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WCBS: Old Jocks, New Jocks, Who'sa Jocks, No Jox?

There's a bit of an adolescent argument going on in one of the posts and the following thoughts occurred to me as I perused it. I didn't want these heaven-sent comments to get lost on page three or four of another post so, I have started a new thread to address this issue (I hope that's not considered "bad form?"). Here's my brief two-cents worth.

Oldies is a format different from any other in that the presentation is as important as the music. People are reminiscing when listening to this unique format. So it stands to reason that the entire environment of the station should evoke the memories the listener seeks - especially to include the jox. This would also embrace many other elements not found on today's contemporary stations, or found in a different form. To include:

  • the music,
  • the peripheral presenters (news, traffic, wx etc),
  • the pacing,
  • the jingles,
  • the promos,
  • the contests,
  • even the spots when possible, et al.

But, when you ask what's most important to the operators, guys like Dan Mason, that's going to always come down to the revenue. Revenue is a confluence of ratings and the skills of the AEs to convince advertisers that they will move product by advertising on the station regardless of the numbers. So to exclude or dismiss out of hand, people over 50 or 60 or even 70 as some have, may be shortsighted. Though not Arbitron's favorite folks - believe me, they spend money. IMHO a station offering the totality of the oldies experience will be a lot easier to sell than a bland, music-only product.

If a listener wants to just listen to the music without the surrounding environment of a true NY Oldies Station, there are many internet stations (for the time being anyway), satellite and other delivery systems where they can have pure music - no atmosphere.

I had inquired about guys like Dan Ingram. A young snot-nose said, "But he's 72!" So what, being 72 doesn't make you dead! And I'll take a 72-year-old jock with the quality of content, pacing and timing as an Ingram, over some of the bland crap I hear lately, any day. I use Dan as an example, there may be reasons of his or the station's that don't make his specific appearance possible. But I think you catch my drift.

As long as they've still got a tongue and larynx - and can hold themselves upright for a few hours without drooling on the equipment, get as many of the old-timers as you can and encourage any new jox to emulate that sound. And... thanks for listening ;<)
 
As long as they've still got a tongue and larynx - and can hold themselves upright for a few hours without drooling on the equipment, get as many of the old-timers as you can and encourage any new jox to emulate that sound. And... thanks for listening ;<)

Funny line! In practice it would probably put FM oldies in the same death spiral AM is now entering. These message boards often get into a funk in allways asking to "bring back ______" Guys such as Ingram, Lundy, Morrow simply sound too old, atleast on FM. It's not an issue of style but physical changes to their speech.

BTW: I've listened to these jocks since I was 4 in 1961 -not a snot-nosed kid.

There is not normally much worth linking-to on "that other board" but a few truly knowledgeable participants such as AL Germond stand out as allways worth reading. He is a broadcaster and former group owner in Columbia MO.

http://www.musicradio77.com/wwwboard/messages/319801.html

His comments regarding the antipathy toward radio by young people are exactly what I have run into, over the last five years.

Lino
 
I started listening to Big Dan in 1964 when I was 13. Loved his style. He basically became the guy I wanted to imitate when I got started as a DJ (of course, I did not even come close!).

Heard him when he first went to WCBS-FM. Still loved him. But the last time I heard him , near the end of his CBS-FM days (I live out of range so only cuaght him about once every 6 weeks) there was a definite change. He sounded old, tired, and clearly not up to his game. The same is true in Philadelphia with jocks like Hy Lit. When you heard these guys in the 60's and then here them today, the change is saddening.

There comes a point when you have to give it up. Dan is great when he joins Mark Simone on the WABC Saturday Night Olides show. His stories can keep you entertained for hours. But as an on the air jock, he and many others who were tops in the 60's are just too past their prime. Let us remember them when they were great.
 
antipathy toward radio by young people are exactly what I have run into, over the last five years

This point is valid and being hammered by Jerry DelColliano's daily essay. Jerry owned Inside Radio until he sold it to CCU (we won't get into the reasons in this forum). He's currently teaching Music and Media at USC. His access to young people enables him to offer a unique and important peek at their thinking. You can subscribe, or just read his musings at:

http://www.insidemusicmedia.blogspot.com/

As long as I'm here, I'll admit Dan's not a viable candidate at this point in his life. However, I still feel that CBS would be smart to offer the atmosphere that draws oldies listeners. And that would include the jox and their presentation.
 
NamJock: A very thoughtful persuasive argument for the format, parts of which I have been "preaching" as well over the past few years. I agree with just about everything you wrote. However, LinoNYC did make a good point about some of the older guys:(parapharasing here) Father time changes us all, even our vocal chords. And sometimes the older guys simply lose their ability to enounciate as well. I heard it happen to Dick Clark before the stroke. It is an interesting point.
 
