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WSM-AM GM exits, overnights automated

More news about WSM from Country Aircheck:

Ryman Hospitality Classic Country WSM-AM/Nashville's Lexi Carter has been named MD for the station and its streaming properties, Route 650 and Opry Nashville. She joined in 2017 following time with WPUR/Atlantic City and WKMK/Monmouth-Ocean. Concurrently, midddayer Mike Terry's shift has been extended to 10am-3pm as Nashville Today – hosted by Carter and Devon O'Day – has been discontinued. O'Day and overnight host Marcia Campbell have exited.
 
More news about WSM from Country Aircheck:

Ryman Hospitality Classic Country WSM-AM/Nashville's Lexi Carter has been named MD for the station and its streaming properties, Route 650 and Opry Nashville. She joined in 2017 following time with WPUR/Atlantic City and WKMK/Monmouth-Ocean. Concurrently, midddayer Mike Terry's shift has been extended to 10am-3pm as Nashville Today – hosted by Carter and Devon O'Day – has been discontinued. O'Day and overnight host Marcia Campbell have exited.

Terry does a SiriusXM show on its '80s/'90s Prime Country channel, during the hours that his WSM shift will now expand to. Not sure if he's been doing it live, but if he has, he'll probably have voicetrack it from now on.
 
Pretty sure all music announcing on SiriusXM is voicetracked.

No, there are still several live shifts, which have been mentioned in other threads in other forums, but none have mentioned Mike Terry or Prime Country, so you may well be right about his weekday timeslot.

He also does a Top 30 classic countdown of the top Billboard hits of a random year in the '80s or '90s, which is obviously voicetracked. I say "obviously" because it repeats twice a week and errors committed in the first airing are not corrected -- two weeks ago, in a 1990 countdown, the wrong song by Exile was played, despite the on-screen display reading correctly AND Mike back-announcing the correct title. The music had apparently been inserted in post-production and Terry didn't listen to any of it during his VT session, then no one cared enough to correct the error for the re-airs, which is typical of SiriusXM, unfortunately.

Anyway, with Mike having more on his plate at his primary employer, it will be interesting to see if he has to cut back on his "side hustle" for SXM.
 
Anyway, with Mike having more on his plate at his primary employer, it will be interesting to see if he has to cut back on his "side hustle" for SXM.

What might help his case is that Sirius XM also airs the Opry, so his side gig intersects with his primary employer.

And it's possible he may VT some of his expanded midday show. Because he also has hosting duties at the Opry on some nights.
 
The ratings David posted for WSM are actually much higher than I would have expected. I would’ve guessed like a 1.2.

I understand the realities of AM radio today, but I can’t help but be sad that WSM is automated overnights. So many legendary country djs worked overnight at WSM. From Eddie Hill who was the first in the very early 1950s to the greatest of all, Ralph Emery to names like Charlie Douglas, Grant Turner, Chuck Morgan, Hairl Hensley etc.

Even Tex Ritter co-hosted the overnight show at WSM in the mid 1960s.
 
So many legendary country djs worked overnight at WSM.

That was at a time when it mattered. It was the only time of day that the station played country music. The daytime hours were filled with pop standards. So people who wanted t hear country had to listen at night. It was one of the very few stations that played country music, so that gave it an audience. Now, country music is one of the most popular genres in the world, and nobody has to stay awake at night to hear it.
 
All very interesting and valid comments, above. Sadly, this institution has to be one of those "wake up call" reality checks for radio, in general and the music and entertainment industry, as a whole. WSM-AM was dominant and vibrant, much like Opryland. Time has not aged WSM-AM well. Indeed, there are few listeners under probably "about" 45 that will go out of their way to even try to listen and if they do listen, stay around listening for long. So, in a sense this is a historical style station in memory and in honor of the heyday of the GOO and the old Nashville sound and guard, that has all but been erased and forgotten. A living dinosaur. Whether or not that is a bad thing is not important. The music, industry and listeners have changed and it's all about hip, young and new energy. Which is what it was all about fifty plus years ago. When WSM-AM was playing the "old country" music we talk about today, the songs were often current hits and the stars were right there on stage to adoring fans. WSM-AM was one-stop listening. The energy of Opryland was erased and destroyed. The GOO became know to be for the old people, as fewer and fewer current stars played there.

