Wow, this topic has been a trip back in time for me, to my high school days in Selinsgrove, listening constantly to the radio, and working at my first radio job at WSEW in high school. So when that tower went down, so did a bit of my history. That was the tower my first radio broadasts went out over.
Before I go further - please, if anybody has any pics of WSEW studios, or the outside of the house it was in (this would be 1970's) I really, really would love copies. Now, a little bit about WSEW, circa 1974-77
In high school I had met Than Mitchell, then at WKOK (Fort Augusta studios) who got me on the path to getting my FCC license. So the day I finally walked into my hometown station, WSEW, I already had that (which surprised them). That very night, they had me come in and hang out with Charlie Stake, who let me start some records, etc, and needless to say I was hooked. It would be 6 months until I got my first shift there. They didn't have any openings. But I was free to come in, hang out, help out. And boy, did I. Some kids did sports after school, I walked from Selinsgrove High to WSEW to hang out (my senior yearbook even says, "usually found at the radio station"). Classic equipment: Gates Yard board, RCA 77DX mic, Gates turntables, Ampex reel to reel. UPI teletype machine.
Bill Mahoney owned WSEW. Nick Reed was the morning man/PD, "Big" Ed Maddon did afternoons (yes he was very short), Charlie (who died at a very young age) and others did the night show. Bill, Nick and Ed were like a small-time "Selinsgrove/Sunbury rat pack". Playing Sinatra, Bennett, Peggy Lee. Everybody in that area knew them. I look back now and wish I had talked more with those guys, getting more of their history, more about the music, etc. But I was 16, what did I care. I was thrilled to be almost in radio. And then on Thanksgiving Day 1974, I was. My first shift. I followed Robert Collings, who was I guess part-time with them. Shortly after this I ended up doing weekends, most of the time Sat & Sun 6am-noon, sometimes afternoons or nights. I loved it, even though I wanted to play top 40 music for WMLP lol. This job turned out to be a radio learning experience, and a music education that to this day I am grateful for. I might not know those American standards were it not for WSEW.
We chose our own songs, from that library of course. I knew none of these artists or songs when I started (other than Frank Sinatra and Tony Bennett) - Bobby Darin, Julie London, Andy Williams, Percy Faith, Ray Conniff Singers, Jerry Vale, Sammy Davis Jr, Dean Martin.. the list goes on. Being high school kids on weekends, they didn't want us to talk much at all. The weather once an hour, but we would sneak in some other talk between some songs. It was a great high school job, and, for me, the start of a career that I'm still in.
I was sitting here thinking of things from those days at WSEW. Just randomly, I remember: the guys smoking in the studio! Ashes would be on the albums, the counter, it's hard to believe it was allowed, but that was the norm then. Some of the commercials: Bastian Tire Sales, Gary's Farmhouse Restaurant, Keo Mobile Homes, Joe Kleinbauer most of them with that reverb they seemed to love!) There really was a doorbell chime in the studio, because now and then you'd hear "Valsing Jewelers time (DING DONG) 9:05" LOL funny to think about now.
One day & event I always remember: I was either hanging out at WSEW, or working a couple hours that afternoon, not sure which. But I went onto the porch of the house, and the night guy was standing at the teletype machine, as if he had seen a ghost. "I can't believe it - Elvis died" he said. 8/16/77. I've never forgotten how that hit him.
And WSEW was doing "voice tracking" long before anybody knew that word. From 6-8pm weeknights, they had a show called "Dinner Date". Bill Mahoney voiced it, with his deep, laid back, trying-to-be-romantic sound ("Hello Dear Heart"). He picked the artists to play, and cut the voice tracks on a reel-to-reel machine. If you board op'd that show, you played the albums, mixing Bill's voice tracks in manually from reel, it seems like every 15 minutes.
WSEW was in a house - just an older, 2 story house, right along Rt. 204. The house is no longer there, it was about 50-100 feet from where the Max Media building is now. It was pretty close to the road. When you walked in, the "living room" was the reception area. To the left - and behind a full wall of glass, floor to ceiling - was the studio (I still think this looked cool). As you walked back, the next "room" is where the transmitter was. Yes, in the house, just feet from the studio! To the other side of that room was a small production room. And then out the back door, you went onto an enclosed porch that had the UPI teletype, coffee, etc. Upstairs, the "bedrooms" were the offices.
I look back on this now with fondness, especially given radio today and how different it is. It was all so quaint then. Not that I want to go back to the days of smoky studios, turntables, and cart machines, mind you. But in a way I feel lucky to have experienced radio at that time and in that way. And yes, I did go on to better radio - WILQ in Williamsport was my next step, in 1977. Then on to Keymarket, CBS, Citadel and others.
Sadly, I have NO pictures of me working at WSEW, or even just of the WSEW studio or house. So if you or anyone you know have any pics of the place, I'd be extremely grateful to be able to get copies. It would mean a lot. Back then, I was a kid thrilled to be working at a radio station, who didn't take pictures, or even think of it.
Mark Lindow
[email protected] to contact me.