http://news.yahoo.com/s/ap/20071020/ap_en_tv/hollywood_labor
The union has give authorization to strike at the end of the month when their contracts expires.
And here is what may happen to the soap operas: http://www.nytimes.com/2007/10/20/arts/television/20cons.html?_r=1&oref=slogin
Obviously far different from the strike of 1988 when "scab" writers were put in place of the soaps(much to the frustation of writers like Marland at As The World Turns and Labine at Ryan's Hope, though I think Bell and Y&R continued to write(uncredited, of course).
And in contrast to the strike of '88(which lasted five months and caused damage to broadcast network ratings and cause increased viewership with cable), there is now the internet.
Most interesting thing from that NYT article: NBC possibly importing the British version of The Office.
The union has give authorization to strike at the end of the month when their contracts expires.
And here is what may happen to the soap operas: http://www.nytimes.com/2007/10/20/arts/television/20cons.html?_r=1&oref=slogin
[Soap operas like The Young and the Restless, viewed by some six million people a day, typically have a monthlong backlog of episodes. Because of their serial nature, soap operas do not perform well in repeats. Networks say they would try to maintain ratings during the day in the event of a strike by substituting more news and sports programming.
Obviously far different from the strike of 1988 when "scab" writers were put in place of the soaps(much to the frustation of writers like Marland at As The World Turns and Labine at Ryan's Hope, though I think Bell and Y&R continued to write(uncredited, of course).
And in contrast to the strike of '88(which lasted five months and caused damage to broadcast network ratings and cause increased viewership with cable), there is now the internet.
Most interesting thing from that NYT article: NBC possibly importing the British version of The Office.