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Waka Flocka LAME

Wow, this dude is terrible! Waka Flocka Flame, or LAME as I call him, is one of the worst "rappers" to make it big in recent years (plus, who names themselves that? LMAO). I thought Souljah Boy, and other lamestream hip hop acts of today were the epitomy of suck, but this guy takes the cake. I looked up a couple videos of his "music", and it's just grunting with repeating the same lines over and over again, over hokey, overplayed beats. Not to mention he's probably got the IQ of a gym sock, he's just complete garbage! Not a single sign of talent. I don't care how many times he's been shot or whatever (like that is a positive thing). This is what Chuck D from Public Enemy was talking about with today's hip hop.

Now, I'm not the biggest fan of most mainstream rap today, but I will say that at least Nicki Minaj, B.O.B., Kanye, Rihanna, Lupe Fiasco, hell even Drake are among some other artists that are making decent music and are listenable and belong on urban radio. This clown doesn't deserve ANY airplay, and I think any station that plays him should realize they are contributing to the downfall of hip hop music and the African American community in general. Do we really need this crap on hip hop radio? UGGH!!
 
Waka Flocka is one of the last of an era that's been dying since 2009. I don't think he'll be around much longer

I'm not gonna lie though, I liked "No Hands" and I kinda like his new single "Grove St. Party". He is a terrible rapper though. He makes Soulja Boy sound like Jay-Z.

BTW, radio station owners don't give a damn about hip hop culture or the African American community
 
Your right, he doesn't make music, he just mumbles over beats. Unfortunately, most of the new Hip Hop acts making it big these days are not that much different. The quality in Hip Hop has sunk so low, and the genre is on life support. Of course there are exceptions like J Cole, XV, etc. I'm not 'hating' on this guy, but its sad that clearly talentless people are making it big because they knew the right people and there are some really talented artists out there that will probably never get the time of day. I could probably mumble over hot beats better then him ;)
 
Can't rap and dummmmmmmmmmmmmmmb as hell.

This interview he did on 106 & Park proves it.
He embarrasses himself.... and THEN some....

http://www.youtube.com/watch?v=cCAgNvXq9S8

I don't even know what he's tryin to say in the first 20-30 seconds. lol ;D

I wanna slap the chick when she says "a lot of young people look up to people like yourself"
right after his big f'up.
 
As he said on twitter:

"They say I cant rap ... I can feel that but the difference between us im a hit maker not a lyricist #imjustsaying"






Not taking any sides here, though. Just making an observation.

"How yall compare me to rappers that have 10 plus years against my 3 thats my father age lol #imjustsaying"
 
I remember when lyricists were the hit makers and rappers like Waka Flocka were laughed out of LOCAL cyphers....but things change I guess :|
 
raydiodude said:
Can't rap and dummmmmmmmmmmmmmmb as hell.

This interview he did on 106 & Park proves it.
He embarrasses himself.... and THEN some....

http://www.youtube.com/watch?v=cCAgNvXq9S8

I don't even know what he's tryin to say in the first 20-30 seconds. lol ;D

I wanna slap the chick when she says "a lot of young people look up to people like yourself"
right after his big f'up.
He sounded so illiterate on 106 & Park. Weak as heck. Soujah Boy started this illerate hip hop movement in 2007.smh
 
BJordan said:
raydiodude said:
Can't rap and dummmmmmmmmmmmmmmb as hell.

This interview he did on 106 & Park proves it.
He embarrasses himself.... and THEN some....

http://www.youtube.com/watch?v=cCAgNvXq9S8

I don't even know what he's tryin to say in the first 20-30 seconds. lol ;D

I wanna slap the chick when she says "a lot of young people look up to people like yourself"
right after his big f'up.
He sounded so illiterate on 106 & Park. Weak as heck. Soujah Boy started this illerate hip hop movement in 2007.smh

Uh, actually it started before even him...
 
