Re: WKBO repost for Philly_Soul, TheRockofHbg, et al
Repost of some WKBO stuff for Philly_Soul and TheRockofHbg and answers to some questions:
>1) When did WKBO move from 31 North 2nd to 411 South 40th, near the Harrisburg Mall?
Late ’73 I’d guess. I was gone by then.
>2) When did they move the transmitter off the Penn Harris to City Island? I know the Hotel was torn down in August, 1973.
A month or two before that. Although I’m sure they planned to move the transmitter eventually (the West Shore signal from the Penn Harris was awful), the announced demolition of the hotel hurried it up a bit. The only down side to that move was that the daytime power had to be lowered to 750 watts and nighttime power to 175 watts to avoid interference with WITH Baltimore. While the old signal was dead to the west, it traveled unusually far to the east, and I recall getting calls from disgruntled Lebanon listeners who could no longer hear WKBO at night after the switch to the island rounded-out the pattern. Still, the signal from the island was a killer.
>3) What processors were in the audio chain to give it that "larger than life" sound?
The station was already using reverb and had a CBS Audimax/Volumax combination in the chain. Those two units were simply speeded up. Everything out of the production studio was equalized for a bright, crisp sound, and they also put a device called a SymmetraPeak in the chain, which I think was some sort of mike compressor. Later I suppose they were using one of those Dorrough 3-band processors that everyone liked so much in the 70s. It was all pretty simple stuff.
The real key to WKBO’s bigger-than-life audio was the engineer, Gary Magill, who came in from Altoona. Gary was an audio purist and thoroughly cleaned up the chain to as close to perfect as he could, considering the age of some of the equipment. I don’t know whatever became of Gary. He was one of the best.
>4) What was the format before "123 Radio KB"?
A non-descript middle-of-the-road format of the Englebert Humperdinck/Tom Jones variety. NBC News on the hour. NBC Monitor, a music-and-personality service used by many small NBC stations, ran all weekend. Not a bad station, really, just no real need for it. A typical low-budget Steinman operation, almost totally dependent on downtown advertisers, who were closing-up fast by 1970. Good personalities, Charlie Adams and Gary Brooks among them.
The old WKBO was not without merit, however. When hearings were held into Harrisburg’s racial disturbances of the late 1960s, WKBO carried them gavel-to-gavel, the only Harrisburg station to do so. They allowed Toby Young to do a “soul” show from 6-9pm weeknights, and for a while in the summer of 1970 there was a guy who did a sort-of progressive rock show from 9pm-1am. They also had a talk show, “Voice of the People,” which aired mornings from 9 til 10. The host was a guy named Joe Thomas, a real rabble-rouser and very entertaining. All of this ended with Radio KB.
>If you still have the last post, the one about "123 Radio KB", please re-post it. Fortunately, I printed out your first post.
Yes, “1-2-3 Radio KB.” That was it. “Happy Day Radio.” We even had a little song about it. I have a copy of it somewhere and a dub of the sales presentation tape they used for it. It’s a hoot. Radio KB had excellent full-time air personalities, but the format itself was just a little too wide musically. We were playing everything from the Who to Vicki Carr. Old stuffy WHP had the older adults; WCMB had the younger ones. WHYL had a big chunk of adults at that time too. There was just no room for another middle-of-the-road station. The kind of ball the Phillies were playing that season didn’t help either. And then there was the signal, which barely crossed the river at night.
>If you'll post your e-mail, I'd like to contact you.
Sorry, I don’t want to post my e-mail address on a public forum. However, I’m doing a fill-in on the Rose this Saturday from 9a-2p. You’re welcome to call. The hitlines are open at 800 655 4101.
(By request, here’s my original post, the one that got lost in the crash):
WKBO. That’s another case of “someone should write a book,” but I wouldn’t be the one to do it. The authors would have to be Bob Alexander and Dan Steele. I was only there for a couple of years early on. WKBO’s glory years were still ahead.
WKBO was another Steinman station; long on history but short on ratings. It was located on the third floor of 31 North Second Street, where it had been since the 1930s. Al Dame and his partner Michael Rea bought it in 1971 and with great fanfare launched a lively AC format with Drake’s “History of Rock and Roll” over the Memorial Day weekend. PD Wendy (Wendell) Williams was morning man, followed by Charlie Adams, Larry Hall and Gary Brooks. Charlie and Larry are now deceased. Gary, who had an enormous voice and went to WIBG from WKBO, now runs Brooks Creative Services out of Philadelphia. Wendy Williams abruptly exited, and Larry became PD and morning man. He had worked at WSBA in York and WCBM in Baltimore and was a really funny guy on the air. I was going to HACC at the time and Larry hired me to do the all night show until Dave Edwards arrived in September, and I went to weekends. Larry also hired Dan Steele for part-time.
The AC approach didn’t work out, and the decision was made to go Top 40 against WFEC. Bob Alexander was brought in as PD/morning man from WVAM Altoona. Les Howard was on middays, followed by Jonathan Harris (aka Dennis Elliott, who worked in Pittsburgh for years), Jim Roberts at night (now PD at WOLZ Ft Myers FL) and Gary Knight overnights. Gary later moved to afternoons and is now at KLDE in Houston. Dan and I were on weekends. WKBO officially went Top 40 on St. Valentine’s Day 1972, although we had been toying with it for a few weeks. The day “Black Dog” by Led Zeppelin went into rotation made it official!
Bob Alexander is now a Dauphin County parole officer, I believe. What a character. Probably one of the most clever, creative people I’ve ever met. Apart from his strong on-air personality and production abilities, he was an absolute genius at promotion. He came up with ideas that really caught people’s attention. Some were original, others recycled, but they always sounded big. WKBO’s first major promotion was giving away a shiny new 1972 Ford Mustang. There were three “Oldies” in the trunk. Listeners were put on the air hourly during the daytime and had to guess the three songs by title and artist. It took all summer but a lady from Middletown finally did it. They also gave away a swimming pool by having people guess, in a kind of a “hi-lo” manner, how many teaspoonfuls of water it would take to fill the pool. Alexander had a physics professor figure it out! We rarely did call-in-to-wins; he always gave everything an imaginative twist.
He also had a great ear for technical quality. He pushed for WKBO’s incredible audio processing, which really sounded bigger-than-life. Old equipment, older surroundings, a studio infested with monster-sized spiders that would often fall from the ceiling onto the board while you were doing a break, and a lousy signal from a tower on top of the Penn Harris Hotel. None of this mattered. The station sounded like a million. In the very first ARB after the switch, Jim Roberts was number-one at night. When Jim moved to afternoons, I did the night shift for about a year, then went to Florida in 1973. When Dan returned from WPGC in Washington in 1975, he took WKBO to the next level, eventually outranking WHP.
One of my biggest memories was Hurricane Agnes. The station had sponsored the opening of Stanley Kubrick’s “A Clockwork Orange” at the old State Theatre. That night it was raining buckets. The city was under water the next morning. Jim Roberts and I came in and took the news vehicle around, interviewing flood victims and reporting in by phone. We almost got submerged at the bottleneck in Lemoyne! Then I got stuck at the station that night when martial law was declared. I finally got out later that night and WKBO stayed on the air with music and information until the city lost power. What a time!
Like I said, I was only there a short time. There are others better qualified to talk about WKBO. Hopefully, someone will pick it up from here…