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WYFQ AM-FM...The Wikipedia Bug Has Bitten Me Again

Folks,

Mike Sheridan is going to love this...I've just re-written the Wikipedia article for WYFQ, including everything I remember about the 930 frequency's days as WIST (I leaned on Kahuna for some of this), its days as WSOC-AM (I hope my memory's still good) and as WYFQ...for which the BBN folks I chatted with tonight promised to view and set me straight if I drifted into error.

I also put some details about the FM station, which was initially going to be WADE-FM, but got tangled up in the estate of WADE's longtime owner Risdon Lyon and never got built.

Anyhow, take a look, reminisce a bit and if I have some facts or dates incorrect, let me know or better yet...go to Wikipedia and correct them yourself. Here's the link....

[url]http://www.wikipedia.org/wiki/WYFQ [/url]

Remember, the Wikipedia Bug is contagious!!

Later....
Matt Smith
WGSR-TV
 
Overall, nice job! Actually you taught me a few things I didn't know about the 930 spot. I knew about the swap with WIST of course. I vaguely remember Henderson Belk having something to do with either 930 or 1240. You might want to look into that.

The change from news/talk to music as AM 93 WSOC actually came in 1981 not 1982. I was hired by Program Director Don Bell to replace Mike Stevens and came to Charlotte in late September. The music was on 10 inch reels of tape produced by TM of Dallas. It was called "TMOR" their attempt to do a "Standards" format similar to the popular "Music of Your Life" which was successful at many AM stations at the time around the country. TMOR was a little more contemporary and at times the musical styles of the 1940's and the 1960's didn't blend well. Before Andy Bickel arrived the station switched music services to Toby Arnold's "Unforgetable" format which was a better blend of Adult Standards.

The end of the Adult Contemporary format and the beginning of Country on WSOC-AM came early in 1985 not 1986. The reason I remember is I had just bought a new car. We radio guys always seem to lose our jobs right after buying a new car!

Jim Wall worked with us doing the Standards format as well as the Country Gold. Jim Hutton was replaced by Dan Kelley in the fall of 1984 which gave me hope the A/C format at WSOC would continue, it didn't. Ed Ross was also an announcer at the station. Ed was a young guy with a very deep voice that made him sound much older than he was.

In morning and afternoon drive times we still did lots of news on the station with NBC news at the top of the hour and Mutual at the bottom of the hour. the network casts were followed by local news from WSOC newscasters Delores Kilgo, Lori Arrington, Martha Freeman Sellers and news director Steve Pendlebury. Steve later when on to work for the Associated Press in New York and Washington. While at WSOC Steve and I lived in the same apartment complex and became good friends. Martha went on to become assignment editor for awhile in the WBTV newsroom. Martha taught me allot about Charlotte. She had a great grasp about anything having to do with the city! Lori Arrington was very shy and nervous on the air. Imagine my surprise when I saw her as a reporter at Channel 36. The shyness replaced by confidence and athority.

WBT had a campaign which tied into Charlotte that many will probably remember called WBT Charlotte Somplace Special. We had WSOC Charlotte is Great! I have a coffee cup with that on it. Too bad the cup lasted longer than the radio station! Those were fun days when you could still hear live personalities on the radio.
 
I just gotta know Matt...what would have persuaded WIST to trade a 5 KW/1 KW signal for a local 1 KW signal at 1240?

wncmacs
 
I just gotta know Matt...what would have persuaded WIST to trade a 5 KW/1 KW signal for a local 1 KW signal at 1240?

I have wondered about that myself. I can only see one reason, and it is pure speculation. Let's suppose....

The WSOC of World War II was the weakest station in Charlotte. It was a locally-owned independent with 250 watts on 1240 kHz. The station probably just barely covered Charlotte, and were it not for the compensation it received from the NBC (Red) Network, times would have been tough to impossible.