I'll admit Dan's not a viable candidate at this point in his life. However, I still feel that CBS would be smart to offer the atmosphere that draws oldies listeners. And that would include the jox and their presentation. I don't think I ever advocated WCBS target 55+, as I've been accused of by another poster who is rather relentless. See:

The DJ's Who Are Promoting Oldies Back On WCBS-FM-Who's Missing ? « 1 2 3 4 Pages 3-4.

The target is up to them, it's the approach that I centered my discussion on. Thanks for the compliment... but I sure do miss "chime time!"
 
NamJock said:
I'll admit Dan's not a viable candidate at this point in his life. However, I still feel that CBS would be smart to offer the atmosphere that draws oldies listeners. And that would include the jox and their presentation. I don't think I ever advocated WCBS target 55+, as I've been accused of by another poster who is rather relentless. See:

The DJ's Who Are Promoting Oldies Back On WCBS-FM-Who's Missing ? « 1 2 3 4 Pages 3-4.

The target is up to them, it's the approach that I centered my discussion on. Thanks for the compliment... but I sure do miss "chime time!"

Regarding Ingram, "Cousin" Brucie, Norm N. Nite, et al, I wrote in a pre-flip post that I would like the "new" CBS-FM to make an effort to include these legendary jocks in the mix as a link not only to the station's past, but as a tribute to their legacy in the history of NYC Rock & Roll Radio. I advocated them offereing the "Cuz" his customary "Saturday Night Dance Party" and "Mr. Music" his Sunday night "Live From The Rock & Roll Hall of Fame" program. I'd also love to see Don K. Reed's "Doo-Woppe Shoppe" return. As you said, this would be the smart thing to do to attract the true "oldies" listener. Specialty programs like these become "appointment" listening and will not affect the station's daypart performance during the week. If anything, it'll add to the station's cume.
 
Here's an idea that solves both problems: we want 'em; they're too old.

XM is re-running all the old Casey Kasem shows. Perhaps CBS could do that with some of the older guys who are no longer physically capable nor have the desire to participate with the stress of a daily show. Run an hour a day in PMD of an old Ingram show. Likewise with the others. It's not like the music's changed! Insert the new spots and current weather, traffic etc. Shazamm - "It's the Dan Ingram Show..."

I'm sure compensation would have to be worked out, but that, too, is a detail.

I'm assuming someone's got the airchecks. If they're right off the board, they'd have to go through all the processing or it will sound terrible. Id they're off the air, likewise, they'd have to bypass the processing. But that's a minor detail that any good engineer can probably make work. In fact, I may make a new thread of this brainstorm. Whaddaya think?
 
It's not like the music's changed! Insert the new spots and current weather, traffic etc. Shazamm - "It's the Dan Ingram Show..."

Going a step further, a friend who lives/works in Hollywood pointed out that in a few years CGI will have advanced to the point that it will be possible to have "virtual" (not virtuous) actors. This would include synthesized speech generated from the orginal actor's samples.

"Virtual exhumation" of any DJ's career deemed worthy and having enough samples to generate new output. This could be controlled by keyboard or actual input of asistant's speech. AFAIC, they can keep it.

I would however be interested in a show that runs intact airchecks, aside from compensation there is the issue of the jock inevitably repeating the calls of the orginal station that would seem to be a problem when syndicating these shows on anything but internet/sat.

Lino
 
LinoNYC said:
It's not like the music's changed! Insert the new spots and current weather, traffic etc. Shazamm - "It's the Dan Ingram Show..."

Going a step further, a friend who lives/works in Hollywood pointed out that in a few years CGI will have advanced to the point that it will be possible to have "virtual" (not virtuous) actors. This would include synthesized speech generated from the orginal actor's samples.

"Virtual exhumation" of any DJ's career deemed worthy and having enough samples to generate new output. This could be controlled by keyboard or actual input of asistant's speech. AFAIC, they can keep it.

I would however be interested in a show that runs intact airchecks, aside from compensation there is the issue of the jock inevitably repeating the calls of the orginal station that would seem to be a problem when syndicating these shows on anything but internet/sat.

Lino

Now you're opening up a can of worms...it's bad enough that automation, syndication and voice-tracking have eliminated jobs for ready, willing and able jocks in every market, now you want use valuable airtime to run dated airchecks by classic jocks and virtual synthesized speech gernerators? What would you call it "Jack--The Next Generation?"
 