Today, WSM-AM does actually have some reasonable advertising success and while it does not make money, it's not bleeding anyone dry and as mentioned, the marketing makes up for the losses on income statement. I cannot imagine that will be the case in five years, much less a decade. The advertisers that are there now are fading away, selling or closing. The listeners, well, we know that fate.


What is interesting is the recent decision of a Grand Ole Opry-based cable show "starring" Bobby Bones. The face of Nashville has changed dramatically. Gaylord sees the success of a downtown that they attempted to hold back and literally monopolized for many years. Now they have to join the vibe or become a total relic. I guess the Bobby Bones Grand Ole Opry show short of replaces the nights of WSM-AM (and eventual days) where listeners could not get enough. How Gaylord and Bones pull this trick off is anyone's guess. It may well work like the TV show Nashville. My guess is not important, nor can I really make an educated one. I think we really see a birth of a new generation of the new GOO and a death of anything remotely nostalgic or historically important. I guess after all, it's all just a business and not a library of unopened books collecting dust. Mostly I feel mighty old and a bit lost in my own city. Out of the important demographic.
 
That was at a time when it mattered. It was the only time of day that the station played country music. The daytime hours were filled with pop standards. So people who wanted t hear country had to listen at night. It was one of the very few stations that played country music, so that gave it an audience. Now, country music is one of the most popular genres in the world, and nobody has to stay awake at night to hear it.
I was definitely ahead of the curve when it came to wanting to syndicate at night. In the early '90s, I was stuck "playing the hits" (and bored out of my mind!) at a rinky-dink AM station that was pumping out a whopping 54 watts at night. This was only about an hour from Nashville, and everyone could hear the same songs played in living stereo at any of the FM frequencies right here in Nashville. I begged them to let me carry syndicated programming during those overnight hours, but they wouldn't hear of it. (I should point out that I did not object to working overnights--I had also worked overnights at a previous station, and would go on to work a decade's worth of overnights at another.) The problem was that this particular station didn't offer anything that anyone couldn't get with a better sound on another signal. The then-GM of this particular station was tone-deaf to any changes, and even tried AM stereo! Not long after I left, this GM was hit with a sexual harassment charge, and was soon gone himself! Then the station could undergo a badly needed format change! Even classic country might have worked better there. Their only competition was, of course, WSM. They had (while I was there) a classic country program middays, but no one ever thought to take it 24/7. Oh, well. That station is a sports talker now (has been for years now) after seemingly dozens of format changes over the years. They even have an FM translator now.
 
Today, WSM-AM does actually have some reasonable advertising success and while it does not make money, it's not bleeding anyone dry and as mentioned, the marketing makes up for the losses on income statement. I cannot imagine that will be the case in five years, much less a decade. The advertisers that are there now are fading away, selling or closing. The listeners, well, we know that fate.
Tibbs, you raise interesting issues here. Advertising still works. My parents heard advertising over WSM about taking helicopter tours of Nashville, so they looked into it, and since there was a fourth seat on the chopper (after the two of them and the pilot), they offered to take me along as well. Quite an enjoyable flight, and I still have aerial photos taken during that flight.

That was all back in 2011. My dad is now gone, and my mother only listens to WSM because my dad did. That seems like a sad reason to listen to a station, but it is what it is.
 
Sadly, this institution has to be one of those "wake up call" reality checks for radio, in general and the music and entertainment industry, as a whole.

I think that wake up call already happened. Gaylord made a decision to exit the radio business when they sold the group to Cumulus. That was a long time ago. This station has reinvented itself several times since then. Operating as a live & local 24/7 radio station is hard to maintain under the best of circumstances. Other 50kw AM stations have made adjustments. WSB Atlanta has an FM simulcast. WLW Cincinnati has its overnight trucker show. Everybody has a thing. WSM's thing is the Opry. Nobody else has that. This new partnership with Circle TV is another way to extend the brand beyond AM. Using Bones to host the Opry is a slap in the face to the current Opry radio hosts, but they don't have the TV recognition that Bones has.

So yes the music business has changed. Someone just asked me what the Opry means to the new members. I said it's different from what it meant to the old members. It used to mean it brought a national platform to regional music. Now it means heritage and class to a music that seems to have neither. There is no other place like the Opry, where the Opry owns the stage, not Live Nation or some small promoter. It's something you do as an artist when you're thinking beyond your own brand.
 
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