WSOC's competition in Charlotte was WBT, the 50,000 "Blaw-Torch", with money to spare thanks to being a CBS O&O, and WAYS, then with 1,000 watts day and night and also with an NBC (Blue) network affiliation.

During the economic "freeze" on new station construction during the war, would-be broadcasters commissioned engineering studies, prepared budgets, acquired land and procured any available non-rationed materials, waiting for the war to end and the FCC to begin authorizing new stations as it had promised to do before the war.

For a city of its size, Charlotte in World War II was under-radioed. With three stations and four national networks, it was a given that the FCC would grant another station to the city. Following the war, applications tendered for two frequencies in Charlotte....930 and 1600. No doubt that WSOC would have thrown its hat into the ring for one of the frequencies if they could, but the FCC was more interested in putting more stations on than helping existing ones to become more powerful.

Of the applicants for 930, the most well-monied (it took lots of that to win out in comparative hearings back then) was Cosmos Broadcasting, owner of WIS in Columbia (now WVOC) and (I think) WFBC in Greenville (now WYRD). While WSOC might have had a viable argument with the FCC for a better facilitiy, their owners were saving what they could put back to eventually build a TV station.

So in 1947 two new stations come on the air in Charlotte....WIST at 930 and WGIV at 1600. WIST snatches up a full-time affiliation with the Mutual Broadcasting System, and WGIV becomes Charlotte's first "disc-jockey" station, playing "white" pop tunes by day, and "race" records at night.

Right away, several things became evident....1) Advertising sales in Charlotte almost ALWAYS went to WBT, with WSOC and WAYS making do with "dollar-a-holler" accounts and paid preachers. All three of the established stations guarded their accounts voraciously....2) Mutual, as an entertainment network, played very poorly in the South when compared to CBS, ABC and NBC....3) Young people were quietly turning their radios to WGIV, and turning onto the emerging R&B sounds, much to the consternation of Charlotte-area parents.

As more and more of the staples of network entertainment programming shifted from radio to television, WIST turned more of their broadcast day over to the younger sound. They stayed away from the heavy R&B that WGIV was playing, and aired more cover versions and things that would be reasonably acceptable to young, white adults. In doing this, they were going after the same, limited sources of advertising dollars not flowing to WBT or one of the other more long-established stations.

Without network compensation, and very limited advertising dollars, I'm sure that Cosmos Broadcasting eventually came to the realization that Charlotte was not a good market for them. After having built TV stations in two of South Carolina's markets, by the early 1960's they were probably looking for a way out.

Meanwhile....things were going on with WSOC. After enduring the TV freeze of the early 1950's, they secured the license to build a TV station on Channel 9. It took every bit of the local ownership's money to build WSOC-TV, and one year after putting Charlotte's second VHF TV station on the air (there was a UHF on Channel 36, but few even knew it was there) the WSOC stations were sold to Cox Broadcasting of Atlanta.

With a full stable of newspapers, radio and TV stations, Cox could apply the financial leverage that the former owners never could have mustered. And Cox was very interested in improving its stations, even if they had to resort to unconventional means to do it.

And so, we come down to the persuasive factors in the frequency swap. Cosmos wanted out of the "money-sucking hole in the broadcast ether" they had built with WIST. Cox had the money at hand to improve their investment in WSOC, plus the influence with the FCC to make the deal go through. The funds and frequencies were exchanged, and the FCC signed off on the deal.

Following the switch, Cosmos sold WIST...AM 1240 and FM 95.1...to Henderson Belk for little more than a song. WSOC...AM 930 and FM 103.7...went on to be solid players in Charlotte Radio. The AM held its own until the demise of its all-news format in 1981, the FM is still strong today.

That's the story as I have heard it. Probably more than you wanted to hear, but all of Charlotte's AM stations (and most of the FM's) have interesting stories behind them.

