet (City) all the way..."
 
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