I agree with Fang. I just reposted the "Best of" idea under a new thread. For the record I'm talking about an hour a day of an actual former CBS jock on WCBS that would be seamlessly integrated into the current product - not syndicating it; not using synthesized speech generators - just the original jocks in a "best of" type format, but with today's spots, wx and trraffic.
 
fang39 said:
NamJock said:
I'll admit Dan's not a viable candidate at this point in his life. However, I still feel that CBS would be smart to offer the atmosphere that draws oldies listeners. And that would include the jox and their presentation. I don't think I ever advocated WCBS target 55+, as I've been accused of by another poster who is rather relentless. See:

The DJ's Who Are Promoting Oldies Back On WCBS-FM-Who's Missing ? « 1 2 3 4 Pages 3-4.

The target is up to them, it's the approach that I centered my discussion on. Thanks for the compliment... but I sure do miss "chime time!"

Regarding Ingram, "Cousin" Brucie, Norm N. Nite, et al, I wrote in a pre-flip post that I would like the "new" CBS-FM to make an effort to include these legendary jocks in the mix as a link not only to the station's past, but as a tribute to their legacy in the history of NYC Rock & Roll Radio. I advocated them offereing the "Cuz" his customary "Saturday Night Dance Party" and "Mr. Music" his Sunday night "Live From The Rock & Roll Hall of Fame" program. I'd also love to see Don K. Reed's "Doo-Woppe Shoppe" return. As you said, this would be the smart thing to do to attract the true "oldies" listener. Specialty programs like these become "appointment" listening and will not affect the station's daypart performance during the week. If anything, it'll add to the station's cume.

I think that Fang's idea is the best. By presenting the specialty programming on the weekends it is not really going to affect the ratings while giving the oldies fans what they want. Now the question is are any of these legends available? I know Cousin Brucie is still under contract with Sirius for another year. I am not sure about Norm & Don K.

NamJock said:
I agree with Fang. I just reposted the "Best of" idea under a new thread. For the record I'm talking about an hour a day of an actual former CBS jock on WCBS that would be seamlessly integrated into the current product - not syndicating it; not using synthesized speech generators - just the original jocks in a "best of" type format, but with today's spots, wx and trraffic.

If it is for an hour a day that would be fine. I agree with Fang that jobs would be taken away from up and coming talent. It may start off only being an hour a day, but if it expands to more than an hour watch out..............................
 
If you want some ideas on how this may be accomplished, check out 1050 CHUM in Toronto. They have incorporated vintage CHUM jingles and airchecks into their programming, playing on their heritage. Of course, they are the WABC of their market.
 
jobs would be taken away from up and coming talent

Don't mean to be adversarial, but up-and-comers don't belong in NY, or any of the top-10 for that matter. They can cut their chops elsewhere. When you hit the city, you better be "there." NY stations don't have the time or facility for training. So if you're worried about up-and-comers losing jobs, look to Cleveland and Rochester; West Palm and Bakersfield. Look to those stations in medium and smaller markets that are running syndication or voice tracking instead of giving the local "kid" a break. But don't bemoan up-and-comers losing jobs to a Dan Ingram or Cousin Brucie Best-of show. Or a Bob Nelson live. That dog won't hunt.
 
NamJock said:
jobs would be taken away from up and coming talent

Don't mean to be adversarial, but up-and-comers don't belong in NY, or any of the top-10 for that matter. They can cut their chops elsewhere. When you hit the city, you better be "there." NY stations don't have the time or facility for training. So if you're worried about up-and-comers losing jobs, look to Cleveland and Rochester; West Palm and Bakersfield. Look to those stations in medium and smaller markets that are running syndication or voice tracking instead of giving the local "kid" a break. But don't bemoan up-and-comers losing jobs to a Dan Ingram or Cousin Brucie Best-of show. Or a Bob Nelson live. That dog won't hunt.

You're are correct about smaller market stations running syndicated programming and VT'd shifts by out of market jocks. It's a shame, but it's a fact of life as a known syndicated host, a la Tom Kent, John Tesh or even (gag) Delilah is likely to generate better numbers and spot revenues than an up and coming jock manning the same the slot would. But I don't agree with your assertion about running a "Best of" as a special or "aircheck" retrospective instead of a "live" jock. One in a while would be welcome, but not on a regular basis. I'd want to see legends like Cousin Brucie, Norm N. Nite, Don K. Reed et al, return, but only if you're talking "live" and not an almalgamation of old airchecks and computerized voice synthesizers as mentioned in a previous post.
 
Great example. John Tesh's syndicated show is stronger than local programming even in a good sized market like Long Island. He's one of KJOY's most successful dayparts.
 
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