Later....
Matt Smith
WGSR-TV
 
Mike,

Thanks for the corrections on the dates. I knew you would know precisely. I chose not to mention music syndicators because you folks did it the "right" way, with live announcers. The general public doesn't know the difference between T-MOR, "Unforgettable" or MOYL, so I just described what you were doing by the generic terms MOR and Adult-Contemporary.

I was not aware that Delores Kilgo had done news on WSOC. She was one of the best newscasters on WBT and WBCY in those days.

Enjoyed the reminiscing, as always.

Later....
Matt Smith
WGSR-TV
 
I agree...no need to go into all the depth I did here. Most probably don't care if it's MOYL or whatever.

Yes Delores Kilgo came over to WSOC following her stint at WBCY. She was nice but very serious. There was another guy back in the news department. I think his name was Dave May. he left for Syracuse for a job at WSYR.

The board we use in the voice track studio at K-104.7 is the same board that went into WSOC-AM back in 1982. It works but has a few problems...in the CBS museum.
 
Nice story, Matt, but I think there are some fairly large holes in parts of it. For one thing, I doubt very seriously if WSOC had to struggle to find funds to put channel 9 on the air. True, they might not of had their own money, since WSOC_AM was never exactly the most successful station in Charlotte, but by the late 50s a VHF channel in a large market which was presumed to never have a third (and I think it safe to conclude that channel 36 NEVER broadcast regularly until Bahakel got hold of it) was a hugely valuable commodity--very bankable. When WSOC sold to COX they made huge bucks. BTW, I don't think Cosmos ever owned but one TV in SC---WFBC-AM-FM-TV was always owned by the Greenville News (the second Cosmos station was WSFA in Montgomery AL). Interestingly, Cosmos did go into partnership with Cox in the 60's, establishing Cox-Cosmos Cable in Charlotte and in Myrtle Beach---they shared Charlotte with Jefferson Standard who built Cablevision in Charlotte and other NC cities (the two systems in Charlotte did not overlap--eventually both were sold to TW). One thing that is forgotten is that WIST/1240 was VERY popular in Charlotte in the 60s and 70s, at times almost catching BIG WAYS in the top 40 ratings race. Surprisingly, 1240 had pretty decent coverage in the urbanized area and simucasted on FM until the late 60s when FCC regulations forced them to split---95.1 became WYFM, another "beautiful music" station, until sold to Kaplans in the early 70s. Certainly, WIST was vastly beating WSOC in the ratings during the 60s. OTOH, I believe WSOC-FM became the first big FM success story in Charlotte when they went country in the 70s--maybe not in Mecklenburg at first, WAME/1480 was very popular as a country station during that time. Of course, WGIV, even with its terrible signal (even then), was probably right up there with WAYS/WIST by number of listeners though the offical ratings may not have reflected that. One thing is for sure, Charlotte has always been an underradioed town---even then,only WBT and WAYS had competitive signals, and even when Charlotte only had 200,000 people, 4 commercial FM signals was rediculous! You have to wonder how much WBT had to do with that.....
 
Thanks for the compliment on the story. The things that went on in radio 60 years ago, and the reasons why they were done the way they were done, can only be speculation now since few people are around who were associated with broadcasting in Charlotte in that era. As I stated, I was speculating. I can do that here, where in Wikipedia articles if I don't have a pretty good certainty on something, I don't put it in an article.

A couple of things though...Earl Gluck and company put WSOC-TV together on a shoestring, running the entire operation out on Plaza Road at the transmitter site. If you get a chance to look at WSOC-TV's 25th anniversary video (they had it online for their 50th earlier this year) you'll both see and hear about staff woes and problems in the first years of operation.

WSOC had land at their AM transmitter site on North Tryon Street, and (according to the video) had started construction on TV studios there shortly after putting Channel 9 on the air. The video alluded to the fact that Cox completed the studio complex. No one is around to say for sure, but it would be a good guess that the local owners ran short of money, or defaulted on their loans (the way WBT/WBTV owned the Charlotte broadcast advertising market in those days, it's a possibility) and could not complete the studios.

