TheBigA said:Mike Stroud said:The "inconsistency" you are referring to is indicative that most listeners like yourself are acclimated to format radio.
First of all, you're assuming I like format radio. Regular readers of my posts know that I don't. But the fact is that the Vanderbilt students, who paid for the operations of WRVU, apparently didn't like the programming on their college radio. A simple look at the ratings of other Nashville stations would show that the commercial stations, such as Lightning 100 and others, enjoyed a large student audience. My post was in response to the opinion that students don't listen to OTA radio. The facts say that assumption is wrong. But they specifically didn't listen to WRVU because of the programming, which was mainly done by non-students. In my view, the station was poorly run, and ignored the people who paid the bills. That's why it was sold. Not because students don't like OTA radio. And as I said, I have no reason to believe they'll listen in any larger numbers to the new online station as long as it continues the style of programming done on air. The advantage is it won't cost as much. And having access to a "wider audience" doesn't matter if those outside of Nashville don't know the station exists. As one who's programmed online stations, I can tell you it's easier to attract an audience for an OTA station than one that's online, regardless of the tartget demo.
I know we're running headlong into the danger of over-analyzing this to death, but let's break things down here. You claim that WRLT gets a high share of student listeners, from Arbitron or whatever source you have. We know, however, that WRLT is an anomaly in a market of Nashville's size, being independently owned and not part of a group. Unlike most commercial outlets now, WRLT has the freedom to exploit niche audiences like college kids. If you can prove that the stations under the Clear Channel, Cumulus, or whatever groups have a similar demo, I would be happy to grant you your point. But I think WRLT is a special case.
Now, as for WRVU, there is merit in the belief that the station was not well run by its so-called "e-staff." The culture of college radio smacks of a lot of elitism as in-group terms like that suggest, but it also has a large share of participatory democracy, something unknown in other media, public or commercial. When the station's management changes every year due to graduation, a college outlet runs the risk of getting unqualified people in key positions such as program director, as well as having continuity problems. The PD, above all else, is likely to cater to what he or she and his or her friends like, not necessarily what is good from a critical standpoint (music criticism means nothing in this day and age, where everybody can get his or her two cents in about an artist or band). Peer pressure does not always make for good decisions, but sometimes it does. That "hit or miss" quality is endearing to college (and community, a la WRFN) radio fans but is an attribute that makes things irritating to practically everybody else (along with formats changing every two hours, sometimes without explanation).
A more complete diagnosis of the whole student attitude situation is that the DJs were not really representative of the tastes of the student body, which are almost certainly much more conventional--Top 40, Hip-Hop, and so on. The WRVU staff just wasn't making a connection with their peers, something I know you and I agree about. I am afraid that any incentive for things to improve was taken away with the sale. Who knows, an online-only WRVU might make it, but as you say, it certainly won't if the DJs don't eat some humble pie first.