Hello all,
In a nostalgic state I recently recalled the short lived, yet exceptional WQYZ-FM/Q92.5 on the Gulf Coast (its MSA was Ocean Springs/Gulfport/Biloxi).
In its genesis, the station was very hard to pick up, though I toughly recall it stunting with MmmmBop by Hansen at the start.
The format was a fantastic presentation of 70s/80s music of the rock/pop genres. It went deep in the music bringing out what might as well be considered 'lost' cuts from some of that era's biggest music names, many who are still remembered today on radio for only a handful of their hits. I specifically remember being turned on to 2 songs played by this station, and not anywhere else then or since. They where: "Wishing (If I had a photograph of you) by A Flock of Seagulls and "The Captain of Her Heart" by Double.
The format truly exposed me to such great material that has all but been forgotten by modern radio. It helped inspire me to dig 'beyond the surface' for more great music of this era, and so much I found!
The one thing I remember most was the sound of the station. Not the music, but the overall sound coming out of the radio. It may have been some form of digital processing, but the sound was truly unique. Not then or now have I heard it, but it was awesome.
Q had in-house liners and sweepers that were very much well crafted/produced; they melted right in with the presentation. Same goes for there in house produced spots.
The Q92.5 logo was very much reminiscent of the legendary WQID logo. I recall an add on TV for the station featuring "Upside Down" by Diana Ross.
Ken Allen was half of the muscle behind the station, and he did a most impressive job with the presentation. Everything was very well crafted and tailored. Initially Allen voice tracked the station from 6A to 6P Mon-Fri. A Charles Ferris did the same on weekends and a female by the name of Pam laid generic V/T for the 6P-6A daily. The jocks presentation was stellar for voice tracking! Again, I believe due to the audio processing or an excellent Voice Track system or both.
As some time passed Q went live in the morning with Dan. Allen held afternoons and Pam's generic tracks remained on nights. Another woman, I foregut her name laid generic tracks for mid-days.
Then something tragic happened. I'm not sure what occurred "behind the scenes" but Allen was out and a new morning guy appeared. Gary Michele's showed up and really turned things off with his "community events" oriented morning talk show...no more great music of the 70s/80s in the mornings, sad. Michele's, if he or whoever was programming, did not give a flip about the format after the morning sleepy talk. Sadly things went south and Q passed into the Coast radio history books, only to be gobbled up by the giant Crap Channel and a truly visonary format lost in the sands.
I met Ken Allen once after his departure from Q. At that time he was working for the Dowdy's on Z95.3, I'm sorry I never asked why he left Q as he did a fantastic job with it!
From this tale I have 2 questions:
What is Ken Allen up to these days?
What was the reason for that 'outstanding' sound the Q put out? Was it processing? Automation software? What? It was the BES
In a nostalgic state I recently recalled the short lived, yet exceptional WQYZ-FM/Q92.5 on the Gulf Coast (its MSA was Ocean Springs/Gulfport/Biloxi).
In its genesis, the station was very hard to pick up, though I toughly recall it stunting with MmmmBop by Hansen at the start.
The format was a fantastic presentation of 70s/80s music of the rock/pop genres. It went deep in the music bringing out what might as well be considered 'lost' cuts from some of that era's biggest music names, many who are still remembered today on radio for only a handful of their hits. I specifically remember being turned on to 2 songs played by this station, and not anywhere else then or since. They where: "Wishing (If I had a photograph of you) by A Flock of Seagulls and "The Captain of Her Heart" by Double.
The format truly exposed me to such great material that has all but been forgotten by modern radio. It helped inspire me to dig 'beyond the surface' for more great music of this era, and so much I found!
The one thing I remember most was the sound of the station. Not the music, but the overall sound coming out of the radio. It may have been some form of digital processing, but the sound was truly unique. Not then or now have I heard it, but it was awesome.
Q had in-house liners and sweepers that were very much well crafted/produced; they melted right in with the presentation. Same goes for there in house produced spots.
The Q92.5 logo was very much reminiscent of the legendary WQID logo. I recall an add on TV for the station featuring "Upside Down" by Diana Ross.
Ken Allen was half of the muscle behind the station, and he did a most impressive job with the presentation. Everything was very well crafted and tailored. Initially Allen voice tracked the station from 6A to 6P Mon-Fri. A Charles Ferris did the same on weekends and a female by the name of Pam laid generic V/T for the 6P-6A daily. The jocks presentation was stellar for voice tracking! Again, I believe due to the audio processing or an excellent Voice Track system or both.
As some time passed Q went live in the morning with Dan. Allen held afternoons and Pam's generic tracks remained on nights. Another woman, I foregut her name laid generic tracks for mid-days.
Then something tragic happened. I'm not sure what occurred "behind the scenes" but Allen was out and a new morning guy appeared. Gary Michele's showed up and really turned things off with his "community events" oriented morning talk show...no more great music of the 70s/80s in the mornings, sad. Michele's, if he or whoever was programming, did not give a flip about the format after the morning sleepy talk. Sadly things went south and Q passed into the Coast radio history books, only to be gobbled up by the giant Crap Channel and a truly visonary format lost in the sands.
I met Ken Allen once after his departure from Q. At that time he was working for the Dowdy's on Z95.3, I'm sorry I never asked why he left Q as he did a fantastic job with it!
From this tale I have 2 questions:
What is Ken Allen up to these days?
What was the reason for that 'outstanding' sound the Q put out? Was it processing? Automation software? What? It was the BES