@Kilamanjero yo you got a point because D4L Laffy Taffy sounded very illiterate in 05. 1989-2003 Hip Hop & R&B was the best thing on planet earth but in like late 2004 Hip Hop took downfall.
 
This goes way back to the argument that the South messed up Hip-Hop. I like Waka Flocka, D4L, Gucci Mane and most Hip-Hop artist/songs out of ATL, Dallas and Memphis. What started out as a regional spins on songs took over nationwide. Example, POWER 105.1 in NYC playing YC "Racks on Racks." Who's to blame?
 
ShawtyBlack_ATL said:
This goes way back to the argument that the South messed up Hip-Hop. I like Waka Flocka, D4L, Gucci Mane and most Hip-Hop artist/songs out of ATL, Dallas and Memphis. What started out as a regional spins on songs took over nationwide. Example, POWER 105.1 in NYC playing YC "Racks on Racks." Who's to blame?
The south sounded ok until 2003 when the Ying Yang Twins. Master P, Outkast, Mystikal Mia X sounded way than the southern rap that's currently out. The Beat & Power 106 gave Master P mad spins and those other cat's aformentioned above in the 90's. Lil Wayne was ok until he did the Carter series. After the Carter 3 came out in 08 Lil Wayne became overplayed. The south doesn't appeal as much.
 
BJordan said:
ShawtyBlack_ATL said:
This goes way back to the argument that the South messed up Hip-Hop. I like Waka Flocka, D4L, Gucci Mane and most Hip-Hop artist/songs out of ATL, Dallas and Memphis. What started out as a regional spins on songs took over nationwide. Example, POWER 105.1 in NYC playing YC "Racks on Racks." Who's to blame?
The south sounded ok until 2003 when the Ying Yang Twins. Master P, Outkast, Mystikal Mia X sounded way than the southern rap that's currently out. The Beat & Power 106 gave Master P mad spins and those other cat's aformentioned above in the 90's. Lil Wayne was ok until he did the Carter series. After the Carter 3 came out in 08 Lil Wayne became overplayed. The south doesn't appeal as much.

I'm with BJordan here. The South has/had some good hip hop. I used to LOVE Master P, old Lil Wayne, Outkast (of course), Clipse, Nappy Roots, 8Ball & MJG, Three Six Mafia, hell even Mannie Fresh and Big Tymers weren't bad. They were kind of hokey but the shit was still good. I still bump tracks like "Still Fly" and "Get Ya roll On" from the early 2000's. EVEN Ying Yang and Lil Jon were kinda stupid but still had their place. Hey, at least that shit was fun! But nowadays, where you have imbeciles like Waka on the mic, it's just ------- assinine. It's devolved to just complete garbage! Grunting on the mic and shit? Ridiculous. I don't blame the South, or anywhere for that matter. I just hate wack bullshit, regardless of where it comes from. Hip hop needs an IV or something!
 
VERY interesting twist that this whole topic has taken. I had no idea that this thread received more posts, but for quite some time now I've been wanting to discuss hip hop, the south, the mid 00's, the "death of hip hop", and how they all relate (or don't relate) to each other. I also want to throw in the death of the late 90's futuristic Timbaland & Missy style beats after Aaliyah passed and Timbaland took a break, leaving much room for other producers to "take over the game" and bring back the boring, less creative, easy to make beat style patterns. I believe the fact that no one really had anyone to look up to anymore for more creative beat style patterns ever since Timbaland took his break from the music scene also helped to cause hip hop to eventually lose its full power, and although you could argue that The Neptunes and other producers were just as good, I believe that even they (Including the Dungeon Family) also got (at least some of) their late 90's early 00's style influence from Timbaland and would've probably never thought of it without him.

