Mike Walker said:But there's no such thing as a "purist approach" at extremely low bitrates. Something's gotta' give. Something will be severely compromised. IMHO that "something" is better the top (and least audibly significant) octave than the couple of MOST audibly significant octaves in the midrange. Another option would be COMPLETELY removing the octave above 8khz, and not trying to "replicate" what's missing. This is also viable. Through many years of internet streaming, I've learned that if you want to produce tolerable sounding low bitrate audio, the FIRST thing that's got to go is extreme highs.
In fact, many of the audio processors designed specifically for lossy codecs have a low-pass filter option (as well as program-dependent high frequency limiting) to reduce artifacts. I've experimented with these settings and they do make a subjective improvement -- however, the fidelity of the original linear source material is reduced by this type of processing. If your source material isn't linear (for instance, agency spots sent via MP3) then you have to contend with transcoding problems as well. Remember, we were originally promised that "pre-emphasis limiting" wouldn't be required on HD FM, but with bitrates falling from 96k to 48k or 32k, users are finding that special HF processing is needed to keep the midrange artifacts from getting out of hand.
Which leads to the question: If low-pass filtering and HF limiting are now necessary to make a low-bitrate HD codec sound somewhat acceptable, does HD still retain a significant sonic advantage over analog? Enough of an advantage to outweigh the many disadvantages? OK, I would agree with Clouseau that the audio signal-to-noise performance of the HD codec (like most digital schemes) is quite good. The problem is that HD receivers lose digital lock in locations where analog becomes noisy enough that the difference is really noticeable; in other words, it fails where it's needed the most. But in other respects, the HD codec has many weaknesses.
I must admit that I envy those TV guys; the Dolby AC-3 codec specified in the ATSC system is far superior to the HD codec and supports "surround sound" too. I've been listening to DTV sound for a few years and it masks artifacts EXTREMELY WELL in comparison with HD Radio.
It's a shame that radio, the aural medium, is stuck with a digital audio system so inferior to television's.