DavidKaye said:
Assuming someone wants to read about DJs who were around before most of us were born. How many people really care about Don Sherwood? Having listened to some of his airchecks, it's hard to imagine why he was so popular.
You have to listen to Sherwood in the context of the time that he was on the air. San Francisco was a different place back then, and radio was a different medium back then, too.
At the height of his popularity, Sherwood owned the city. He was on television and radio, and his name was in the papers on almost a daily basis (as evidenced by the amount of ink that Herb Caen, Bob Foster, Terrence O'Flaherty, Bill Fiset and Bob MacKenzie regularly devoted to his antics).
In the context of the times, Sherwood was as close to a Howard Stern as you could get during that era. Now, it appears tame and passe. Back then, it was cutting edge.
DavidKaye said:
And yet again, BF-T brags about the days he was on the radio. Really, how many of us care whether he worked at KFOG or KEWB or wherever?
Come on, now. He mentions occasionally that he's done a few radio shows. That's not bragging.
Radio history -- and especially local radio history -- is a niche subject with a limited audience. There are a few people that are passionate about it; there are many more who don't have any interest in it at all.
I find it to be like people who do Civil War re-enactments, or who rebuild old locomotives. Why would anybody be interested in that? There's an easy answer: because, to them, it's interesting.
Personally, I collect airchecks the way others collect baseball cards or comic books. When I find a "new" Wolfman Jack from XERB, or a "lost" Real Don Steele, it makes me happy as a clam. They ain't making them any more, and it means something to me. The value is in the eye -- and ear -- of the beholder.
From the amount of visitors that the radio museum gets online, and the time spent listening to the audio presentations, you might be surprised at how popular, relatively speaking, old radio is.
DJ