ALT 949, 973 The Fan, and Sunny 981 still has 1 HD Radio left on HD3
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They're a rounding error. The only semi-mainstream without an AM tuner was the Tesla Model 3 and its stretched sibling, the Tesla Model Y. I don't have data on this, but I'd wager 99% of cars on the road today in the US have an AM tuner.How about the EVs dont have AM radio
Unless u have TuneIn but there's no Audacy stations, the only other resort is Apple CarPlay and Android Auto.They're a rounding error. The only semi-mainstream without an AM tuner was the Tesla Model 3 and its stretched sibling, the Tesla Model Y. I don't have data on this, but I'd wager 99% of cars on the road today in the US have an AM tuner.
What you're describing are simulcasts, not separately-produced HD Radio channels, and none of the examples you cite would incur music licensing fees.How about the EVs dont have AM radio, especially in the markets that dont have AM and FM version of KCBS, WBBM/WCFS, KNX, and WINS.
I've posted this in every previous discussion of this topic. Basic facts:They're a rounding error. The only semi-mainstream without an AM tuner was the Tesla Model 3 and its stretched sibling, the Tesla Model Y. I don't have data on this, but I'd wager 99% of cars on the road today in the US have an AM tuner.
What are you hearing on ‘The Torch’?Audacy dropped WLYF-HD2 soft AC from Miami and replaced it with something called "The Torch." Too bad. "Today's Life" had a South Florida vibe.
There are still very few of those, and AM will be pretty totally dead before that number of AM-less cars becomes significant.How about the EVs dont have AM radio, especially in the markets that dont have AM and FM version of KCBS, WBBM/WCFS, KNX, and WINS.
The SoundExchange royalty costs for online are pretty significant. Way more expensive than the bandwidth, which is pretty cheap these days if you know where to go.What I don't understand is how cutting those saves more money than cutting the streaming only digital channels currently being offered, especially when you consider the bulk of the HD subchannels' listening is online on the Audacy platform.
At roughly $35.00 per 1,000 impressions plus high royalty and bandwidth costs, margins are going to be low no matter what.
How will the music industry knows about this loopholeThe SoundExchange royalty costs for online are pretty significant. Way more expensive than the bandwidth, which is pretty cheap these days if you know where to go.
It's possible they're getting higher CPMs based on the data they have on their listeners. Mobile apps open up a world of tracking info that a broadcast can't.
Few audio ad campaigns go deeper than the age, gender and ethnicity of listeners.It's possible they're getting higher CPMs based on the data they have on their listeners.
While phones are tied to individuals, connectivity at home or at work are "group" based and there is no reliable data on who is actually streaming.Mobile apps open up a world of tracking info that a broadcast can't.
I'm not sure how it is a loophole; royalty costs for streaming are higher than terrestrial because 1) currently terrestrial is exempted from a royalty on the sound recording (e.g. via SoundExchange) but streaming (even by terrestrial broadcasters) isn't.How will the music industry knows about this loophole
That's true for over-the-air. But there is a lot of targeted audio advertising in streaming.Few audio ad campaigns go deeper than the age, gender and ethnicity of listeners.
OK, so everybody has a computer or smartphone..... and most of them are on YT, FB, Twitter, Spotify, Netflix, video gaming, etc.Everybody has a computer or smartphone. Fewer than 25% of the cars on the road have HD. And home units are exceedingly rare.
How many people actually stream their local stations? Few seem to show up in the ratings anywhere. I know it happens, but it can't be in the millions per large metro.
Only a handful of companies split their streams from their primary signal for the purpose of ratings. Audacy and Cox among them.OK, so everybody has a computer or smartphone..... and most of them are on YT, FB, Twitter, Spotify, Netflix, video gaming, etc.
How many people actually stream their local stations? Few seem to show up in the ratings anywhere. I know it happens, but it can't be in the millions per large metro.
radioinsight.com
It’s not about who is—-it’s about who’s able.OK, so everybody has a computer or smartphone..... and most of them are on YT, FB, Twitter, Spotify, Netflix, video gaming, etc.
How many people actually stream their local stations? Few seem to show up in the ratings anywhere. I know it happens, but it can't be in the millions per large metro.
Fair enough, but some YT vids can get more listeners/viewers in just a few days.Only
Only a handful of companies split their streams from their primary signal for the purpose of ratings. Audacy and Cox among them.
In last month's numbers WFAN New York's stream alone had a 2.0 share and a Cume of 243,700. SBS' "Mega 97.9" WSKQ had a 1 share and a Cume of 181,400.
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New York
Nielsen Audio PPM Monthly Ratings New York City (Market #1) Population: 16,299,100 Black: 2,670,400 - Hispanic: 4,273,100 Average Quarter Hour Share for Personsradioinsight.com