Timbaland taking a break then coming back as a pop/dance style producer really played a larger role on what happened to the sound of hip hop as the 00's rolled on, even more than most people realize. While Timbaland was still "out of the frontlines of the scene", Lil Jon changed the sound of music in 2003 when he hit with the Usher - "yeah" / Petey Pablo - Freak a leek / Ciara - "Goodies" style sound, and this is when people began to abandon the old Timbaland style for a more simpler style. At the same time, you had the newer Dr Dre & 50 Cent sound. In addition to this, the midwest/southern beat style sound that was about to emerge in 2004-2005 with Murphy Lee, Nelly, Dem Franchise Boys...etc. (which all eventually led to a dirty south "snap sound trend" and the birth of the crunk snap sound). It was at this point that the futuristic Timbaland style beats of the late 90's early 00's were officially a thing of the past and the dumbing down of lyrics was beginning to emerge.. (The LAST song with the futuristic Timbaland style beats to become mainstream was "kiss kiss" by Chris Brown).

I believe that in addition to the weakening and dumbing down of lyrics, hip hop production creativity has also taken a fall, and this fall really began to start becoming noticeable shortly after '05 as more and more things in mainstream hip hop started to sound the same. With that being said, I will agree that yes, it was the southern music that pretty much "killed" the best days of hip hop, BUT at the same time, I believe the south was also responsible for helping to perfect and complete hip hop. Unlike the east and west coast, who both were known overall for one particular distinct style of sound, the south (while also being known for its own distinct sound as well) was very versatile and influenced both the west and east coast to change up their styles a bit. As a matter of fact, the south influenced everywhere else to change more than other places influenced the south to change! Not only did the south take the futuristic Timbaland style beats to another level, but with the help of Nelly and the midwest (which pretty much sounded like the south), they both "joined together" and pretty much took over the game in the mid to later 00's. It was just unfortunate that this was around the same time the complex Missy/Timbaland beat styles died and the dumbing down of hip hop lyrics began to occur as the pop/electro sound began to perfect (which leaves the south looking bad).

I believe Timbaland and Missy do not get all the credit they truly deserve. They were responsible for changing the sound of music TWICE!

1. They introduced the futuristic style sound in the later 90's that everyone from pop to r&b to hip hop to even alternative- http://www.youtube.com/watch?v=qszvK4MZFW4 -jumped on and imitated. NO ONE was using this futuristic style sound until after Timbaland produced and released Aaliyah's "One in a million"...

2. Timbaland bravely put out Justin Timberlake's "sexy back" and Missy bravely dropped "lose control" with Ciara in the mid 00's during a time when no uptempo dance was charting - which is what kicked off and rejumpstarted this whole new generation uptempo dance sound & trend we are currently in! It was only AFTER these two hits that a chain reaction of uptempo dance / electro-pop hits started to resurface (and eventually take over) in the mainstream! (Before that, it was just Britney Spears "toxic" and Rihanna's "S.O.S." and I guess you could include "what you waiting for" by Gwen Stefani that were nationally mainstream uptempo hits).

Lady Gaga may have perfected the electro-pop/dance sound and took it to another level. However, if it wasn't for Timbaland and Missy to "reintroduce" the uptempo sound in the mid 00's; That door for Lady Gaga to become famous in the U.S. with her current electro style would've never happened as early as it did. Akon would've probably still been trying slower pop or hip hop and all the other artists who quickly jumped on the dance sound probably never would've even dared to go dance. Or who knows... maybe Rihanna (who actually released the uptempo "S.O.S." before Missy,  Timbaland, and Black Eyed Peas officially went uptempo) would've been the one to "change the game sound". Either her, or Pitbull. Taio Cruz, Jay Sean...etc. all have Timbaland & Missy to thank because it was they who made the uptempo sound "acceptable" in the mainstream once again.
 
