http://www.nytimes.com/2009/08/09/arts/music/09pare.html?th&emc=th
After the buzz wore off, the utopian communal aura of a Woodstock Nation gave way, almost immediately, to the reality of a Woodstock Market: a demographic target group about to have its dreams stripped of radical purpose and turned into commodities. A wider audience realized it was possible to enjoy the music, drugs and fun without the ideological trappings. Soon enough everyone was a quasi-hippie; long hair on men no longer signaled anything about what they stood for. FM radio, which was the pipeline for underground rock, traded quirky, exploratory disc jockeys for consistent formats that advertisers could depend on. Now that it was clear how large an audience was at stake — that it wasn’t just a few freaks — professionals were back in charge.
by Jon Pareles The New York Times
Tony
Tony Lyndell Williams
After the buzz wore off, the utopian communal aura of a Woodstock Nation gave way, almost immediately, to the reality of a Woodstock Market: a demographic target group about to have its dreams stripped of radical purpose and turned into commodities. A wider audience realized it was possible to enjoy the music, drugs and fun without the ideological trappings. Soon enough everyone was a quasi-hippie; long hair on men no longer signaled anything about what they stood for. FM radio, which was the pipeline for underground rock, traded quirky, exploratory disc jockeys for consistent formats that advertisers could depend on. Now that it was clear how large an audience was at stake — that it wasn’t just a few freaks — professionals were back in charge.
by Jon Pareles The New York Times
Tony
Tony Lyndell Williams