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Survey Shows Gen-Z Not Listening To Radio

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Blame Randy Wood. Blame America in 1955 and 1956 for being so scared of Black music (as opposed to pop music recorded by artists who were Black) that we wouldn't put it on major radio stations.
Of course, I'm not saying that only one or two people were responsible for the injustices to Black artists in the day. Sure, Pat was given his start by an individual who could easily fall into the category, but even after Pat hit the big time, he continued the pattern by ripping off material from Black writers and artists, giving them no residuals let alone credit.

If your insomnia continues, I invite you to watch the PBS documentary about Little Richard that I'd linked prior. You probably won't be surprised, but it brings to light some details that you may have missed.
 
Of course, I'm not saying that only one or two people were responsible for the injustices to Black artists in the day. Sure, Pat was given his start by an individual who could easily fall into the category, but even after Pat hit the big time, he continued the pattern by ripping off material from Black writers and artists, giving them no residuals let alone credit.

If your insomnia continues, I invite you to watch the PBS documentary about Little Richard that I'd linked prior. You probably won't be surprised, but it brings to light some details that you may have missed.
Thanks, Kelly.

Not insomnia, but a byproduct of having anchored mornings (with the attendant 3:00 am alarm) twice this week. Takes a few days to get back to normal (I’m almost always up by 6:00).
 
Blame Randy Wood. Blame America in 1955 and 1956 for being so scared of Black music (as opposed to pop music recorded by artists who were Black) that we wouldn't put it on major radio stations.

Keep in mind that some fears about black music had some basis in fact. Tutti Frutti was about gay sex. Blueberry Hill was about having sex. The words rock & roll were about having sex. Great Balls of Fire (written by Otis Blackwell) was considered by some to be blasphemous. So these were not innocent songs. The songs weren't much nicer when sung by a nice looking white boy. But I guess people felt better about it.
 
By that point, teens were no longer salable and CHRs had moved their focus to 18-34.

Exactly my point. CHR's, at least from my teen years and up, never focused on teens and were willing to figure it out once they became salable. Not that some operators might not have been forward thinking, but it certainly wasn’t many of them.
The significance of the Baby Boom to media was that it was the first generation of teenagers large enough and with time and money (an affluent post-war society that didn't look down on leisure time, allowances and after-school/summer jobs) to pitch products to.

What also happened between the early 80’s, when CHR's were still posting their hitlists in high schools and the end of the decade, when I started, was that the big box retailers came in and pushed the local businesses in similar areas out. The end happened quickly for the local mom and pop shops. The local five and dime, which was still around when I entered junior high, was gone by the time I started high school. Same with the electronic store about a half mile from my house that I occasionally walked to in order to check out the video game selection. The clothing store lasted a little longer and survived until after I graduated high school, but it was gone by the time I finished college. The local electronics store might want to advertise to teens. Same with the clothing store and the five and dime. The big box retailers, however, bought radio sparingly if they bought at all. Today, the shopping center where the clothing store was is a Walmart Neighborhood Market, a Whataburger, and a Panda Express. The strip mall a mile away that had the electronic store, a neighborhood pharmacy, a local automotive supply, a pizza joint, a similarly-themed Mexican restaurant, and a comic shop is blighted and mostly empty today. It might still have a massage parlor and a bar, but even Dollar General, which moved into the pizza parlor's spot after it closed, couldn’t make that location work. The Wendy's on the outlot, too, packed up and left years ago. I think a donut shop is there now. The outlot also had a Blockbuster video 30 years ago. It's now a liquor store. The only business in that area that was around in the early 80’s is the McDonald's on the corner. The five and dime is now a plant and garden center. Only the plant and garden center and the McDonald's are likely to use radio today, and McDonald's isn’t on the radio like it was before the Great Recession.
 
McDonald's isn’t on the radio like it was before the Great Recession.

They tend to only buy urban radio. They were among the ad sponsors of iHeart's BIN.

But they usually don't buy local radio. They might do a national buy with Urban One or Steve Harvey's syndicated show.
 
I didn't get up at 4 this morning intending to defend Landtuna and Pat Boone, and yet here I am.

I think the first mistake everyone who wasn't there at the time makes is thinking of Pat Boone as the overly earnest but slightly smug grown man telling us to all drink milk.

View attachment 5335

Next, Randy had Pat cut a cover of Fats Domino's "Ain't It A Shame" (the actual title of Fats' version), called "Ain't That A Shame". Fats got to #10 with his. Pat was #1.
I wondered why on some awards show or variety show when Cheap Trick did a hard rock version, he said he liked it.
And it was off to the races from there, because of course Randy said "let's make more!"

A dispassionate look, though, shows it wasn't long and it wasn't huge---Pat only managed #7 with The Eldorados "At My Front Door" (they got to #17). The Five Keys actually beat Pat with "Gee Whittakers"---they made it to #14, Pat only got as far as #19.