Under the old "distress sale" rules, the FCC could process the sale of an insolvent broadcaster in about 90 days, which is about the amount of time from the announcement of WSOC's sale in the newspaper (seen in the video) until concrete began to be poured at 1901 North Tryon Street. Again, speculation. You can't find records that old in the FCC's online database to be certain. One thing I do know...Earl Gluck was never again involved in broadcasting in Charlotte after the sale of WSOC. Retirement...or insolvency??? Who knows?

Another point...WIST-FM at 95.1 was split off and became WRNA with Charlotte's first "Underground" rock format. WYFM at 104.7 was always an FM stand-alone, becoming WEZC in the 1970's.

Later....
Matt Smith
WGSR-TV
 
The name Dan Kelley is mentioned in WSOC's history. I believe this is the same one that worked at WVLK Lexington and gave me my first paid job in radio. What became of him?
 
Dan moved back home to Buffalo and WKBW in the mid-80s. Later, he worked for me at WBUF-FM for a few years and then a few other radio stations over the ensuing years.

I spent some time with him in May. He still lives in Buffalo and has a successful free-lance voiceover career.
 
Call Me Sherlock said:
Dan moved back home to Buffalo and WKBW in the mid-80s. Later, he worked for me at WBUF-FM for a few years and then a few other radio stations over the ensuing years.

I spent some time with him in May. He still lives in Buffalo and has a successful free-lance voiceover career.

Please when you see him tell him that I said hello. Dan's a great guy. I'm from Buffalo and we used to talk about KB all the time.

When WSOC changed format on him was he ever hot about it. He said he left a very good position at WVLK to come to WSOC. Glad to hear he is doing well, not surprised he's got quite a voice!
 
I'm glad he's doing well. As I said, in an earlier post Dan gave me my first paid gig in radio back in 1984 doing the Sunday Morning God Squad shift. He did two tours at WVLK, the first one was in the early 70's as mornings. You can hear an aircheck at www.lkyradio.com and click the "Lexington" tab and then WVLK-AM. He left for, I believe, WFBC Greenville. Dan returned to WVLK in 1982 to mornings and PD. He left two years later for Charlotte. If there is a way to contact him, please emai me at rob(at)bluegrass-museum.org.
 
A lot of interesting stuff here. I didn't know a lot of it.

I wondered how WIST could be so successful on 1240 because, when it went off the air (before becoming WHVN) I wanted to hear the end (which was literally "The End"--a song by some classic rock band) and I was at UNCC. I could hardly hear it.

I listened to WSOC all the time in the 70s. I'm almost certain the change to all news was made in 1976, not 1974. After thatl, I had to listen to WBT, which just wasn't as good--though H. A. Thompson was a great DJ.

We got our first FM radio in 1977 and I discovered WEZC and WBT-FM. We didn't get FM in a car until 1983.
 
One more detail: the link to "MOR" doesn't work but I know where there is a link that does work and I can fix that.

I think "Standards" would be a better term, even though they tried to do new songs by the likes of Kenny Rogers. But that's the station where I discovered Artie Shaw.

And it wasn't similar to the way it sounded in the 70s. Not by a long shot. Not until the mid-80s.
 
I would agree that standards would be a much better description till the last change when Andy Bickel was hired as consultant. I don't know how they ever thought we would win against WBT which was firmly entrenched.

The Toby Arnold "Unforgetable" format was probably the best chance WSOC-AM had to make a place for itself. It was a much better balanced mix of music and different from what WBT was doing. We always had a good news department. In sports we carried NC State football and basketball, Braves baseball, and UNCC basketball.

The WBT folks didn't consider us a threat at all. In fact when we were standards my friend Henry Boggan used to tell people on WBT to listen to my show on WSOC. Henry could be a gutsy guy!
 
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