Another thing I notice are people blaming RADIO STATIONS THEMSELVES for the change in trends. Radio stations are being blamed for not "being as good as they once were" because the new music they're playing now doesn't compare to the hits of the past. I wouldn't blame the station itself because they station did not cause the change in trends or tell producers, artists and lyricists to become less creative or dumb down their lyrics. The stations only reflect the change in times and what OTHER PEOPLE are releasing and putting out as hits. The station didn't change the music, the music changed the station. This could also effect other aspects of the station as well - lets say hip hop declines in popularity and pop takes over. A high rated urban station able to get away with with many mixshows and other specialty programs may have to let go of those other programs if their ratings decline with the fall of hip hop popularity. Either that, or a full format flip. So, with that being said, I'd say don't blame the station because unless it is a format flip, it is mainly the music that changes on radio formats that last multiple years / decades.

I could complain about how TV is not the same anymore....
 
BJordan said:
ShawtyBlack_ATL said:
This goes way back to the argument that the South messed up Hip-Hop. I like Waka Flocka, D4L, Gucci Mane and most Hip-Hop artist/songs out of ATL, Dallas and Memphis. What started out as a regional spins on songs took over nationwide. Example, POWER 105.1 in NYC playing YC "Racks on Racks." Who's to blame?
The south sounded ok until 2003 when the Ying Yang Twins. Master P, Outkast, Mystikal Mia X sounded way than the southern rap that's currently out. The Beat & Power 106 gave Master P mad spins and those other cat's aformentioned above in the 90's. Lil Wayne was ok until he did the Carter series. After the Carter 3 came out in 08 Lil Wayne became overplayed. The south doesn't appeal as much.

I never liked Lil Wayne, but I can agree with this. I was never a big fan of southern hip hop (though I did like Outkast, early Ludacris and some others), but it wasn't that bad. Now the sound is absolutely horrendous. The whole crunk crap is terrible. No thought into the lyrics, nothing is being said other than mumble mumble this and mumble that, the lyrics make virtually no sense, its about stupid catchy choruses rather than true lyrics.

Granted I'm a bit bias, I'm from Long Island and grew up on Wu-Tang, Nas, Mobb Deep, Biggie, A Tribe Called Quest, Lost Boyz etc but its just amazing how much hip hop has fallen off. And the good stuff that does come out gets little airplay, compare Raewkon to Waka Flocka, and the airplay they get, its just sad.
 
Funny story regarding Waka Flocka Flame:

Was at a party last night. No DJ, but the host had the digital cable music on the hip hop channel. For a while, they were playing some good songs, some new Snoop Dogg, N.E.R.D., Kanye, Yelawolf, Jay-Z etc. Perfect for a party...until a song comes on by, who else, Waka Flocka (featuring Gucci Mane). Several people, who were enjoying the hip hop tunes prior to this, quickly asked each other "what the hell is this crap?" Not soon enough the channel was changed to the other rap/old school channel where they were playing some Digital Underground. We proceeded to make fun of that Waka song and my friend asked if grunting was part of the new southern hip hop lyrics. Haha. That Waka/Gucci music is CRAP!!
 
I think hip hop really began to fall when stuff like

Laffy Taffy
Crank Dat Soulja Boy
Ay Bay Bay
Stanky Leg

And quite a few similar themed and structured songs began to come out and dominate the hip hop charts.

I will admit that while Waka Flocka may not put out the best or most positively influential songs, "no hands" and "oh lets do it" are really "catchy", or vibey. Give either of those songs a good uptempo beat and they become crunk dance party bangers (but ONLY with the right melody and remixed beat structure).
 
WBIMDJ said:
Here's a parody of the "Retard Rap" (I've begun to call it that):

It's hilarious because my friend said this even though this is supposed to be a joke is better than the crap on the radio, LMFAO!

http://www.youtube.com/watch?v=iFiPANvxfDg
Rap stands for Retards Attempting Poetry IMO. I'm semi moved away from hip hop to focus on R&B. The hip hop I only listen to is Craig Mack, Lil' Kim, Lauryn Hill and Notorious BIG the good stuff.
 
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