And it went on with some hits and some near-misses for most of 1956, after which white American teens were figuring it out and demanding the real deal. Also, the original artists were having some fun with Pat. Little Richard famously wrote "Long Tall Sally" at such a tempo and with so many words just to make it hard for Pat Boone to sing---knowing there'd be a cover version.
No one has mentioned his album of heavy metal.
And yeah, Pat profited, turned into a pop culture joke and fathered Debby Boone, which inflicted "You Light Up My Life" on an unsuspecting world.
I liked that song! Even the LeAnn Rimes version.
 
I like Johnny Mathis and Nat King Cole just fine, but if I can learn about new music from "the kids today," then maybe I can stave off the inevitable fossilization of my listening habits.
Fossilization implies death/dead. Music of virtually all kinds is not dead but the size of the popularity largely depends upon age, culture and prior experience.
 
Why is it when I read lines like this, I hear them being spoken in Archie Bunker's voice?
I watched that show part of the first season but, having once lived in NYC, could not stand several of the characters. I never watched the spin-off. I doubt my former opinion came from anywhere else as it's one I've had since rap came on scene.

And I sound nothing like Archie Bunker. :sneaky:
 
Landtuna is not a racist. I'd dare say that if he, Kelly and I grabbed a drink and talked politics, we'd be agreeing a hell of a lot.
I know of nobody who would consider me a racist. I've had a decent number of multicultural friends over the years. My first wife's maiden name was Lopez. I don't think the thoughts and don't walk the walk. Unless someone, of any persuasion pokes me I live and let live. It is the same with music. I like what I like and vice versa. I don't listen to specific music because of the race or behavior of the writer/performer.
So let's just knock off the "is it because they're black" loaded questions, okay?

Not because that's never valid, but because you're talking to a guy who (doing the math here) is 78 years old, whose musical tastes were formed, as ours all were, by a combination of the radio of the time and the geography of where he grew up. And who, if he were the hippest guy on the block and hung in there with the pop cultural moment until he was 40, would have lost the thread in 1985.
You nailed it. Very perceptive.
What the &*$%! is wrong with a "definite downbeat"?
It was late at night and I couldn't think of the proper word. I meant 'downbeat' as "negative" and not in a musical sense.

Tuna, not ALL rap is a hate message.
I am not qualified to say that as I hit the pre-set milliseconds after recognizing rap. However, everything I hear, from others and through the car windows, is exactly that. I assume there might be some good stuff out there but I am not inclined to look for it as the last spoken word 'song' I thought worthwhile was from Walter Brennan.

"Beautiful" and "meaningful" do not always intersect ("Things art and journalism have in common for a hundred, Alex.").
I should have connected those two words with "or".

Despite the disclaimer, you're never too old to learn some critical things, Tuna. "Thug" is an extremely loaded term and a racist dog whistle and you really should avoid it.
I honestly have never heard that definition before and have never used it that way. "Thugs" are just overall bad people who diss on everyone else or the world in general.
 
Of course, I'm not saying that only one or two people were responsible for the injustices to Black artists in the day. Sure, Pat was given his start by an individual who could easily fall into the category, but even after Pat hit the big time, he continued the pattern by ripping off material from Black writers and artists, giving them no residuals let alone credit.
Are residuals paid by the label or the actual performer?

Aren't labels responsible for placing credits on their products?

I'm just guessing here but I suspect most performers, including the once-young Pat Boone, had very little or no control as to those two items.
 
Here's where prejudice came in---Mom and Dad could convince themselves that Tutti Fruitti was just nonsense if that nice young Pat Boone was singing it.

Little Richard? That was SEX.
Of course it was. As with Elvis, Little Richard and others look at their physical performances. Pat Boone showed up in church clothes.
 
Are residuals paid by the label or the actual performer?
The label. Which during the day, were white-run.
Aren't labels responsible for placing credits on their products?
But artists like Janis Joplin, The Beatles, and to an extent; Elvis, went out of their way to give Black artists and writers credit, in spite of being discouraged by doing so from record labels. Pat Boone could have too, but instead he essentially white-washed the facts.
 
I know of nobody who would consider me a racist. I've had a decent number of multicultural friends over the years. My first wife's maiden name was Lopez. I don't think the thoughts and don't walk the walk. Unless someone, of any persuasion pokes me I live and let live. It is the same with music. I like what I like and vice versa. I don't listen to specific music because of the race or behavior of the writer/performer.
So in other words; you can't possibly be racist, because you know a lot of Black people and your first wife was Hispanic? As Michael said; calling music that is written and performed by African American artists 'Thugs', or thuggery is sending the opposite message.
I am not qualified to say that as I hit the pre-set milliseconds after recognizing rap. However, everything I hear, from others and through the car windows, is exactly that. I assume there might be some good stuff out there but I am not inclined to look for it as the last spoken word 'song' I thought worthwhile was from Walter Brennan.
Nobody is recommending you must listen to popular music today, nor is anyone forcing yourself to like it. I don't like country music personally, but would never come on here and make the claim nobody else should because it's trash. Nor would I claim that anyone who enjoys country is a hick, because saying so would be simply untrue and intolerant.
I honestly have never heard that definition before and have never used it that way. "Thugs" are just overall bad people who diss on everyone else or the world in general.
And you don't see how the term can be interpreted?
 
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